We Speak Music
Get Your Groove On with Kinzoogianna’s “Cherry Devoy”

Ready to take a trip back to the groovy 80s with a modern twist? Kinzoogianna’s latest single, “Cherry Devoy” is here to teleport you to a world of funky bass riffs, electric piano magic, and jazz-funk grooves that will get your feet tapping and your heart pumping!
From her upcoming album, ‘The Clique of ’86’, this track is a dazzling tribute to the vibrant characters and infectious beats of 1986. Picture yourself in a neon-lit discotheque, surrounded by bold fashion and even bolder dance moves. That’s the vibe Kinzoogianna, aka the incredible Anna Stubbs, has conjured with “Cherry Devoy”. It’s like someone bottled the essence of the 80s and gave it a fresh, modern spin!
For those who don’t know, Anna Stubbs isn’t just any artist; she’s a powerhouse! As part of the iconic band Brotherly, she’s been at the forefront of London’s Nu Jazz, Broken Beat, and Jazztronica scenes.
“Cherry Devoy” is a musical adventure. Kinzoogianna’s expert production blends nostalgic sounds with contemporary flair, making it perfect for both old-school funk aficionados and new-age electronic music fans.
So, crank up the volume, hit play on “Cherry Devoy,” and let Kinzoogianna’s infectious energy transform your day. Whether you’re dancing in your living room or cruising down the highway, this track is your perfect soundtrack for a feel-good, funky experience. Get ready to groove and move – the 80s are back, baby, and they’ve never sounded better!
We Speak Music
Dead Tooth Drops New Single ‘You Never Do Shit’

In “You Never Do Shit,” Brooklyn’s Dead Tooth deliver a snarling, urgent post-punk single that distills their barbed energy into under four minutes of sharp-tongued wit and scuffed-up sonics. It’s a track that bristles with disdain—Zach Ellis’ vocal delivery is acidic, at times theatrical, and often more spoken than sung. There’s a punk rock immediacy here, but with the knowing wink of someone who’s watched the scene curdle and still wants to dance through the ashes.
The song began its life in a different medium—written for a fictional band on City on Fire—but the real-life iteration carries more weight. There’s a palpable satisfaction in Ellis’ decision to reclaim it, and that freedom seeps into every detail: the unkempt rhythm section, the jarring saxophone lines from John Stanesco, and the deliberate looseness that characterizes its structure.
Dead Tooth are at once participants and commentators in the culture they inhabit. Their songs are alive with noise, but also with intent—tracking the psychic hangover of nightlife, subcultural collapse, and underground scenes that burn bright and disappear too soon. Ellis’ lyrical observations land like tossed-off critiques, but underneath the smirk is something deeper, almost desperate: a desire for connection, even through chaos.
With their debut album looming, “You Never Do Shit” feels like a thesis statement. Not just of sound, but of ethos: reject slickness, embrace noise, tell the truth—even if it’s ugly. In a year when punk has mostly whispered or wandered, Dead Tooth has chosen to scream.
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