We Speak Music
Indieclimb ‘LEGACY’: A Sonic Journey into the Abyss
Indieclimb (Martin Fjeld) returns with “LEGACY,” an electrifying and thought-provoking single that plunges listeners into the depths of a dystopian reality. Fresh off the success of his award-winning music video “LET ME GO,” Indieclimb pushes the boundaries of cinematic electronica, crafting a soundscape that mirrors the chaos and unrest of our times. From the very first note, “LEGACY” grips the senses, pulling the listener into an auditory whirlwind that is as unsettling as it is mesmerizing.
Drawing from the turbulence of global events, Fjeld masterfully translates societal tension into music. The song pulses with haunting synths, reverberating bass, and industrial beats that echo the world’s unrest. The layering of sounds feels deliberate—each element a carefully constructed piece of an intricate puzzle. As the track builds, tension thickens, mirroring the growing uncertainty of the times we live in. The result is a sonic masterpiece that doesn’t just entertain but also challenges the listener to reflect on the legacy we leave behind.
Beyond its compelling composition, “LEGACY” resonates on an emotional level. Indieclimb’s signature dark, introspective tones are ever-present, inviting listeners into a deeply personal space of contemplation. This is not just a song; it is an experience—one that lingers long after the final note fades. The seamless blend of cinematic and electronic elements makes “LEGACY” a standout track, not just within his discography but within the broader electronic music landscape.
As part of his upcoming album “FEMME,” “LEGACY” offers a glimpse into the artist’s evolving creative vision. It is a track that showcases his ability to balance depth with accessibility, making it appealing to both loyal fans and new listeners alike. The song’s pulsating energy makes it a perfect fit for late-night drives, immersive headphone sessions, and even club settings where deep, atmospheric beats thrive.
With “LEGACY,” Indieclimb proves once again that music can be more than just a sound—it can be a powerful medium for introspection and social commentary. This track isn’t just a reflection of the world’s chaos; it’s a call to acknowledge it, process it, and ultimately, find meaning within it.
We Speak Music
Michele Ducci teases new album with uplifting indie single ‘Woman Like You’
Michele Ducci has unveiled the second single, ‘Woman Like You’, from his forthcoming album and animated film ‘Snail in the Clouds’.
‘Woman Like You’ pairs bright distorted electric guitar with an electronic drumbeat, adding in Ducci’s soulful vocals and a catchy uplifting chorus with Letizia Mandoleisi’s sweet vocal harmonies. A vintage organ pedalboard operated by Ducci simultaneously generates chords, bass and rhythm, like a one-man band. Shane Kennedy (Girl in the Year Above) joins in on guitar. Simon Milner (Is Tropical, Ysing) recorded and produced the track at his 4am Studios in London.
The album and film tell the story of a planet called ‘Snail’, inhabited by hybrids – primarily a mixture between scorpions, snails and humans – who lead a life according to the style of Pythagoras, devoted to music. There is also a cloud man named Agostos, a writer of musical operettas, who together with a talking smoke machine called Doctor Subtilis, begins to kill all hybrids, targeting in particular the hybrid musician Diodoros and his band, in an effort to steal the ark of melodies, an ancient ship that allows the whole planet to survive with music and joy.
The video for the single, created and animated by Ducci and Mandoleisi, delves further into the realm of planet ‘Snail’:
Says Ducci, “The ark of melodies, after various attempts, finally starts to work and fly in the planet Snail, while the shady Doc. Sub. and Agostos, with their platoon of soldiers made of foggy smoke, spy the miracle, planning to steal the ark for their evil and tyrannical purposes.”
About the track, Michele says, “I wrote this song for my love Letizia. Love seen from the mind is the sound we make. Sound is the love of matter.
We used a Technics synthesizer organ from a flea market. I tried to find a mood that was right for the song and I started using the bass of the pedal board together with the synth and the drums, and it was magical to hear the song reveal itself all coming from a single instrument. Leti was singing with me and we recorded everything live in one shot. Then we made Shane do the guitar flight, as if he came out of the window. The idea was to maintain disproportions, guitar thrust and synth drum thinness a la Haroumi Hosono, so as to create an estrangement, but naturally: it’s about how I listen, with close up something that captures me in its nuance as element of a larger orchestra somewhere. I’m glad we decided in the studio with Simon to use the layers of arrangement as the close-ups in the cinema; they look like strange enlargements that perch on parts of a mutated orchestra. I’m happy to come back with this love song at a time when everything seems to opt, even my labor in managing the flows of selfishness that have poured out on me while doing this album, for the sound of war. I’m here happy to be able to say that the sound of love always wins as did for me. Snail in the clouds is one of the most important works in my life and I am glad to start from pure love for this album that is my son.”
The album and full-length film will be released on the 5th of June on Monotreme Records.
Michele and Letizia’s previous musical short film, ‘The Great Book of Nature’, is an official selection for the 2026 Venice Shorts Film Festival.

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