We Speak Music
Zeroz Delivers A Cinematic Yet Confrontational New Track With ‘Year of the Broken’
Zeroz have always felt like a band built for a world where music, visuals, and narrative no longer exist separately. “Year of the Broken” leans fully into that philosophy, delivering a track that sounds as cinematic as it does confrontational.
Aidan Christopher Haughey continues to operate as the sole architect behind Zeroz’s sound and visual identity, and that singular control is audible here. The production is sharp-edged but theatrical, layering noise rock aggression with hyperpop elasticity in a way that feels deliberately larger than life.
Thematically, the song is rooted in frustration—political, personal, and cultural. It gestures toward a world under strain, led by figures who appear increasingly detached from consequence. Rather than spelling this out directly, the track expresses it through intensity, repetition, and sonic overload.
There’s also a strong undercurrent of pop culture influence, particularly Chainsaw Man, which lends the track its sense of stylized violence and emotional volatility. But this never tips into pastiche; instead, it functions as another language within Zeroz’s broader multimedia vocabulary.
With tours lined up across Japan, the UK, and France, and an upcoming app extension to the Zeroz universe, “Year of the Broken” feels less like a standalone single and more like an entry point into an expanding system. It’s chaotic, yes; but increasingly intentional in its chaos.
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We Speak Music
Host Bodies’ track ‘On A Roll’ Gets a Psychedelic Reinvention from Soul Glitch
Ten years after Host Bodies first released the album Daily Apparatus, “On A Roll” has found a completely new groove.
For the Daily Apparatus: 10 Year Remixes project, multi-instrumentalist and producer Nicholas Hasty, under his Soul Glitch moniker, takes the original electronic-rock track and pulls it into deeper, more psychedelic territory.
The remix keeps the energy of Host Bodies intact while opening up the track with new beats, electronic textures and expressive saxophone solos. Electric guitar, bass and layered production give it a rich, genre-blurring sound that sits somewhere between indie electronic, jazztronica, soultronica and alternative dance.
There’s something particularly satisfying about hearing a decade-old track treated not as a relic, but as raw material. Soul Glitch reshapes “On A Roll” , finding new spaces within the original and bringing his own musical language into the mix.
The result is energetic, sensual, psychedelic and unapologetically expansive.
Ten years on, “On A Roll” proves that sometimes the best way to celebrate where a song came from is to find somewhere completely new for it to go.
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