We Speak Music
Chloey Rose returns with powerfully scented ode to breaking free from past relationships ‘Ghost’!
“A spellbinding masterpiece that proves she is a force to be reckoned with in the pop music scene. With her theatrical flair and captivating vocals, Chloey delivers a powerful performance that draw comparisons to icons like Adele and Paloma Faith, setting her apart as a true talent” ~ Wonderland Magazine
Delivering powerfully scented pop ballads with a theatrical twist, Award-winning British alt-pop singer Chloey Rose is on a mission to rescue our torn souls from the carnage of modern times.
With vast experience captivating audiences all over the UK and Spain, Chloey Rose is one of those rare artists who is hard to forget quickly. Her distinctive style of songwriting draws inspiration from Kate Bush to Taylor Swift, while her panoramic, soaring, Bond-esque vocals have attracted comparisons to Adele and Paloma Faith.
Previously known best for crashing through the darkness on her much-loved cinematic debut ‘Golden Dreams’ from 2017, Chloey recently released her mesmerizingly striking new single ‘Hot To Cold’ on 17th February 2024 to much acclaim. Featuring heavily on BBC Radio and on BBC Introducing Lincolnshire & Humberside, Chloey is currently recording new music with local music producer/singer-songwriter Harry David and talented Sheffield music producer/songwriter Aron Bicskey while setting her eyes to performing all over Europe in 2024 & beyond.
With her brand new single ‘Ghost’, the small-town Grimsby, UK-born Drama & Performing Arts school teacher-by-day and vocal-slayer-by-night searches for answers about a past romance gone wrong. Co-written by Chloey Rose & Aron Bicskey, ‘Ghost’, which sounds like it could be straight out of a rom-com movie or the soundtrack for a TV drama, is based around a past haunting of a previous relationship and the memory of this which left only doubts and fears behind. However, during the bridge the lyrics begin to shed light of breaking free from these ‘monsters’, ‘free from these binds’ and being liberated leaving a great sense of hope.
On the single, Chloey explains, “I really hope this song will be very healing to people who have gone through challenges and loss. I really hope more than anything to inspire others to move ahead with confidence and remind themselves they can break free from any barriers that are holding them back. There is always a light at the end of the tunnel.”
We Speak Music
Megan Burke Turns Personal Experience into Pop Catharsis on ‘Not All Men, Apparently’
Megan Burke’s debut EP Not All Men, Apparently arrives with a title designed to provoke conversation, but beneath its pointed framing lies a deeply personal collection of songs rooted in lived experience. The project sees the Irish artist tackling themes of heartbreak, deception and emotional recovery with an unfiltered honesty that has become increasingly rare within contemporary pop.
Produced by Hungarian hitmaker Áron Somody, the EP documents Burke’s journey through a series of difficult relationships, transforming private frustrations into universally relatable songwriting. Rather than presenting neat resolutions, the songs lean into complexity, examining the lingering impact of toxic dynamics while charting a gradual path towards self-awareness. It is this willingness to confront uncomfortable truths that gives the record its emotional weight.
Among the collection’s standout moments is Make Me, the focus track that introduces a welcome sense of levity. Written as a break from the darker material surrounding it, the song captures a more playful side of Burke’s personality, embracing independence and spontaneity without abandoning the candid perspective that defines the wider project. Its inclusion adds balance to a release that might otherwise feel relentlessly introspective.
Burke’s rise has been built largely on her ability to connect directly with audiences, amassing a substantial online following while earning notable milestones including a No.1 iTunes chart position and performances at some of Ireland’s biggest venues. With Not All Men, Apparently, she delivers her most cohesive artistic statement yet, confirming her status as a compelling new voice in Irish pop and a songwriter unafraid to tell difficult stories.
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