We Speak Music
Carole Fredericks Reimagines James Brown Classic “Sex Machine” in Powerful Live Performance
A bold and electrifying reinterpretation of a funk classic arrives as the legendary Carole Fredericks delivers her own dynamic version of Get Up (I Feel Like Being a) Sex Machine, originally made famous by James Brown. Recorded live at the Auditorium Saint-Germain-des-Prés in Paris, this release captures Fredericks at the height of her vocal power, blending raw soul, blues depth, and rhythmic intensity into an unforgettable performance.
With musical direction by Jacques Veneruso, the track honors the original composition by James Brown, Bobby Byrd, and Ron Lenhoff, while infusing it with Fredericks’ signature emotional force and cross-cultural artistry.
Backed by an exceptional ensemble of musicians—Pierre-Jean Scavino (keyboards), Jean-Marc Haroutiounian (bass), Cyril Tarquiny (guitar), and Laurent Coppola (drums)—the performance is elevated further by the rich harmonies of backing vocalists Yvonne Jones and Maria Pӧpkiewicz. Together, they create a vibrant, groove-driven soundscape that bridges American funk roots with European musical sophistication.
This live recording is drawn from Fredericks’ celebrated “Couleurs et parfums Tour” (December 2–11, 1999), a period that showcased her extraordinary ability to blend languages, cultures, and genres into a cohesive artistic vision. Known for her commanding stage presence and deeply expressive voice, Fredericks transforms “Sex Machine” into a soulful, high-energy statement that is both a tribute and a reinvention.
Born in Springfield, Massachusetts, Fredericks rose to international acclaim after relocating to Paris in 1979, where she became one of the most sought-after vocalists in Europe. The younger sister of GRAMMY-winning blues artist Taj Mahal, she honed her craft performing alongside him before forging her own remarkable path. Over the course of her career, she collaborated with global icons including Eric Clapton, Elton John, and Celine Dion, while also achieving massive success as part of the trio Fredericks Goldman Jones alongside Jean-Jacques Goldman and Michael Jones.
Fredericks’ artistry was rooted in a deep love of blues, gospel, and R&B traditions, inspired by legends such as Aretha Franklin, Otis Redding, and Mahalia Jackson. Her ability to seamlessly blend these influences with French chanson and global sounds made her a singular voice in international music.
Carole Fredericks’ legacy continues to resonate with audiences worldwide. This powerful live rendition of “Sex Machine” stands as a testament to her enduring impact—reviving a timeless anthem through the voice of an artist who transcended borders, genres, and generations.
About Carole Fredericks
Carole Fredericks (1952–2001) was an American-born singer who achieved extraordinary success in France and across the francophone world. Renowned for her powerful voice and genre-blending style, she built a career spanning solo work, high-profile collaborations, and global touring. Her music continues to reach new audiences, preserving the legacy of a truly international artist.
We Speak Music
Host Bodies’ track ‘On A Roll’ Gets a Psychedelic Reinvention from Soul Glitch
Ten years after Host Bodies first released the album Daily Apparatus, “On A Roll” has found a completely new groove.
For the Daily Apparatus: 10 Year Remixes project, multi-instrumentalist and producer Nicholas Hasty, under his Soul Glitch moniker, takes the original electronic-rock track and pulls it into deeper, more psychedelic territory.
The remix keeps the energy of Host Bodies intact while opening up the track with new beats, electronic textures and expressive saxophone solos. Electric guitar, bass and layered production give it a rich, genre-blurring sound that sits somewhere between indie electronic, jazztronica, soultronica and alternative dance.
There’s something particularly satisfying about hearing a decade-old track treated not as a relic, but as raw material. Soul Glitch reshapes “On A Roll” , finding new spaces within the original and bringing his own musical language into the mix.
The result is energetic, sensual, psychedelic and unapologetically expansive.
Ten years on, “On A Roll” proves that sometimes the best way to celebrate where a song came from is to find somewhere completely new for it to go.
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