We Speak Music
I’MMORTAL Dops Hypnotic New Single ‘Uncanny Valley’
Boundary-pushing artist I’MMORTAL is back with ‘Uncanny Valley’, a track that pulls listeners into a thrilling, eerie world where technology and humanity blur. This release is packed with ghostly vocals, warped autotune, and spine-tingling effects, delivering an experience that’s both unsettling and impossible to turn away from.
Mixing trap, EDM, and avant-pop, ‘Uncanny Valley’ sounds like a soundtrack for a sci-fi fever dream. Ominous sound effects, creeping basslines, and unpredictable synths pull the listener in before the song explodes into a high-energy, club-ready drop, only to leave you stranded in a glitchy, futuristic abyss.
The lyrics leave things deliciously unclear—are we hearing the voice of an AI confronting an eerily soulless human, or is it the other way around? Either way, the song nails that skin-crawling feeling of something being just a little too real.
I’MMORTAL shares: “I wanted the song to capture that weird feeling when something is almost human but just wrong enough to creep you out. It also plays with the idea of people who are so detached, they start to feel inhuman. This track really pushed me to experiment in new ways as both a producer and vocalist.”
From classical violinist to genre-melting producer and visual artist, I’MMORTAL thrives on bending reality. Her visuals dive deep into themes of death, rebirth, femininity, and technology, influenced by her AAPI heritage and audio-visual synesthesia.
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We Speak Music
Megan Burke Turns Personal Experience into Pop Catharsis on ‘Not All Men, Apparently’
Megan Burke’s debut EP Not All Men, Apparently arrives with a title designed to provoke conversation, but beneath its pointed framing lies a deeply personal collection of songs rooted in lived experience. The project sees the Irish artist tackling themes of heartbreak, deception and emotional recovery with an unfiltered honesty that has become increasingly rare within contemporary pop.
Produced by Hungarian hitmaker Áron Somody, the EP documents Burke’s journey through a series of difficult relationships, transforming private frustrations into universally relatable songwriting. Rather than presenting neat resolutions, the songs lean into complexity, examining the lingering impact of toxic dynamics while charting a gradual path towards self-awareness. It is this willingness to confront uncomfortable truths that gives the record its emotional weight.
Among the collection’s standout moments is Make Me, the focus track that introduces a welcome sense of levity. Written as a break from the darker material surrounding it, the song captures a more playful side of Burke’s personality, embracing independence and spontaneity without abandoning the candid perspective that defines the wider project. Its inclusion adds balance to a release that might otherwise feel relentlessly introspective.
Burke’s rise has been built largely on her ability to connect directly with audiences, amassing a substantial online following while earning notable milestones including a No.1 iTunes chart position and performances at some of Ireland’s biggest venues. With Not All Men, Apparently, she delivers her most cohesive artistic statement yet, confirming her status as a compelling new voice in Irish pop and a songwriter unafraid to tell difficult stories.
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