We Speak Entertainment
CoCo Studios Partners with D Street Media Group and Expands into Television, Film and Theatrical Distribution.
Atlanta, Georgia, April 11th, 2018: Serial entrepreneur, CorShonda “CoCo” Springer has inked an equity partnership deal with the international production and distribution company D Street Media Group, based in New York City, and with offices in Berlin, Cape Town and Buenos Aires, Argentina. Ms. Springer is acquiring a 20% stake in the company and will be involved in all D Street’s activities as an executive producer, producer and company executive. D Street is setting up it’s new television division in Atlanta this fall, where Springer will be instrumental in developing content for the U.S. and international market.
“I have long wanted to become a player in the film and television business, not only as a creative, but also on the business side of the industry. This partnership allows me to spread my wings in a meaningful way and having ownership in businesses that I’m involved with is key to my personal and professional growth,” said Springer. She went on to say. “D Street has done a tremendous job of positioning itself as a global player, with offices around the world, a movie studio in the works in South Africa, and content development for the international market. I feel we can move the needle and change the narrative with our projects that not only have African Americans at the helm, but very importantly with casting black folk in leading roles with other international stars.”
One of the five projects D Street is producing this year that exemplifies the model is ‘The Blue Mauritius,’ the $20M dollar heist film starring Anthony Mackie and a host of other actors from all over the world. The film is slated to start production in late August in Cape Town, South Africa and will also be shot on location in Berlin, London, Paris and Acapulco Mexico. CoCo is executive producing alongside Hollywood super producer Michael Benaroya who’s responsible for such hits as ‘Lawless’ with Tom Hardy, Jessica Chastain and Shia LaBeouf. ‘The Words’ starring Bradley Cooper and Zoe Saldana and ‘Queen of the Desert’ with Nicole Kidman, James Franco and Robert Pattinson to name but a few of his films. CoCo will executive produce the Atlanta based film ‘Team Joy,’ to be directed by Emmy Award winning director Joe Tripician and produced by Joe Newcomb of Truth Entertainment, the company behind the Oscar winning film ‘Dallas Buyers Club.’ She will also serve as an executive producer for the 1960’s period piece, ‘A Dangerous Road,’ directed by the incomparable Neema Barnette, who was Ava Duvernay’s “Secret weapon” on OWN’s smash hit ‘Queen Sugar.’
“With CoCo Springer, I could not have asked for a better business partner to help take D Street to the next level. She is a smart, creative, strategic and talented business person, period. She started CoCo Studios in 2013 in Atlanta and has seen it grow into an important venue for events, high-end music video production, reality television and a successful props business,” said Dexter Davis, CEO of D Street Media Group. “I know a little bit about hard work and perseverance and CoCo delivers on both fronts. I’ve position D Street as a global player and after 15 years of working internationally, I thought it was time for us to make a play for the domestic market here in the U.S. I couldn’t be more pleased with our deal and look forward to expanding our presence to include the amazing city of Atlanta.”
The two met through Askia Innis of Luxe Concierge Connection in Atlanta, who thought they really should know each other. While running her studio and executive producing award shows for TLC, plus working with the Neighborhood Awards, Essence Festival and the Democratic National Convention, Springer also found time to develop a television pilot called ‘Greenwood Avenue,’ the story of “Black Wall Street,” an historic account of what happened in early 20th Century America when African Americans where successfully building businesses in Tulsa Oklahoma, before the race riot in 1921. The project caught the attention of Davis, who was impressed by CoCo’s relationship with William Morris Endeavor, who is packaging the series and Malcolm D. Lee, Director of the famed ‘Girls Trip’, with whom she’s taking meetings with to set up the project in Hollywood.
CoCo Springer and Dexter Davis share a vision for a truly integrated black owned international media company that also includes music publishing, a sales agency and theatrical distribution. D Street’s distribution arm started in 2007 with the help of Volkswagen who in 2006 signed a “logo placement” deal to support P&A or the marketing cost for D Street’s specialized films in North America. They plan to bring in other non-entertainment companies to support marketing campaigns geared towards building a wider domestic audience, while reducing the financial risk in a highly competitive industry.
“African Americans should definitely be looking globally to produce and distribute television and film content. Our stories travel, and we shouldn’t have to wait for others to give us permission to tell them or release them in the marketplace. D Street is serious about the business behind the entertainment industry and I’m ready to work hard to help it grow into a major force like a Lionsgate. Who knows, I might be buying into them one day,” said Ms. Springer.
We Speak Filmmakers
Malhar Talwalkar Releases Award-Winning Short Film Pink Trees, Exploring Addiction, Recovery and Survival in Los Angeles
Director and cinematographer Malhar Talwalkar presents Pink Trees, a compelling short film that takes an intimate and unflinching look at addiction, recovery, poverty, and survival in Los Angeles. Through the story of a recovering addict struggling to stay clean while living in a temporary housing motel, Talwalkar explores the difficult realities faced by individuals attempting to rebuild their lives in challenging circumstances.
Pink Trees follows Matthew “Job” Smith, a recovering addict battling for survival while living in a temporary housing motel surrounded by the harsh realities of urban poverty and crime. His journey reflects the instability and uncertainty that can accompany addiction recovery, particularly when individuals are attempting to overcome substance abuse without the security of stable housing and a supportive environment.
Rather than portraying recovery as a straightforward journey, Pink Trees examines the complicated circumstances that can influence an individual’s ability to remain sober. The film asks important questions about personal responsibility, environment, social institutions, and the systems that surround people struggling with addiction.
“With this film I tried to tackle the shaky and uncertain road of addiction recovery,” says Talwalkar. “My personal history with substance abuse and addiction made me keen to analyze how various individuals, based on their circumstances, deal with addiction and recovery and how much role institutions play in one’s goal to stay clean.”
Talwalkar’s personal connection to the subject matter brings an added layer of authenticity to Pink Trees. Instead of reducing addiction to a single cause or experience, the film considers the different circumstances that can shape an individual’s recovery and the challenges that can make staying clean an ongoing battle.
The short film has already earned recognition across the independent film festival circuit, receiving awards and honors from Indie Short Fest, Indie X Film Fest, LA Indies, New York International Film Awards™ (NYIFA), San Diego Movie Awards, Chicago Shorts, Latitude Film Awards, Independent Shorts Awards International Film Festival, Hollywood International Indie Film & Screenplay Awards, and Los Angeles Film Awards.
These accolades highlight the film’s growing impact within the independent filmmaking community and its ability to connect with festival audiences and industry professionals through its emotionally grounded storytelling.
At the center of Pink Trees is a question that extends beyond addiction itself: What does it really take for someone to stay clean when the circumstances around them make recovery so difficult? By placing Matthew “Job” Smith within an environment shaped by poverty, crime, and instability, Talwalkar invites audiences to look beyond stereotypes and consider the human and institutional factors that influence recovery.
Talwalkar is a Director and Cinematographer who graduated in the MFA Filmmaking Program at the New York Film Academy in Burbank, California. His work reflects a passion for telling meaningful stories that explore complex human experiences and socially relevant issues.
With Pink Trees, Talwalkar delivers more than a story about addiction. He creates a portrait of a person fighting to survive, recover, and find a path forward in an environment where simply staying clean can become a daily struggle.
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