We Speak Music
Christian Balvig & Ensemble Hermes return with dreamy neo-classical single ‘What Happened To The World’
Acclaimed composer and arranger Christian Balvig is known for his work with an array of artists and bands like Jade, Efterklang, Lowly, When Saints Go Machine and Mew, as well as his work with some of the most acclaimed orchestras like Royal Northern Sinfonia (BBC Proms), The Royal Danish Orchestra, Copenhagen Phil, London Contemporary Orchestra, The Danish Radio Broadcast Orchestra and The Norwegian Wind Ensemble.
The cinematic sound on the single and the forthcoming album, might echo Balvig’s work in the world of film and TV music. Scoring the 2025 Oscar shortlisted short movie ‘Eternal Father’ and the Danish hit series ‘Cry Wolf’ (Ulven Kommer), which has been shown on television in more than 30 countries around the globe, including Channel 4 in the UK. He was also nominated for a Harpa award for ‘Best score’ last year at the Berlinale for ‘The Son and the Moon (Min Arv Bor I Dig)’.
Balvig’s new album, ‘Find And You Will Seek’, backed by Danish string group Ensemble Hermes is set for release on 22nd May 2026 and grew organically out of this background of experiences. It is music that appeals to listeners seeking original, immersive music with space for reflection and contemplation. The second single to come from the album is called ‘What Happened To The World’. It is written from the feeling that the world sometimes goes backwards and you feel left on the platform wanting to take the train in a different direction.
“I’m trying to give the music a whispering voice here – trying to inspire thoughtful and fragile voices”, explains Balvig. “The world today feels like it’s all about being loud, getting heard in all the noise, and I feel it becomes increasingly difficult to find space for whisper”, he further adds.
‘What Happened To The World’ is ultra transparent neo-classical inspired music, with slow melodic structures, a simple chord progression and an emotional performance which starts with a floating viola solo and builds into a lush sound world, where tangible organic textures combine with otherworldly dreamy atmospheres in a rare contemplative poignancy.
Find Christian Balvig and Ensemble Hermes on tour in Denmark:
27.5 Ansgars Kirke (Odense)
28.5 Folkegaarden Festival (Aalborg)
29.5 Gnisten (Ry)
30.5 Musikhuset (Aarhus)
1.6 Basement (Copenhagen)
Swiss artist Fanny Alexandra returns with “Black Pearl Summer”, a new single that finds her exploring a more open side of her alternative sound. Released via Now Listen, the track combines coastal imagery with a story about growing through grief, pressure and the experiences that can shape a person over time.
Alexandra notes that the song is relatively summery by her own standards. She has said that her music is usually darker and that she has never been particularly drawn to the typical idea of summer, preferring cold air, jackets and rugged coastlines. That gives the release a clear sense of personality from the outset.
The song centres on Alexandra’s reflections on being 19 and spending years focused on survival rather than fully living. Those experiences are presented through the image of a black pearl, which becomes a way of considering how something worthwhile can emerge from a challenging period.
What makes the track particularly effective is the balance between its subject matter and its musical approach. The production gives the song room to breathe, while Alexandra keeps the focus firmly on the story she is telling. It means the track can be enjoyed as a seasonal release while still offering more to discover in the lyrics.
There is also a clear sense of change in the way Alexandra approaches her younger self. The song is not about returning to that period or trying to erase it. Instead, it considers what can be learned from experiences that once felt overwhelming.
“Black Pearl Summer” therefore offers newcomers a useful introduction to Alexandra’s work. It shows an artist comfortable writing about serious subjects, while also demonstrating a lighter musical side that may not be as familiar to listeners who know her darker material.
It is an interesting glimpse of what Alexandra can do when she lets a little more light into the picture.
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