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Iggy Azalea Releases New Visuals For “Savior” Ft. Quavo
IGGY AZALEA RELEASES NEW VISUALS FOR “SAVIOR” FT. QUAVO
“The release of ‘Savior’ is a long time coming for Iggy Azalea fans.” – Complex
“Made for dance floors with it’s tropical-inspired house beat, ‘Savior’ finds Iggy and Quavo singing and rapping about finding someone to save them.” – XXL
“Iggy Azalea is back! The sassy Aussie has teamed up with Quavo for a new track called ‘Savior,’ and it’s absolute fire.” – Hollywood Life
01 MARCH 2018 (Toronto, ON) – Today, multi-platinum and Grammy nominated hip-hop sensation Iggy Azalea releases the artistic visuals for her massive new single, “Savior” featuring chart-topping hip-hop artist Quavo. Available to stream/purchase online now, the song arrived earlier this year via Island Records/Universal Music Canada, the country’s leading music company.
The Colin Tilley directed music video finds a vulnerable but self-assured Iggy battling two sides in an alluring Cathedral setting. “Savior” is featured as the theme music to MONSTER’s inspirational sixty second “You Deserve Better” commercial, which stars Iggy. The commercial, which spotlights the real-life story of MONSTER founder, Noel Lee, made its television debut during the fourth quarter of Super Bowl LII, coining “Savior” as the most Shazamed song of the entire game.
“Savior” is Iggy’s most intimate and personal release to date, unveiling a vulnerable side of the mega-star that has not previously been tapped into. In a vlog teased on Iggy’s socials earlier this week, she states, “I’ve never really been this honest about the things I struggle with. I always try to be really tough for everybody – especially women.”
“Balancing Act” by Vinyl Floor is a real treat. It is the sixth record from brothers Daniel and Thomas Charlie Pedersen sounds like it was made for right now and how they blend the ’60s and ’70s with modern elements never feels forced.
The production is clear and thoughtful. Every string, every horn, every vintage keyboard has space to exist. “Puppet Laureate” opens strong with real energy, while “The Swan of Eileen Lake” catches you off guard with folk warmth. “Adelaide” might be the best track, built on a lovely piano line with vocals that cut through cleanly. No hiding behind effects here.
The title track closes things out with the reflection the album’s been working toward. The core idea of finding hope in a fractured world could tip into despair easily, but Vinyl Floor stays honest about it. They’re not offering false comfort, but they’re not drowning either.
Progressive rock this restrained is rare. The arrangements serve the songs instead of overshadowing them. If anything, some moments could use more breathing room, but that’s small in a record made by people who clearly care about what they’re saying.
This is for anyone who wants rock that actually wrestles with real ideas. It counts for something.
You can listen here.
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