We Speak Music
EMERGING ARTIST SZARR RELEASES NEW SINGLE ‘OCEAN’
Multi-talented Swiss musician Szarr discovered his passion for music when he began writing songs on an old guitar at 11. Since then, he has honed his skills as a singer, songwriter, and producer sharing his art and unique sound with the world.
His music has been greatly influenced by his multicultural upbringing, which includes parents who are native to the Balkans and who have traveled extensively. This background has helped him to cross genres and produce a sound that is uniquely his own.
He returns with his brand-new single ‘Ocean’. The genre-blend of pop and indie infused with elements of afro and reggaeton, make this a flavourful release from Szarr.
The summer vibe on the production of ‘Ocean’ features instrumentation of drums, marimba, bongos, electric guitar, and synth. The freeing sound is paired with the captivating vocals from Szarr that will invite listeners to groove along.
The song is a love letter to the ocean that Szarr wrote. When he got the idea, he was in Mexico and started adding drums to his digital studio and chopping up vocals. Once he got back home, he finished the song and came up with lyrics that fit the sentiment of first-time love.
“A love letter to somebody very beautiful, in my case the ocean itself,” Szarr comments on the track.
‘Ocean’ is available on all streaming platforms.
Samuel Evanson closes out his defining year with ‘Christmas Bells’, a glistening synth-pop cut that feels both nostalgic and sharply future-facing. In typical Evanson fashion, the track wraps big emotion inside clean, crystalline production, pairing shivering synths with a drum pulse that flickers like fairy lights. It’s steeped in the glittery sentiment of 1980s holiday pop, but Evanson’s voice—raw, warm, and a little unsure—keeps it grounded firmly in the present.
There’s an intimacy running beneath the sparkle, a tug of vulnerability that recalls the earliest, most delicate stages of a new romance. Evanson leans into that emotional ambiguity, shaping a festive anthem that isn’t interested in perfection but in possibility. The track’s candied melodies mask a nervous heart, and that juxtaposition is exactly where his artistry thrives.
‘Christmas Bells’ ultimately lands as an unforced evolution from his acclaimed debut album. Evanson continues proving himself a master of mood and melody, and here he turns holiday tropes into something quietly affecting. It’s both a seasonal delight and a subtle reminder of why he’s become one of indie-pop’s most magnetic new voices.
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