We Speak Indie Artist
Ilajide Delivers A Groove-Heavy Reality Check With “BACKHAND”

Ilajide has always been a master of rhythm, not just in the way he raps but in how he produces music that feels alive, pulsing with energy and intent. His latest single, “BACKHAND”, is another prime example of his ability to craft a sound that’s both innovative and deeply rooted in hip-hop’s essence. As the second offering from his upcoming album, Pocket Jams 2, set for release on April 20th, the track fuses elements of funk, house, and R&B, creating a groove-heavy anthem that feels as fresh as it does commanding.
From the jump, “BACKHAND” establishes itself with a beat that’s impossible to ignore. Ilajide’s production swings between silky smooth and razor-sharp, layering hypnotic basslines with crisp percussion that keeps the track moving at a steady but infectious pace. There’s a bounce to it, a natural momentum that feels effortlessly cool. This is the kind of track that demands movement, whether it’s a head nod, a two-step, or a full-out dancefloor takeover. The house and funk influences seep through in the track’s warmth, giving it a groove reminiscent of classic hip-hop party records while still carrying a modern, electronic edge.
Lyrically, Ilajide leans into his signature blend of sharp wit, casual storytelling, and effortless bravado. The hook – “Put the money in my left hand / ‘Fore you get hit with the backhand” – feels like a statement of both confidence and necessity. There’s humor in it, sure, but there’s also an undeniable truth: Ilajide is done waiting for his dues. He raps with a calm but commanding energy, making it clear that whether it’s respect, payment, or appreciation, he expects it upfront. The verses flow with a conversational ease, packed with lines that balance everyday realism with clever wordplay. When he raps, “Listen my insurance expired / Bald wheel really need a few new tires / Whip like Kit after six, Knight Rider,” it’s a perfect snapshot of his ability to turn the mundane into something memorable.
At its core, “BACKHAND” is about knowing your worth and setting boundaries. It’s a hustler’s anthem, not in the flashy, exaggerated way some rap records approach the theme, but in a way that feels grounded and genuine. Ilajide isn’t just flexing for the sake of it – he’s laying down the reality of what it means to be an artist, an entrepreneur, and a person navigating the world while making sure they don’t get taken advantage of. It’s a song about making sure people come correct, about demanding what you deserve, and doing it all while maintaining a level of effortless cool.
With Pocket Jams 2 on the horizon, “BACKHAND” serves as a perfect preview of what’s to come. Ilajide continues to push his sound forward, blurring genre lines while staying true to his Detroit roots. He’s not just making music – he’s building a sonic universe that reflects his creativity, his hustle, and his refusal to be boxed in. If this single is any indication, his upcoming project is going to be one worth keeping on repeat.
We Speak Indie Artist
Marz Starlife Makes A Striking First Impression With Healing

Every once in a while, a debut comes along that doesn’t just introduce an artist – it reveals a soul. Marz Starlife’s first EP, Healing, is exactly that. It’s raw, it’s heartfelt, and it doesn’t pretend to have everything figured out. Instead, it leans into the messiness of real life – the mistakes, the heartbreak, the isolation – and tries to make sense of it all through music. Born in Jamaica, raised in the UK, and now back on the island, Marz brings a cross-cultural perspective to his storytelling, but at the heart of Healing is something deeply human: the need to reckon with the past in order to move forward.
Across the project’s standout tracks, Marz doesn’t hold back. In Bad Memories, he opens up about years lost to incarceration, fractured relationships, and the weight of regret. “Spent four birthdays locked up, baby remember me please,” he raps, in a tone that’s both matter-of-fact and aching. The production stays subdued and moody, letting the lyrics breathe. There’s no glorification of the streets here, only reflection. He admits to being young and caught up in the chase for fast money, but he also shows growth, making it clear that he’s not the same person he once was. It’s a track that lingers, not because it tries to be flashy, but because it feels real.
The title track, Healing, is where everything clicks. Marz taps into something almost spiritual as he raps, “I turn pain into power, darkness to light.” The song is layered with poetic lines and subtle emotional shifts, balancing toughness with tenderness. There’s a determination to rise above, even when the scars still sting. He reflects on his upbringing, his time in the streets, and the inner battles he continues to fight. “No shrink can understand how I’m feeling,” he says, and honestly, it’s hard not to believe him. The pain here is too specific, too lived-in. But instead of letting it swallow him, he uses it to fuel something greater.
What’s refreshing about Healing is that it doesn’t try to fit neatly into any one genre or narrative. Marz blends elements of UK hip-hop, Jamaican rhythm, and emotional rap into something that feels uniquely his own. He’s not here to be the loudest or the flashiest; he’s here to be honest. And in a world full of over-produced, over-polished music, that honesty stands out.
With Healing, Marz Starlife has given us more than a debut; he’s given us a mirror into his journey, and maybe even our own. Whether you’ve lived through similar struggles or are just someone who appreciates music with depth and heart, this EP is worth your time. It’s a reminder that healing isn’t linear, but it’s possible, and that sometimes telling your story is the most powerful thing you can do.
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