We Speak Music
Rzekomo Delivers A Mysterious Record With ‘The Gray Zone of Talk’
Rzekomo clearly isn’t interested in making background music. On The Gray Zone of Talk, the Polish artist delivers a record that feels immersive, mysterious, and occasionally a little bit unsettling, in the best possible way. As the third installment in the long-running 10 times 10 gives 100 series, the album continues an already ambitious project while pushing deeper into a sound world where ambient electronics, microhouse beats, and warped jazz guitar collide.
That might sound intimidating on paper, but the album is surprisingly approachable. There’s a strong emotional core running through these tracks, especially on standout single “which,” where nostalgic guitar fragments drift above crisp electronic rhythms like memories struggling to stay intact. Rzekomo understands how to build atmosphere without losing momentum, creating tracks that feel reflective but never static.
The production throughout is stunningly detailed. Granular synthesis transforms guitars into ghostly textures, while beats pulse gently underneath layers of synths, Rhodes piano, clarinet, and orchestral flourishes. Tracks such as “is not” and “which can” bring flashes of rhythmic energy, but even the more beat-driven moments maintain the album’s dreamy, slightly melancholic atmosphere. It’s electronic music that feels cinematic without becoming overblown.
What gives The Gray Zone of Talk its identity, though, is its central idea: that silence and intuition may communicate more honestly than words ever can. Inspired by philosopher Henri Bergson, the album explores communication through absence, repetition, and emotional suggestion rather than direct statements. Thankfully, Rzekomo wears these influences lightly. The music never feels trapped beneath its concept, instead, the ideas simply deepen the emotional impact.By the end of the album’s sprawling closer, “There is no need to talk about everything,” Rzekomo has achieved something genuinely impressive: a record that feels intellectually ambitious while remaining emotionally immediate. The Gray Zone of Talk doesn’t scream for attention. It lingers quietly instead, unfolding further with every listen. In a world overloaded with noise, that restraint feels refreshing.
Purchase the album on vinyl here.
Represented by Decent Music PR, the album was developed with the support of ZAiKS as part of the Creative Support Fund (Fundusz Popierania Twórczości).
Connect with Rzekomo: Instagram, Facebook, Spotify, BandCamp
We Speak Music
VAAST drops “Remember These Days” and it seriously feels like the future of French pop
France has given the world some of its biggest electronic icons. From Daft Punk to DJ Snake and David Guetta, French artists have shaped global music culture for decades. But lately, finding a track that mixes real emotion, cinematic vibes and dance energy all at once? Pretty rare.
That’s exactly where Vaast steps in.
His new single “Remember These Days” is an addictive mix of modern French electronic production and timeless pop songwriting. Think emotional melodies, huge atmosphere, deep basslines and the kind of track you want both in your headphones at 2AM and blasting during a late-night drive.
The production blends layered synths, marimba-inspired textures, synthetic African vocal elements and immersive cinematic energy. And yes, there’s even inspiration pulled from Avatar, the legendary movie universe that defined a whole cultural era. That influence gives the track its futuristic-but-nostalgic feeling, like a memory from the future.
