We Speak Music
Introducing Nightly: Up and coming band plays at The Tabernacle for first time
Within a few months of forming Nightly, singer Jonathan Capeci and guitarist Joey Beretta came up with “XO”: a bittersweet breakup anthem built on bright beats and powerful melody. Pennsylvania-bred cousins who bought matching Fender Squier Stratocasters as kids, Capeci and Beretta earned some positive early feedback on the track, and quickly uploaded “XO” to their SoundCloud page. “We figured that, as a no-name band putting something out on our own, it would be a huge feat to get 100,000 plays in a month,” Capeci recalls. Instead, “XO” surpassed that number nearly overnight and hit a million plays within weeks, generating major buzz for the Nashville-based band’s guitar-fueled take on electronic alt-pop. Nightly soon began hosting showcases in their garage and ultimately inked a deal with Interscope Records, who are now set to release the band’s debut honest EP. With their name translating as ’night, love you in textspeak, Nightly match their inventively textured sound with a guileless approach to lyric-writing. “It’s easy to hide behind clever lyric writing without really getting to the truth of the emotion. We try to stay away from that,” says Capeci. “We want our songwriting to be conversational, and to be real and open about relationships and love.” On “XO,” that confessional spirit manifests in a breezy meditation on vulnerability and self-preservation. “‘XO’ is about being half-heartedly in a relationship, and how that usually does more damage than good,” explains Capeci, whose soulful vocals instill the song with a dreamy melancholy. “It’s about the kind of situation where you’re holding back to protect yourself, but it just ends up screwing things up worse and hurting both people involved.” Produced by Keith Varon, Nightly’s honest EP explores troubled romance of all kinds. With its soaring vocals, propulsive synth, and sprawling guitar work, “No Vacancy” looks at the isolation that comes with lack of emotional availability. On “Talk to Me”—a track written in collaboration with producer Bill Lefler (Ingrid Michaelson, Dashboard Confessional, Gym Class Heroes)—heavy grooves and cascading guitar lines converge to offer up one the EP’s more lighthearted moments. “That one’s about getting attention from someone you really shouldn’t be getting attention from, based on their relationship status,” Capeci points out. And on “Honest,” Nightly fuse fierce guitar tones, hard-hitting rhythms, and warped vocal effects to capture the romantic frustration at the heart of the lyrics. “‘Honest’ is about a relationship where you and that person were on fire together, and then they move on to someone else and completely change their personality,” says Capeci. “It’s saying, ‘What we had wasn’t perfect, but at least we were honest with each other.’” Throughout the EP, Nightly’s deftly crafted melodies amp up the raw emotion infused into each track. Such ingenuity in merging pure feeling with sophisticated songcraft comes from a near lifetime of devotion to music, partly shaped by Beretta’s musical household. “My dad played guitar and my mom’s a great singer, and my mom’s dad played the organ like crazy,” says Beretta, who grew up on the James Taylor and Cream records his father often spun at home. After getting their hands on those matching Strats, the cousins took their first step toward a shared lifelong dream of playing in a rock band. “I got a blue guitar and Jon got a black one and we were just like, ‘We’re gonna be in a band together forever!’” says Beretta, who—a year older than Capeci—was 13 at the time. The following year, Beretta started playing in bands, landing gigs in bowling alleys or “really anywhere that would let us play.” Meanwhile, Capeci began experimenting with songwriting at age 15, and joined his first band with Beretta at 17. Although both headed off to college, the foray into higher education was short-lived. “I dropped out after about a year and Jon left a year later, because clearly we were meant to do the band thing,” Beretta says. Capeci and Beretta soon moved to Nashville, where they formed Nightly in 2015. With a vision of bringing an urban feel to the quintessential rock-band dynamic, they quickly carved out a sound all their own. “With one of the first songs we ever wrote for the band, I just had this feeling like, ‘I’ve never heard anything like this before,’” says Beretta. Continuing in a rhythm-driven but guitar-centric vein, they eventually created “XO,” which fast made its way into rotation on Nashville’s ALT 98.3 in addition to gaining massive attention online. As Nightly amassed a following, the two began developing a live show featuring a stunning light display created by Beretta. Rounded out by Stevie Cunsolo on synth/keys and Nicholas Sainato on drums the live show taps into Beretta’s intricately designed display to help transport each audience into Nightly’s own fully realized world—a mission that extends to every element of the band, including their artwork. Now at work on their full-length debut, Capeci and Beretta note that Nightly endlessly delivers that same electric feeling of first picking up the guitar back in middle school. “I’m always surprised by what comes out of writing sessions, I’m always so happy about what we come up with,” says Beretta. “I feel like a kid every single time—there’s always something to be excited about.” That ever-renewing passion feeds directly into the emotional core of the band, adds Capeci. “I’d love for our music to be something that people listen to when they’re out driving alone at night, something that becomes part of the soundtrack of their lives,” he says. “There’s nothing like connecting with a song and feeling like the person who wrote it understands exactly what you’re going through, and I can’t imagine anything more satisfying than giving that feeling to other people.”
We Speak Electronic
Aaron Koenig Releases Ska Anthem for Geeks
Aaron makes music about meaningful topics that rocks and grooves – and sometimes it even skanks on a rock steady beat!
His new song ‘Geeks’ has been released on all major music platforms on November 15th. It is an anthem for the heroes of the digital age: computer nerds, also known as geeks. It is driven by an off-beat ska guitar, a sticky bass line and a groovy brass section. The icing on the cake is a jazzy saxophone solo.
“I have always loved Ska, I even saw the Specials, the Selecter and Madness live in their heydays”, says Aaron. “I chose the topic although I am not a geek myself, but I have a lot of sympathy for them. Geeks are often frowned upon because they can be socially awkward, but they are the ones who are building a better world. So I think they deserve an anthem.”
The music video is mostly made up of typography, minimalistic ASCII graphics and heavily pixelated images – it surely looks geeky! Watch it here:
Aaron writes catchy songs that are made for people who like meaningful, uplifting topics and guitar-driven, hand-made sounds. His musical journey started young but it wasn’t until he discovered Bitcoin and became so invested in it that he used music to express his new found joy.
“It’s mostly rock music, with excursions into funk, soul and other styles I grew up with. In general, it’s guitar-driven and hand-made, often with a punkish energy and beatlesque harmonies. What all my songs have in common are meaningful lyrics about being in the here and now, about transforming disturbing emotions into wisdom, about being in the flow, things like that.” says Aaron in an interview.
“I have always been making music and writing songs, starting with a punk rock band when I was 15. However, I never saw it as a career. I played in several bands in my teenage years and my early twenties, but after my media studies in Berlin and Rio de Janeiro I focused on other things. I first worked in TV production and then founded one of the first Internet agencies in Germany. I discovered Bitcoin in 2011 and became fascinated by it. I wrote five books about it, made lots of promotional videos and educational series for Bitcoin and blockchain companies, and organised events. I even wrote some songs about Bitcoin, which became quite popular in the community, like my Reggaeton about the Bitcoin Beach in El Salvador. People always liked that my songs are catchy and provocative. It was by the end of 2023 that I decided to go full in on music. It’s what I enjoy the most, so now I want to fully follow my passion.”
Since May 2024, his songs have been streamed more than 250,000 times on Spotify and his music videos have been viewed more than 350,000 times on YouTube.
Read more about Aaron King: http://aaron-koenig.net/press/
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