We Speak Actors

From stage to screen: the versatility of actress Anna Silverman

Published

2 years ago

August 2, 2023

Anna Silverman is an Israeli-Russian theatre and film actress based in London, who is known for her strong, emotional portrayals of often tragic heroines. She’s played the lead role in the Chekhov plays ‘Three Sisters’ and ‘Uncle Vanya’ on stage, as well as the much-loved Anna Karenina. Anna performs in both English and Russian, and is now moving into the film industry. Here she talks about learning from her grandfather, being part of a team and exploring new genres.

Anna, can you tell us about your beginnings as an actress?

“My love for acting began at a very young age. As a child, I was always drawn to storytelling and make-believe. I vividly remember putting on impromptu performances for my family and friends and reenacting scenes from my favourite movies and TV shows. It was in those moments that I realised how much joy and fulfilment I found in bringing characters to life and connecting with an audience.”

Who inspired you to become an actor and why?

“I was introduced to the stage from an early age by my grandfather, a famous theatre actor back in Moscow, who used the Stanislavski method. It sparked an interest in performing, so I spent my childhood growing up in the theatre, starring in productions and dreaming of leading roles in plays and movies.”

You’ve acted in a lot of theatre projects, including several lead roles?

“I had the pleasure to be part of incredible performances in leading roles, including the Anton Chekhov masterpieces ‘Three Sisters’ and ‘Uncle Vanya’. I aimed to fully inhabit the mannerisms and realities of every character.”

What has been your favourite acting project to date?

“Playing the lead role in ‘Anna Karenina’ was a dream come true for me.”

Anna is a complex and fascinating character with a rich emotional journey. As the enigmatic Anna, I had to delve deep into her psyche to understand her motivations, desires and struggles. She is a woman torn between societal expectations and her own yearnings for love and fulfilment. Her forbidden romance with Count Vronsky adds layers of passion and intensity to the character.”

What was the most challenging part of playing Anna Karenina?

“Conveying the depth of her emotions and the internal conflicts she faced. I had to embody her emotional highs and lows, from the initial excitement of falling in love to the torment of her isolation and eventual tragic fate. The role demanded a lot from me as an actress, both physically and emotionally. I worked closely with the director and the rest of the cast to bring Anna’s story to life authentically. The audience’s response to the production was overwhelming, and I felt truly humbled by the impact the performance had on people.”

How is it different working on film projects?

“I have had a great experience working on short films, which has been an incredible journey for me as an actress. These projects may be shorter in length, but they offer unique opportunities for storytelling and creative expression. One of the short films I had the privilege to be a part of was about an emotional break-up, betraying the feelings and trust between people. One of the things I appreciate most about working on short films is the close-knit nature of the production. The teams tend to be smaller, everyone involved is genuinely passionate about the project, and this fosters a strong sense of camaraderie.”

What are your plans for the future?

“I still have many dreams and aspirations! One of my biggest goals is to take on a challenging lead role in a feature film that allows me to delve into a multifaceted character.”

I’m also eager to explore different genres, from drama to comedy, and even action roles. I’ve always been passionate about social issues, and I’d love to use my platform as an actress to be part of projects that shed light on important topics and make a positive impact on society.”

www.annasilverman.co.uk

Featured photo credit: Allan Jenkins Photography

We Speak Actors

‘Elkhorn’ star Travis Lee Eller talks Westerns, character-building, and the art of the perfect hat

Published

1 week ago

February 12, 2025

Anna Sutton

Travis Lee Eller isn’t just an actor—he’s a storyteller deeply immersed in the world of Westerns, both on-screen and off. Whether portraying rugged frontiersmen or crafting authentic, weathered cowboy hats through his business, Ugly Outlaw Hats, Eller understands that every detail—especially the right hat—helps define a character. Currently, you can catch him in ‘The Rebel’, a Star Wars fan film directed by Casey Oberhansli, now streaming on YouTube. Later this year, he’ll appear in two Western short films, ‘Darlin’’ and ‘Stubborn’, both directed by Robert Gamperl and set to make the film festival rounds before landing on streaming platforms. And, of course, fans of ‘Elkhorn’ can look forward to season two, premiering in late 2025 produced by Morningstar Entertainment on the INSP Network. We caught up with Eller to talk about his career, the legacy of Westerns in Hollywood, and why the perfect hat is more than just an accessory—it’s the finishing touch that brings a character to life.

You’re known for acting in Western film and TV projects. Which ones are you most proud of?

I don’t think I play favorites when it comes to my projects. What I remember most are the experiences on set, the incredible people I’ve worked with, and the lessons I’ve learned along the way. Each project pushes me to grow as an actor. That said, I’m especially proud of my latest script, ‘No Man Was Civilized’. It’s a story I’ve spent years developing, and I’m excited to see where it goes.

What are you working on at the moment?

Right now, I’m filming season two of Elkhorn for the INSP Network. The series takes place in the 1880s and follows a young Teddy Roosevelt as he ventures west to prove himself as a cowboy. I play Joe Ferris, the town shopkeeper, and the story is rooted in true events. The new season is set to premiere in late 2025. Beyond acting, I recently finished writing a Western feature film called ‘No Man Was Civilized’, which weaves together four short stories into a single, cohesive narrative. Writing has been a long but rewarding process, and I can’t wait to see it take shape.

Your business, Ugly Outlaw Hats, is also connected to Western projects. In what way?

My hats are known for their worn, distressed look—it’s a craft I’ve spent years perfecting. Over time, actors, directors, and costume designers have reached out for custom pieces to fit specific characters. I even wear my own designs in my work. In fact, the hat I’m wearing in ‘Elkhorn’ season two is one of mine. I’ve always believed that in a Western, the hat is the final touch that defines a character. It tells a story before a single word is spoken.

How do you balance your business and acting career?

During my downtime, I’m usually making hats.The two never really interfere with each other—if anything, hat-making is therapeutic for me. I often find myself running lines in my head while working in my studio. If it weren’t for acting, I probably wouldn’t have started my business in the first place. Over time, I’ve found a rhythm that allows me to balance both without feeling overwhelmed.

What advice would you give to actors who want to appear in Westerns?

Every actor has their own approach to storytelling, character development, and capturing the right tone. There’s no single “right way” to do it. But for me, my love of Westerns comes from a deep passion for that era of American history. I grew up in a household where Westerns were always on TV, so it became part of my DNA. If I had to give one practical piece of advice? Don’t wear your hat backward. I see it happen in movies and TV shows all the time, and it always makes me cringe a little.

What upcoming projects do you have?

Right now, you can watch me in ‘The Rebel’, a Star Wars fan film directed by Casey Oberhansli, available on YouTube. Later this year, I’ll be in Darlin’ and Stubborn, two Western short films directed by Robert Gamperl, both of which will hit the festival circuit before streaming. And, of course, Elkhorn season two arrives in late 2025, produced by Morningstar Entertainment.

Beyond that, my agent, Beverly Brock, is always pitching me for new opportunities. I’m excited for whatever comes next and grateful for every step of the journey.

Featured photo credit: Morgan Weistling