Gospel Music Museum Plan to Open in Chicago

Published

9 years ago

December 20, 2017

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Organizers say a gospel music museum planned for Chicago‘s South Side will be the first in the country.

The National Museum of Gospel Music will be built on the site of the Pilgrim Baptist Church in the Bronzeville neighborhood. The church’s music director and blues pianist in 1932, Thomas A. Dorsey, was hugely influential in the genre, blending Christian text with jazz and blues. And the church drew singers such as Aretha Franklin, Mahalia Jackson and James Cleveland.

The church burned down in 2006, leaving only the exterior walls.

Architect Dirk Lohan adapted a design for the project that would salvage the existing church walls. It calls for a 45,000-square-feet (4180-square-meters) facility with a glass-encased roof addition. The plans also call for exhibitions, an auditorium and listening library.

IRENE MICHAELS JOINS THE RECORDING ACADEMY — AND WHAT THAT VOTE ACTUALLY MEANS

Published

4 weeks ago

August 25, 2026

Jimmy Star

Awards nominations tell an audience an artist’s work has been noticed. Recording Academy Voting Membership tells a different story: that the artist has been recognized as a peer within the industry itself. Irene Michaels was recently named a Voting Member of the Recording Academy — the organization behind the Grammy Awards — and the distinction carries weight well beyond a title on a bio page.

Voting Membership isn’t handed out casually. It’s reserved for performers, songwriters, producers, engineers, and other creators actively working in the recording industry, and it comes with real influence: Voting Members are the people who ultimately determine Grammy nominees and winners each year. For an artist to be recognized at that level is, in effect, the industry saying her work belongs in the same conversation as the artists and professionals shaping the awards themselves.

That’s a meaningful marker for Michaels’ ongoing music career, which has moved from EPs and singles to Josie Music Award recognition and now into this kind of institutional standing. It reframes her not just as an artist building a catalog, but as a working member of the community that evaluates and honors that catalog industry-wide — someone whose judgment on music now carries an official vote.

It also adds context to everything else happening in her 2026: a triple nomination at the 12th Annual Josie Music Awards, an EP in Golden that’s earning recognition on its own merits, and a career that has spent the last several years steadily building credibility as a serious recording artist rather than a novelty comeback story. Recording Academy membership doesn’t arrive for artists still proving themselves — it arrives for artists the industry has already decided are part of it.

For Irene Michaels, whose career has spanned modeling, acting, publishing, and now music across multiple decades, the Recording Academy recognition is less a single headline than another data point in a larger pattern: an artist whose reinvention keeps being met, at every stage, with the industry taking her seriously.