We Speak Music
Carole Fredericks Reimagines James Brown Classic “Sex Machine” in Powerful Live Performance
A bold and electrifying reinterpretation of a funk classic arrives as the legendary Carole Fredericks delivers her own dynamic version of Get Up (I Feel Like Being a) Sex Machine, originally made famous by James Brown. Recorded live at the Auditorium Saint-Germain-des-Prés in Paris, this release captures Fredericks at the height of her vocal power, blending raw soul, blues depth, and rhythmic intensity into an unforgettable performance.
With musical direction by Jacques Veneruso, the track honors the original composition by James Brown, Bobby Byrd, and Ron Lenhoff, while infusing it with Fredericks’ signature emotional force and cross-cultural artistry.
Backed by an exceptional ensemble of musicians—Pierre-Jean Scavino (keyboards), Jean-Marc Haroutiounian (bass), Cyril Tarquiny (guitar), and Laurent Coppola (drums)—the performance is elevated further by the rich harmonies of backing vocalists Yvonne Jones and Maria Pӧpkiewicz. Together, they create a vibrant, groove-driven soundscape that bridges American funk roots with European musical sophistication.
This live recording is drawn from Fredericks’ celebrated “Couleurs et parfums Tour” (December 2–11, 1999), a period that showcased her extraordinary ability to blend languages, cultures, and genres into a cohesive artistic vision. Known for her commanding stage presence and deeply expressive voice, Fredericks transforms “Sex Machine” into a soulful, high-energy statement that is both a tribute and a reinvention.
Born in Springfield, Massachusetts, Fredericks rose to international acclaim after relocating to Paris in 1979, where she became one of the most sought-after vocalists in Europe. The younger sister of GRAMMY-winning blues artist Taj Mahal, she honed her craft performing alongside him before forging her own remarkable path. Over the course of her career, she collaborated with global icons including Eric Clapton, Elton John, and Celine Dion, while also achieving massive success as part of the trio Fredericks Goldman Jones alongside Jean-Jacques Goldman and Michael Jones.
Fredericks’ artistry was rooted in a deep love of blues, gospel, and R&B traditions, inspired by legends such as Aretha Franklin, Otis Redding, and Mahalia Jackson. Her ability to seamlessly blend these influences with French chanson and global sounds made her a singular voice in international music.
Carole Fredericks’ legacy continues to resonate with audiences worldwide. This powerful live rendition of “Sex Machine” stands as a testament to her enduring impact—reviving a timeless anthem through the voice of an artist who transcended borders, genres, and generations.
About Carole Fredericks
Carole Fredericks (1952–2001) was an American-born singer who achieved extraordinary success in France and across the francophone world. Renowned for her powerful voice and genre-blending style, she built a career spanning solo work, high-profile collaborations, and global touring. Her music continues to reach new audiences, preserving the legacy of a truly international artist.
We Speak Indie Artist
Solomon King & The Chosen Sounds the Alarm with “Blood on the Streets (In the USA)”
Solomon King & The Chosen’s “Blood on the Streets (In the USA)” hits with the force of a warning siren echoing through a fractured nation. Dark, urgent, and emotionally charged, the song captures the tension, fear, and emotional exhaustion so many people feel when looking at the state of the world today.

The production carries a cinematic heaviness, blending haunting melodies with a pulse that feels almost apocalyptic. Solomon King delivers the track with conviction and intensity, never sounding manufactured or performative. Instead, the song feels deeply personal — a reflection of heartbreak, frustration, and concern for humanity itself.
What makes “Blood on the Streets (In the USA)” resonate is that it avoids empty slogans. It speaks more to the emotional climate than politics, painting a portrait of anxiety, division, violence, and uncertainty without losing its artistic edge. The track feels timely because it channels emotions many people struggle to articulate.

There’s also something fearless about the release. Solomon King leans into uncomfortable realities while still crafting a song that is compelling musically. The result is both provocative and unforgettable — part protest anthem, part emotional outcry, and part cinematic soundtrack for uneasy times.
“Blood on the Streets (In the USA)” is not background music. It demands attention.
Watch the “Blood on the Streets” music video by Solomon King & The Chosen on Youtube here:
-
We Speak Music1 week agoNeon Reveries and Broken Frequencies: Pyrenees Love Triangle’s ‘Babylon’ Finds Beauty in the Blur
-
We Speak Music1 week agoFITZ BROTHERS Reveals New Tune ‘Unsatisfied’
-
We Speak Music5 days agoUnethical Dogma Pull Back The Dark Curtain For A Carefully Engineered Descent into Technical Melancholy
-
We Speak Music24 hours agoThe Weber Brothers Release Reflective New Single “Hello Hollow Love”
