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Columbia/Legacy Recordings Announce Release of Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. 6 on March 23, 2018
Columbia/Legacy Recordings, a division of Sony Music Entertainment, will release Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. 6 on March 23, 2018.
Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. 6 is available for pre-order now at https://lnk.to/TheFinalTour.
Available in 4CD boxset and digital configurations, Miles Davis & John Coltrane – The Final Tour: The Bootleg Series, Vol. 6 brings together, for the first time in an authorized edition with state-of-the-art production, five mythic concert performances as heard by lucky audiences during the epochal Spring 1960 Jazz At The Philharmonic European Tour.
Showcasing the musical chemistry shared by Miles and Trane, The Final Tour: The Bootleg Series, Vol. 6 offers five of the best recorded shows from that pivotal 1960 tour (Coltrane’s last as sideman): two shows from Paris’sL’Olympia Theater on Monday, March 21; two shows from the next night at Stockholm’s Konserthuset; and one from Copenhagen’s Tivolis Koncertsal three days later, on March 24.
The box set was produced by the multi-Grammy winning team of producers Steve Berkowitz, Michael Cuscunaand Richard Seidel. And mastered by multi-Grammy winning Sony Music engineer Mark Wilder. The set is authorized for official release by the Miles Davis Estate, the John Coltrane Estate, and Columbia Records/Legacy Recordings.
Miles Davis and John Coltrane were each implementing their own jazz revolutions at the time these recordings were made and the electrifying sonic frisson produced by the sometimes-competing/sometimes-intertwining musical visions of the artists perplexed contemporary jazz fans–many of whom were just getting acquainted with the recently-released and now iconic Kind of Blue.
“Much happened on that 1960 tour onstage and off, including powerful, emotionally charged performances in which one can hear the swinging, divergent energy of a band, and the unfiltered reactions of the European audiences: the crowd responses are indeed an inherent part of these historic performances,” writes Grammy Award®-winning music historian Ashley Kahn in his in-depth revelatory liner notes penned especially for this collection. “The common judgement on this music is that it represents a great jazz ensemble audibly straining to hold itself together…An equally convincing interpretation of the 1960 situation is that Miles and his quintet were redefining what a great band could sound like, and how much music it could contain—at one time, in one concert, even in one tune. It’s not that the bandmembers were so much apart, but rather that each were more themselves within the same unit—that divergence could co-exist and make music together.”
The repertoire performed in this collection is a veritable Miles Davis “Greatest Hits” including ” ‘Round Midnight”, “Bye Bye Blackbird”, “On Green Dolphin Street”, “Walkin’ “, “All Of You” and “Oleo”, all of which he had made his own and had been performing for some time. As well as more recent additions to the repertoire which were composed by Davis – “So What” and “All Blues” — both from Kind Of Blue.
The Final Tour is essential listening, an invitation to travel through time to experience the enduring beauty and magic of Miles and Trane at the peak of their collective powers. The ensemble includes Miles Davis (trumpet), John Coltrane (tenor sax), Wynton Kelly (piano), Paul Chambers (bass), Jimmy Cobb (drums), all of whom had been performing together since the Kind Of Blue album.
The Final Tour closes with a rare contemporaneous audio interview with John Coltrane (conducted by Swedish deejay Carl-Erik Lindgren). “Do you feel angry?,” asks Lindgren. “No, I don’t,” says Coltrane. “I was talking to a fellow the other day, and I told him, the reason I play so many sounds, maybe it sounds angry, I’m trying so many things at one time. I haven’t sorted them out.”
Originally broadcast on European radio in March 1960, these concert recordings have been long sought after and prized by collectors and are now officially available at last as the latest installment in Columbia/Legacy’s acclaimed Miles Davis Bootleg Series.
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“To Love Is To Perform”: Jada Di’Larosa’s Poetic Meditation on Love, Identity, and Solitude
On April 17, 2026, independent artist Jada Di’Larosa introduces a deeply evocative new chapter in her creative journey with the release of To Love Is To Perform. Emerging from the rich cultural undercurrent of New Orleans, Di’Larosa delivers a project that feels intimate, cinematic, and emotionally unguarded—an album that quietly lingers long after the final note fades.
Blending elements of alternative, indie, and nu-jazz, the record is less about traditional structure and more about atmosphere and emotional storytelling. It unfolds like a series of late-night reflections—soft, immersive, and deeply personal. Each track carries a sense of stillness, where restraint becomes a powerful artistic choice, allowing listeners to fully absorb the subtle complexities within her sound.
Between the Spotlight and the Shadows
Jada Di’Larosa’s artistry is shaped by a compelling dual existence. As a professional dancer and showgirl, her nights are filled with performance, light, and spectacle. Yet beyond the stage, she retreats into solitude—writing music that mirrors her introspective nature. This contrast is the emotional backbone of To Love Is To Perform, where themes of identity, vulnerability, and perception are explored with striking honesty.
Rather than presenting a polished, conventional album, Di’Larosa embraces imperfection. The project carries the raw essence of demos—unfiltered, organic, and alive. In her own words, it is “a diary” of her experiences, offering a glimpse into a world that is both quietly glamorous and deeply introspective. That authenticity gives the album its emotional weight, transforming it into something profoundly human.
Sound as Atmosphere, Silence as Language
Musically, the album is guided by minimalism and mood. Piano and violin arrangements intertwine with her haunting vocal delivery, creating a soundscape that feels almost suspended in time. Di’Larosa’s voice is uniquely her own—delicate yet assured, drifting through each composition with a poetic cadence that enhances the storytelling.
Tracks such as “showgirl” and “movie star” reflect the tension between persona and reality, while “bayou st. john” grounds the album in a sense of place and memory. The title track, “to love is to perform,” offers a philosophical lens on relationships, suggesting that love itself can be an act shaped by roles and expectations. Meanwhile, “costume” emerges as a defining moment—an exploration of identity, illusion, and the masks we wear.
Tracklist
- showgirl
- movie star
- bayou st. john
- to love is to perform
- candy
- blackbird
- spinster
- a love noir
- costume
- curtain call
A Quietly Powerful Artistic Statement
What makes To Love Is To Perform so compelling is its refusal to conform. It does not chase trends or demand attention—it invites it. The album thrives in its subtlety, rewarding listeners who are willing to slow down and engage with its emotional depth.
There is a cinematic quality throughout the record, as if each track is a scene from an unseen film—rich with symbolism, mood, and introspection. It’s an experience designed not just to be heard, but to be felt.
Defining Her Own Space
In an industry often driven by visibility and constant output, Jada Di’Larosa stands apart through intentional distance and artistic focus. She allows her work to speak on her behalf, cultivating a sense of mystery that only enhances her presence.
With To Love Is To Perform, she offers more than music—she offers perspective. It is a body of work that explores the delicate balance between who we are and who we present to the world, capturing the beauty and complexity of both.
As the release date approaches, the album positions Di’Larosa as a distinctive voice in contemporary alternative jazz—an artist unafraid to embrace vulnerability, ambiguity, and the quiet power of self-expression.
Connect with Jada Di’Larosa
Official Website: www.jadadilarosa.com
Instagram: @jada.dilarosa
Available on Spotify, Bandcamp, SoundCloud, and YouTube
For inquiries: jadadilarosa@yahoo.com
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