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‘Brexit Through The Non-Political Glass’ documentary released on Kanopy

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“Covid is for a couple of years, Brexit is for life.” So says one of the experts featured in ‘Brexit Through The Non-Political Glass’, a documentary that takes a fresh look at Britain’s once-in-a-generation referendum on Europe. Released on 21 March on academic VOD streaming platform Kanopy – it is already available to view on Amazon, Tubi and Xumo – the film puts politicians and public sentiment to one side, and seeks the opinions of non-partisan, world-class experts. 

With the Northern Ireland/EU trade agreement once again in the headlines, this is a timely opportunity to hear from specialist scholars and policy analysts about what Brexit really means. ‘Brexit Through The Non-Political Glass’ covers politics, economics, and the historical, social and cultural aspects of Brexit.  

On 1 January 2021, the UK’s transition period with the EU ended and new rules and regulations were agreed at the last minute. This is a time for reflection on the social phenomenon that is Brexit – which has now become a British trademark world-over, alongside the Royal family, fish and chips, and Sherlock Holmes.

Among the experts featured in the documentary are Professor Catherine Barnard from Cambridge University; Oxford University Professor Iyiola Solanke; Tim Bale, Professor of Politics at Queen Mary University, London; and Jonathan Portes, Professor of Economics and Public Policy at King’s College, London. 

Meanwhile Vernon Bogdanor, the Oxford tutor of former British prime minister David Cameron, relays what he told Cameron when he was consulted before the referendum was offered to the nation; it is astonishing to hear what his advice was.

The documentary also puts this ‘latest’ Brexit in its historical context – yes, believe it or not, this is not the first Brexit the UK has experienced; the first Brexit happened 200 years ago. Since then, the UK has had a chequered relationship with Europe, up until joining the European Economic Community in the 1960s.

Unlike transient current affairs and news programmes, this 80-minute documentary takes time to introduce the audience to Brexit’s deeper historical meanings and the multitude of sociological and cultural drivers that caused it. It is a unique approach to examining one of the most important events of our lifetime.

Nina Kojima. Photo credit: Tomo Brejc

The documentary’s director, Nina Kojima, says: “We are living in strange times where people use apps like Facebook, Twitter, TikTok and Instagram as their main source of news and media. People have lost trust in editorial sources, which were once thought correct and incorruptible, but are now looked at suspiciously – not just the News of the World saga, but in a wider sense throughout the media.

“Kanopy is a platform that is accessed by intelligent people, staff from libraries and universities. This audience is not fooled by politicians’ lies and they deserve a real, intellectual debate.”

“This film will satisfy not just scholars but all who are directly affected by this once-in-a-lifetime referendum. Many of us are still looking for the truth and the real debate on Brexit, which left us in circumstances where we are trapped in a financial crisis and never-ending strikes. The interviewees in this documentary are themselves university staff and therefore directly linked to Kanopy.”

Kanopy is an established platform for public libraries and academic institutions, including universities worldwide, and is renowned for its high-quality content library that is specifically curated for an academic audience. This new distribution deal will ensure there is a wider viewership for this relevant and important documentary.  

Featured photo credit: Malcolm Mclean for Partisan Media Limited

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Malhar Talwalkar Releases Award-Winning Short Film Pink Trees, Exploring Addiction, Recovery and Survival in Los Angeles

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Director and cinematographer Malhar Talwalkar presents Pink Trees, a compelling short film that takes an intimate and unflinching look at addiction, recovery, poverty, and survival in Los Angeles. Through the story of a recovering addict struggling to stay clean while living in a temporary housing motel, Talwalkar explores the difficult realities faced by individuals attempting to rebuild their lives in challenging circumstances.

Pink Trees follows Matthew “Job” Smith, a recovering addict battling for survival while living in a temporary housing motel surrounded by the harsh realities of urban poverty and crime. His journey reflects the instability and uncertainty that can accompany addiction recovery, particularly when individuals are attempting to overcome substance abuse without the security of stable housing and a supportive environment.

Rather than portraying recovery as a straightforward journey, Pink Trees examines the complicated circumstances that can influence an individual’s ability to remain sober. The film asks important questions about personal responsibility, environment, social institutions, and the systems that surround people struggling with addiction.

“With this film I tried to tackle the shaky and uncertain road of addiction recovery,” says Talwalkar. “My personal history with substance abuse and addiction made me keen to analyze how various individuals, based on their circumstances, deal with addiction and recovery and how much role institutions play in one’s goal to stay clean.”

Talwalkar’s personal connection to the subject matter brings an added layer of authenticity to Pink Trees. Instead of reducing addiction to a single cause or experience, the film considers the different circumstances that can shape an individual’s recovery and the challenges that can make staying clean an ongoing battle.

The short film has already earned recognition across the independent film festival circuit, receiving awards and honors from Indie Short Fest, Indie X Film Fest, LA Indies, New York International Film Awards™ (NYIFA), San Diego Movie Awards, Chicago Shorts, Latitude Film Awards, Independent Shorts Awards International Film Festival, Hollywood International Indie Film & Screenplay Awards, and Los Angeles Film Awards.

These accolades highlight the film’s growing impact within the independent filmmaking community and its ability to connect with festival audiences and industry professionals through its emotionally grounded storytelling.

At the center of Pink Trees is a question that extends beyond addiction itself: What does it really take for someone to stay clean when the circumstances around them make recovery so difficult? By placing Matthew “Job” Smith within an environment shaped by poverty, crime, and instability, Talwalkar invites audiences to look beyond stereotypes and consider the human and institutional factors that influence recovery.

Talwalkar is a Director and Cinematographer who graduated in the MFA Filmmaking Program at the New York Film Academy in Burbank, California. His work reflects a passion for telling meaningful stories that explore complex human experiences and socially relevant issues.

With Pink Trees, Talwalkar delivers more than a story about addiction. He creates a portrait of a person fighting to survive, recover, and find a path forward in an environment where simply staying clean can become a daily struggle.

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