We Speak Music
goldenbloom is back with “HEating”
Goldenbloom’s latest release, “HEating”, not only delivers a powerful post-punk anthem but also holds a unique story behind its title. As the band reveals, the spelling of “HEating” is a clever portmanteau, combining the two words mentioned in the chorus: heating and eating. This creative fusion mirrors the thematic depth of the track itself.
Recorded at Brighton Electric over two intense days, “HEating” showcases goldenbloom’s return to the spotlight with a bang. Collaborating with Tigercub’s lead singer, Jamie Stephen Hall, and Grammy-nominated engineer Robin Schmidt for mastering, the track boasts a sonic punch that demands attention.
The inspiration behind “HEating” stems from the harsh reality faced by many households today. Jordan Walker explains that the song reflects the daunting choices people are forced to make between heating their homes or putting food on the table amidst rising utility prices and the overall cost of living crisis.
“HEating” encapsulates the anger and frustration of those dealing with the relentless pressures of financial instability. goldenbloom’s signature sound, characterized by intense vocals and driving instrumentation, turns the track into a cathartic anthem for the disillusioned.
For fans of post-punk music seeking substance and depth, “HEating” offers an unforgettable listening experience that lingers long after the final chord fades away.
Photo credit: Lauren Andrews
We Speak Music
Palmistry serves up stellar remix of Past Life Romeo’s acclaimed single “Sometimes, Most Nights”
Past Life Romeo is a brand-new alternative pop project, mixing electro, hyperpop and rock. There’s melancholy and a sensuality in the writing and voice of Camila, mixed with the eclectic productions of musician Carlos Loverboy (Spill Tab, Blossoms, Myd…) who co-prouced Past Life Romeo’s first EP, and the garage drums of Jim Casanova (Annie Ada…).
This first Past Life Romeo EP, scheduled for release on 24th May, titled “You Look Just Like Me”, was recorded at Motorbass and offers a mix of analog and digital; a disk that is both organic and intimate. Throughout the EP, we find the influence of Bon Iver and Burial, but also Sega Bodega or even the pop of Lorde.
The EP was mixed by James Rand (Eartheater, Sega Bodega, LSDXOXO…) and evokes introspection and intimate questions on change, self-image, gender and sexuality.
The first single to come from the EP “Sometimes, Most Nights” was released on PIAS on February 14, 2024 to acclaim from Wonderland, Radio France Inter, Tsugi, iHeart and gained features on Apple’s New Music Daily playlist, Inrocks selection of the week, month and year, Têtu selection of the month and more.
“Sometimes, Most Nights” shakes up the codes of the pop song: between verse and chorus, the line is blurred. The song’s temporality is cyclical, representative of what it evokes: a relationship that goes round and round and doesn’t move forward: “We go round and round again”. The track mixes saturated guitars reminiscent of early M83, with hyperpop production elements inspired by SOPHIE and the candid, avant-garde pop of Farrah Abraham.
“Sometimes, Most Nights” has now been remixed by Londonian singer and producer, Palmistry. His remix adds a bold shot of hyperpop, EDM, PC music and dancehall to the song, slightly sped-up, which makes it the perfect party-starter song for this summer, in the club or on a lonely day at home.
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