We Speak Indie Artist
Quinn Lemley’s Highly Anticipated New EP “Swinging Hot Tomato” Now Available Worldwide
Quinn Lemley has just released her highly anticipated new EP “Swinging Hot Tomato” which is now available worldwide.
Quinn Lemley is the star of Burlesque to Broadway and Rita Hayworth -The Heat Is On! Appeared on Good Morning America, Oprah and finalist on Shark Tank.
Broadway adventures: Barking Sharks; Sirens Of The Silver Screen; Born To Rhumba!Wanda and The King of Hair, Hollywood Goddess & Universal Language.
She’s co-directed/produced, Rebel Rebel The Many Lives of David Bowie, Pink Floyd’s Dark Side of The Wall, and The Ultimate Queen Celebration. She coaches and directs speakers and performers privately.
Recent charity performances include the Luce Foundation, Lifeforce in Later Years (LiLY), Pause for Peace, and Wonderama TV in Times Square.
“Swinging Hot Tomato” is a sexy, playful, fun recording that has a 60’s lounge kitch vibe, and is a six song remixed/remastered EP of big band crime jazz/swing.
“Swinging Hot Tomato” track list:
“Mister Ninety Miles An Hour”
“On The Money”
“Thirteen Men”
“All You Want To Do Is Dance”
“I Want To Be Evil”
“Hotel York”
Stream “Swinging Hot Tomato” By Quinn Lemley on Spotify here:
The official website for Quinn Lemley may be found at https://www.quinnlemley.com
Watch Secrets of The Stage with Quinn Lemley about lifestyle & entertainment. Airs Every Sunday on www.MNN.org Channel 4 at 7:30 PM EST or subscribe at www.QuinnLemley.com
Love songs are easy to write and hard to believe. Frankie 5Ø3 gets that, and “R0LL3RC0AST3R” lands because it sounds lived-in, not manufactured.
Pulled from UN P0C0 EM0, the track avoids the usual clichés by keeping its focus on the details. The writing came from a trip to Saint George Island, with long hours spent on a dock and a melody forming somewhere between the guitar and the view. You can hear that setting in the final version. It feels open, calm, and personal.
Musically, it leans into warmth. Acoustic guitar carries the emotional weight, while electric guitar and keys give it texture without pulling attention away from the message. Nothing is fighting for space. Everything points back to the feeling.
That feeling is straightforward: being so in love that language stops cooperating. Frankie writes for that exact moment, when someone changes your world and suddenly every normal sentence feels too small.
What makes “R0LL3RC0AST3R” memorable is that it trusts the emotion instead of trying to oversell it. It sounds like someone saying what they mean, and that still goes a long way.
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