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CENTRAL CITY PRODUCTIONS PRESENTS THE 2019 BLACK MUSIC HONORS IN A NEW CITY AND VENUE

Published

6 years ago

August 29, 2019

Michael Walker

RICKEY SMILEY AND LETOYA LUCKETT RETURN AS HOSTS OF TELEVISION SPECIAL

XSCAPE, FREDDIE JACKSON, YOLANDA ADAMS ANDARRESTED DEVELOPMENT TO RECEIVE BLACK MUSIC HONORS RECOGNITION

Chicago based television production company Central City Productions announces the 2019 Black Music Honors television taping set to take place on Thursday, September 5th at The Cobb Energy Performing Arts Centre in Atlanta, GA. During this star-studded two-hour television special, Central City Productions (CCP) will honor artists and musicians who have influenced and made significant contributions to American music.
The honorees for this year’s Black Music Honors include Xscape who will receive the Urban Music Icon Award for the platinum selling quartet group’s 25 years in the industry. Yolanda Adams will receive the Gospel Music Icon Award. Culturally-conscience eclectic group, Arrested Development and chart-topping crooner, Freddie Jackson, whose career has spanned over 33 years, will also be honored.
“The vision behind the Black Music Honors is to recognize the trailblazers in African American music who have paved the way for the artists of today. Many of these artists have never received their much-deserved recognition,” stated Founder and Executive Producer, Don Jackson.
Television and radio personality Rickey Smiley and GRAMMY® Award-winner and actress LeToya Luckett return as co-hosts of the show, which is set to air in broadcast syndication Sept. 14 – October 20, 2019. State Farm returns as the show’s title sponsor.
The epic event will be held at The Cobb Energy Performing Arts Centre located at 2800 Cobb Galleria Pkwy, Atlanta, GA 30339. Doors open at 6 p.m. with the show taping at 7 p.m.
Tickets are available at: blackmusichonors.com and ticketmaster.com
The 4th Annual Black Music Honors show is Executive Produced by Don Jackson, with Jennifer J. Jackson serving as Producer and Michael A. Johnson as Producer and Director.
For more information on Black Music Honors, please visit www.blackmusichonors.com and connect on social media @blackmusichonors #BMH2019 and #BlackMusicMatters.

Related Topics:Black music HONORS Cardi B feature featured Freddie Jackson jay z Latoya Luckett Rickey Smiley xscape Yolanda Adams

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We Speak Comedy

Caitlin Cook’s Musical Bathroom Odyssey Hits the UK

Published

3 days ago

May 9, 2025

Joni Jones

What do cowboy dicks, milk pistols, and public toilet walls have in common? They all find a strange kind of poetry in The Writing on the Stall, the wildly inventive musical comedy from US performer Caitlin Cook, landing in the UK this summer. After sold-out runs Off-Broadway, at Edinburgh Fringe, and in London, the New York Times Critic’s Pick returns for a short UK tour—playing Brighton’s Komedia (31 May & 1 June) and Soho Theatre, London (4–7 June).

Set entirely in a public bathroom, The Writing on the Stall is anything but private. In this whip-smart and wickedly funny one-woman musical, Cook dives into the scrawled messages and mysterious wisdom etched on cubicle walls and turns them into something bold, bizarre, and unexpectedly moving. The songs are catchy, the jokes are razor-sharp, and the show isn’t afraid to get its hands dirty—literally.

Armed with a guitar and a knack for digging gold out of the obscene, Cook crafts a genre-defying hour that’s part stand-up, part cabaret, and all catharsis. This is confessional comedy with clever hooks, pitch-perfect melodies, and enough surprises to keep your eyebrows permanently raised. Expect satire, sincerity, and some surreal props—rumour has it a pair of slingshotted knickers makes a cameo.

Caitlin Cook isn’t your average musical comic. She’s Oxford-educated, New York-hardened, and streaming in the tens of millions. She’s also collaborated with some of comedy’s finest, directed offbeat hits, and performs as one-half of the musical duo 2/3rds of a Threesome. With this new UK run, she’s not just touring a show—she’s building a movement that blurs the lines between comedy, theatre, and performance art.

If you missed her during her Edinburgh frenzy, this is your chance to catch the musical everyone’s been whispering about in pub toilets and shouting about in five-star reviews. You might come for the laughs, but you’ll stay for the songs that (fair warning) may live rent-free in your head for months.