We Speak Music
Blaiz Fayah drops ‘Ghetto Whine’ ahead of album release
The highly prolific and internationally renowned Dancehall artist, Blaiz Fayah, has announced the release of his new album ‘Shatta Ting’, set to drop on February 21, 2025. ‘Money Pull Up’, the lead focus single from the album is currently going viral and has already cumulated billions of views and generated more than 200k user generated content on Tiktok in 2 months. The track earns 10k daily from a dance challenge that turned into a global trend within just a few weeks.
As influencers and enthusiastic fans all around the world join the challenge of busting some serious moves to this sizzling dancehall banger, the popularity of the track has earned it the #1 spot on the reggae / dancehall chart on Shazam, over 9 million streams on Spotify with more than 450k streams in one day and the track’s video on Youtube has surpassed 3 million views.
With his unique style, Blaiz Fayah is experiencing growing success across the globe, from Colombia to Kenya, the Netherlands, Costa Rica, and France, where he hails from. With ‘Money Pull Up’ leading his current wave of success, Blaiz currently boasts over 3 million monthly listeners and 320 million views on YouTube.
If you’re not already familiar, Blaiz Fayah emerged as a Dancehall revelation in 2018 with his hit ‘Best Gyal’, taken from the album ‘Level Up’. Between 2020 and 2023, he released the ‘Mad Ting’ series, three albums featuring collaborations with beatmakers like DJ Glad and Mafio House, with whom he has consistently delivered hits. Through this series, Blaiz Fayah showcased his diverse influences, blending elements of Dancehall, Kompa, Moombahton, Reggae, Shatta, and Zouk into his music.
Simultaneously, he has collaborated with Basshall Records, delivering some of the Dutch label biggest hits, including ‘Bad’, ‘Pon Di Ting’, ‘Pilot’, ‘Basshall Session #3’, and more recently, ‘Badman Party’. Alongside Kybba, head of Basshall Records, Blaiz Fayah has become a driving force behind the Shatta wave sweeping the international scene.
On his new album ‘Shatta Ting’, Blaiz Fayah returns to instrumentals that are far more Shatta-focused than his previous releases. Produced across Martinique, Paris, the Netherlands, and Spain, the album features collaborations with top-tier Martinican beatmakers such as DJ Glad, Mafio House, Gyzmo, Natoxie, Mikado, Bmad, as well as Kybba, Tribal Kush, and Limitlezz from the Basshall Records roster. Over the years, Blaiz Fayah has built a strong artistic connection with these accomplished producers, whose composition forms the foundation of each of his tracks.
‘Shatta Ting’ also includes two standout collaborations: the “bad queen” Maureen on ‘Money Pull Up’, and the rising star of the new generation of Martinican artists, Le Jèm’ss, on ‘Whole A Dem’. It was actually with a track by Le Jèm’ss that Blaiz Fayah launched his own label, Mad Ting Records, in late 2024.
Blaiz also just dropped ‘Ghetto Whine’, the final single before the album release. A powerful Dancehall flow on an intense Shatta production by Martinican beatmaker Mikado, ‘Ghetto Whine’ is a hot track to whine to!
To accompany the release of ‘Shatta Ting’, Blaiz Fayah will embark on an international tour with his musicians and dancers, performing in France, Europe, Canada, Latin America, and East Africa. The tour will culminate in a special gig at the iconic Olympia Hall in Paris on January 31, 2026, promising a brand-new show, fresh arrangements, and plenty of surprises!
Charlie McDonald isn’t chasing trends — he’s chasing truth. With his second single “Time,” the emerging singer-songwriter delivers a devastatingly beautiful meditation on grief, memory, and the slow erosion of the past. After gaining attention with his debut “You Broke Me” — a quietly viral track that amassed over 120,000 views — McDonald returns with a deeper, darker cut, one that proves he’s more than a one-song storyteller.
The origins of “Time” are heartbreakingly human. While clearing out an old closet, McDonald stumbled upon forgotten photos of a best friend who passed away nine years ago in a car accident. What overwhelmed him wasn’t just the rediscovered snapshots — it was how many memories had already faded. That moment of guilt and emotional paralysis became the seed for “Time,” a track that captures the fragile, cruel nature of remembering.
Sonically, “Time” sits at the intersection of cinematic pop and soulful R&B. Its arrangement is richly atmospheric — echoing the emotional resonance of artists like Labrinth or James Blake. But McDonald’s voice, hushed and heartfelt, keeps everything grounded. It’s the kind of performance that doesn’t ask for attention — it commands it by sheer vulnerability.
There’s a curious serendipity to how the song was born. While walking through a London HMV, McDonald heard Harry Styles’ “Sign of the Times.” Though the two songs share little in sound, the emotional gravity of that moment stayed with him. Hours later, just before attending a Sigur Rós concert, “Time” came to him in one overwhelming wave — and the bones of the song were written in minutes.
For McDonald, “Time” is more than a tribute — it’s a reckoning. It asks what we owe to the people we’ve lost, and what it means when even those memories start to fade. In a world overflowing with disposable pop, McDonald’s work stands as something rare: a song with a pulse, a heart, and a story worth hearing.
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