We Speak Music
Carrie Underwood And Ludacris Release New Music Video For “The Champion”
“THE CHAMPION,” A GLOBAL SENSATION, HITS NO. 1 IN 10 COUNTRIES INCLUDING THE U.S.
02 March 2018 (Toronto, ON) – Multi-platinum superstar Carrie Underwood’smusic video for her hit event anthem “The Champion” which features Ludacris premiered on NBC’s Today Show this morning before launching globally across digital platforms. The poignant and powerful montage video, directed by Jimmy Lynch, features a behind-the-scenes look at Underwood and Ludacris recording the song as well as historic moments and footage highlighting professional athletes and everyday champions. Fans have already started joining in by sharing their own champion-inspired photos and videos across social media using #TheChampion. The song was written by Underwood, Brett James, Chris DeStefano and Christopher Bridges PKA Ludacris, and was produced by Jim Jonsin.
“The Champion”, originally written to open NBC’s Super Bowl LII with its own video seen by over 131 million viewers worldwide, and was incorporated into NBC’s current coverage of the 2018 Olympic Winter Games. Globally, “The Champion” has reached No. 1 on the iTunes Top Songs chart in 10 countries including the U.S. where it held the top spot throughout its release week then rose back to the top of the chart for four consecutive days after the Super Bowl LII opening. The song also debuted Top 5 on the all-genre Top 200 US Digital Songs chart and reached No. 7 on the Spotify US Viral 50 Chart.
Underwood is currently in the studio working on her next album which will be released on Capitol Records Nashville/Universal Music Canada, the country’s leading music company. This week, Underwood garnered her 13th ACM nomination for Female Vocalist of the Year and was also nominated for Vocal Event of the Year for “The Fighter” with Keith Urban.
We Speak Music
Vinyl Floor’s Balancing Act Proves That Honest Rock Still Matters
“Balancing Act” by Vinyl Floor is a real treat. It is the sixth record from brothers Daniel and Thomas Charlie Pedersen sounds like it was made for right now and how they blend the ’60s and ’70s with modern elements never feels forced.
The production is clear and thoughtful. Every string, every horn, every vintage keyboard has space to exist. “Puppet Laureate” opens strong with real energy, while “The Swan of Eileen Lake” catches you off guard with folk warmth. “Adelaide” might be the best track, built on a lovely piano line with vocals that cut through cleanly. No hiding behind effects here.
The title track closes things out with the reflection the album’s been working toward. The core idea of finding hope in a fractured world could tip into despair easily, but Vinyl Floor stays honest about it. They’re not offering false comfort, but they’re not drowning either.
Progressive rock this restrained is rare. The arrangements serve the songs instead of overshadowing them. If anything, some moments could use more breathing room, but that’s small in a record made by people who clearly care about what they’re saying.
This is for anyone who wants rock that actually wrestles with real ideas. It counts for something.
You can listen here.
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