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Ella Brosnan Delivers Masterful Tune ‘The Devil of Time’
Ella Brosnan’s latest single, “The Devil of Time,” is a poignant and evocative addition to Australia’s indie-pop scene, showcasing the rising artist’s ability to channel profound emotion into her music. Drawing inspiration from personal experience—specifically, witnessing a loved one’s battle with a chronic illness—Brosnan delivers a track that is both heart-wrenching and uplifting, navigating the complexities of time and human suffering with remarkable grace.
Influenced by artists like Lizzy McAlpine and Gracie Abrams, Brosnan’s vocal performance in “The Devil of Time” is both powerful and sincere. Her voice, tender yet strong, guides listeners through a soundscape that delicately balances melancholy with a glimmer of hope. This contrast between sorrow and optimism is a testament to her skilful storytelling, allowing the audience to connect deeply with the emotional core of the song.
The track marks a significant milestone in Brosnan’s career, reflecting not only her growth as an artist but also her commitment to creating music that resonates on a deeply personal level. The authenticity that shines through in her lyrics and delivery is a hallmark of her work, setting her apart in the indie-pop genre.
“The Devil of Time” is more than just a song; it’s an experience that captures the universal struggle with the passage of time and the emotional toll it can take. As she continues to carve out her place in the music industry, Brosnan’s latest release solidifies her status as a rising star. With its emotional depth and compelling melody, “The Devil of Time” is poised to make a significant impact in 2024, resonating with anyone who has faced the bittersweet nature of time. Ella Brosnan is undoubtedly an artist to watch, and this track is a must-listen for fans of authentic, emotionally charged indie-pop.
We Speak Music
Waz-u drops ambient gem ‘Vermillion’ ft. Lilyg

London-based multi-instrumentalist and producer Waz-u returns with his second album, Preludes: Dusk Psalms, set for release on 16 May 2025 via independent label Biodiversity. The 15-track record further refines the artistic depth of his debut, blending electronic textures and classical compositional techniques in an intricate, immersive listening experience.
Ahead of the album release, Waz-u is dropping an exclusive vocal version of ‘Vermillion: G Major’ from the album, accompanied by its original instrumental version. ‘Vermillion’ with Lilyg will be released on 18 April 2025, evoking intimate indie-folk and pop and follows the release of a vocal version of ‘Lament’ with Tom Norrington. ‘The singles are a way to give a voice to the atmosphere of the record and to lyrically encapsulate some of the themes explored,’ explains Waz-u. ‘Lily and Tom are good friends of mine and have both been listening to early iterations of these preludes – it felt right to involve them directly on this record.’
‘Preludes: Dusk Psalms’ marks a new branch of Waz-u’s emerging sound, guided by the duality of tradition and innovation. Combining his musical roots in early ‘90s dub techno and classical music, the album weaves carefully layered synthesizers and electronics to evoke the ambience of sacred music — from the gentle timbres of a choir or an organ to the quiet, open, and reverberating spaces of a church. Also featured throughout the album is experimental musician G9 LUV, who creates textures and drones by bowing his bass guitar, resulting in cello-like sounds. The release follows Waz-u’s 2024 debut LP, Prayer For Dawn, which merged dub, techno, and electronica in an exploration of the ritualistic traditions associated with both organized religion and dance.
Bringing the album’s themes to life, Waz-u will celebrate the release of Preludes: Dusk Psalms with a special performance at Our Holy Redeemer in Clerkenwell, London on 14 May 2025. Set against the church’s resonant acoustics, the event will feature live performance arrangements, including a choir, with further details to be announced soon.

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