We Speak Music
EMERGING ARTIST SZARR RELEASES NEW SINGLE ‘OCEAN’
Multi-talented Swiss musician Szarr discovered his passion for music when he began writing songs on an old guitar at 11. Since then, he has honed his skills as a singer, songwriter, and producer sharing his art and unique sound with the world.
His music has been greatly influenced by his multicultural upbringing, which includes parents who are native to the Balkans and who have traveled extensively. This background has helped him to cross genres and produce a sound that is uniquely his own.
He returns with his brand-new single ‘Ocean’. The genre-blend of pop and indie infused with elements of afro and reggaeton, make this a flavourful release from Szarr.
The summer vibe on the production of ‘Ocean’ features instrumentation of drums, marimba, bongos, electric guitar, and synth. The freeing sound is paired with the captivating vocals from Szarr that will invite listeners to groove along.
The song is a love letter to the ocean that Szarr wrote. When he got the idea, he was in Mexico and started adding drums to his digital studio and chopping up vocals. Once he got back home, he finished the song and came up with lyrics that fit the sentiment of first-time love.
“A love letter to somebody very beautiful, in my case the ocean itself,” Szarr comments on the track.
‘Ocean’ is available on all streaming platforms.
We Speak Music
Unethical Dogma Pull Back The Dark Curtain For A Carefully Engineered Descent into Technical Melancholy
Unethical Dogma return on Behind The Dark Curtain feels less like a standalone EP and more like the final act of a deliberately constructed psychological arc. Across its runtime, the band commits fully to its horror-driven narrative framework, closing the conceptual thread that began with DUSK. The result is a release that feels cohesive, intentional, and structurally disciplined rather than loosely assembled.
Instrumentally, the EP leans heavily into polyrhythmic complexity and tightly wound djent grooves, but what stands out most is how often the band resists pure technical display in favor of atmosphere. Piano passages and choral textures are not ornamental—they function as emotional anchors, giving the heavier sections a sense of collapse rather than just aggression. The contrast between brutality and fragility is handled with noticeable care.
The vocal performance is equally dual-layered. Screamed vocals carry the narrative’s psychological deterioration with intensity, while clean vocals are used sparingly to emphasize moments of reflection or detachment. This dynamic avoids predictability by making restraint as important as force, especially in transitions where the story shifts perspective.
Lyrically and conceptually, the EP benefits from its unusual writing process, which begins with short stories before being translated into music. That foundation is audible in how scenes unfold rather than verses simply progressing. The storytelling feels cinematic, as if each track is a chapter viewed through unstable memory.
Overall, Behind The Dark Curtain succeeds most when it trusts its atmosphere over its technical ambition. It is a dense, carefully designed work that prioritizes immersion, and while it demands patience, it rewards listeners who engage with its narrative structure rather than just its surface complexity.
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