We Speak Music
D’Lourdes Steps Out Loud with Genre-Smashing Debut Album ‘You Get It or You Don’t
If genre is a suggestion and identity is a spectrum, D’Lourdes is painting in every color. Their debut album You Get It or You Don’t arrives as a sonic collision course—part rock opera, part confessional mixtape, and entirely its own universe. At a moment when many pop debuts play it safe, D’Lourdes explodes out of the gate with a body of work that’s brash, aching, and defiantly queer.
The Filipino-American artist, who gained early fame via TikTok and their 2022 breakout EP, has created an album that actively resists being boxed in. From the emotionally charged rock ballad “One of the Boys” to the seductive push-pull of “Get Hurt,” the project channels the angst of Paramore, the soul of R&B, and the lyrical precision of a seasoned storyteller. And yet, none of it feels derivative—because it’s filtered through D’Lourdes’ singular voice.
Trained in classical theater and seasoned on Broadway stages, D’Lourdes brings a rare gravitas to their performances. Each track pulses with the kind of drama you’d expect from an actor, but the emotion is never feigned. Instead, it feels like each note is wrestled from personal truth. “This album is about freeing myself from the fear of being misunderstood,” they explain—and that vulnerability is what gives the music its edge.
Live shows are set to follow, with two major NYC appearances already announced: Arlene’s Grocery on July 20 and The Sultan Room on September 25. The small venue choice speaks volumes—this is music meant to be felt up close, face-to-face. Fans who’ve followed D’Lourdes’ rise on Spotify and TikTok are sure to find these performances transformative, the kind that leaves you changed on the walk home.
With a debut like You Get It or You Don’t, D’Lourdes isn’t just entering the alt-pop scene—they’re redrawing its boundaries. Bold, fluid, and fully realized, the album is more than a first impression. It’s a declaration of arrival.
We Speak Music
SCARECROW’s John Blaze Delivers a Career Milestone With “Twisted” and Earns Josie Music Awards Song of the Year Nomination
John Blaze has spent nearly four decades fronting SCARECROW, the New York hard-rock outfit he founded in 1989, and in 2026 he delivered one of the most ambitious releases of his career with “Twisted.” Now, the song has reached another major milestone: “Twisted” has been nominated for Song of the Year in the Metal/Alternative category at the Josie Music Awards.
The nomination places Blaze and SCARECROW among this year’s recognized independent artists and songwriters at the Josie Music Awards, with the awards ceremony set to take place at Nashville’s legendary Grand Ole Opry. For an artist whose career has been built on persistence, independence and decades of hard-rock storytelling, the recognition gives “Twisted” an entirely new chapter.

Written by John Blaze and Chaffin, “Twisted” pulls together a lineup of guest players that reads like a rock family reunion, built around Blaze’s long-standing friendship with Dee Snider and the legacy of Twisted Sister, a band woven into SCARECROW’s story from its earliest days.
That connection goes all the way back to the beginning. SCARECROW’s original lineup featured guitarist Eddie Ojeda, best known for his work in Twisted Sister, and the two camps have remained connected ever since. “Twisted” makes that history explicit: Dee Snider appears on the record with guest vocals during the track’s climactic second verse and chorus, lending the song an instantly recognizable jolt of arena-rock power.
Snider isn’t the only marquee name in the credits. Mark Wood, founding violinist of Trans-Siberian Orchestra, contributes electrifying violin work that gives “Twisted” a cinematic sweep uncommon in modern hard rock. Rounding out the track are TJ Jordan on lead guitar and Bobby Marks on drums, creating a powerful, road-tested foundation behind Blaze’s signature gritty vocal delivery.
The Josie Music Awards nomination feels particularly fitting because “Twisted” isn’t simply another SCARECROW release. It brings together different eras of Blaze’s musical life while pushing the band’s sound forward. There’s history in the recording, but there’s also urgency. It doesn’t sound like a band looking backward. It sounds like one with unfinished business.

For Blaze, the nomination also represents recognition of a career that has largely been built outside the traditional machinery of the mainstream music business. Independent rock artists rarely survive for decades without a fierce commitment to what they do, and SCARECROW’s longevity speaks for itself. From the band’s early years and its 1991 debut, through the Blood, Sweat and 20 Years retrospective and the theatrical production I Am SCARECROW, Blaze has continued developing a world around the music rather than simply releasing songs.
That makes the Song of the Year nomination especially meaningful. After nearly four decades of building SCARECROW, Blaze now heads to the Josie Music Awards at the Grand Ole Opry with one of his most ambitious songs recognized in the Metal/Alternative category.
And there’s something wonderfully appropriate about the song that got him there.
“Twisted” connects SCARECROW’s beginnings to its present, reunites Blaze musically with figures tied to the band’s history, and demonstrates just how much fire remains in the project. With Snider and Wood contributing to the record and Blaze still driving the band he created from the ground up, the track feels less like a nostalgic reunion than a statement of survival.
Now it’s also an award-nominated song.
For John Blaze and SCARECROW, nearly four decades into the journey, “Twisted” has become more than another entry in the catalog. It’s a career milestone — and this September, that milestone is taking SCARECROW all the way to the Grand Ole Opry.
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