We Speak Music
Jack Child ‘On The Road’ – A Coming-of-Age Anthem for the Restless Soul
Every now and then, a song comes along that doesn’t just sound good—it feels like something you’ve lived through. Jack Child’s “On The Road” is one of those songs. It’s a warm, wounded, and wonderfully crafted single that carries the emotional gravity of someone who’s lived a lot in just a few years.
Jack has quietly been building a reputation from Portsmouth’s pub circuit to festival stages across Europe, and with “On The Road,” he proves he’s not just an act to watch—he’s one to remember. This is no generic indie-pop anthem. It’s a soul-baring, sonically rich reflection on what it means to run, to cope, and ultimately, to heal.
The origin of “On The Road” is enough to stop you in your tracks. Written at 13 during a particularly difficult time at home, Jack turned trauma into melody in a moment of pure instinct. That origin story still lingers in the final recording—vulnerable, stripped back, but built up into something cinematic and transportive.
His voice—delicate yet determined—floats above a bed of dreamy guitars, tight basslines, and subtle percussive textures. You wouldn’t expect the rhythm section to be made with forks and spoons, but that’s part of the song’s magic. It’s tactile, handmade music in a digital world. Jack’s knack for melody shines, and his production choices give the track an intimate, live-in feel despite its polish.
What’s especially striking is how the song blends darkness and light. There’s an undercurrent of emotional unrest—a longing for something better, something freer—but it’s wrapped in a groove that makes you want to drive into the night with the windows down. It’s catharsis disguised as a pop song.
“On The Road” also kicks off a visual and musical universe Jack is building, with videos, lyrics, and themes tying together into something bigger. For an artist still in the early stages of his mainstream breakout, the level of ambition is impressive. He’s not just releasing singles—he’s crafting stories you can live inside.
Live, Jack is already a force. Using just a loop pedal and a few instruments, he turns solo performances into full-band experiences. This DIY ethos permeates his recorded work too, grounding even his most ambitious ideas in authenticity.
Ultimately, “On The Road” is the kind of song that sticks with you—not because it’s trying to be loud or flashy, but because it’s honest. It’s the sound of a young artist finding clarity through chaos, and inviting us along for the journey.
If this is Jack Child’s new era, it’s starting with a quiet roar. And we’re absolutely here for it.
Instagram | TikTok | Youtube | Spotify | Apple Music
Imbermind, the cutting-edge musical collective pushing the boundaries between electronic purity and alternative pop, has officially released their hotly anticipated debut album, Never Ending. A bold and immersive sonic experience, the 11-track album is now available on all major streaming platforms—cementing the group’s arrival as one of the most exciting new acts in contemporary music.
Crafted by the visionary minds of Edu Imbernon, Luis Clemente, Nico Casal, and Álvaro Monreal, Never Ending is an electrifying journey through sound. Fusing the shimmering textures of synth-pop, the pulse of indie dance, and the emotional gravity of alternative pop, the album stands as a fearless artistic statement. With sweeping cinematic moments and introspective lyrical depth, Never Ending evokes comparisons to icons like Depeche Mode, Pet Shop Boys, RÜFÜS DU SOL, Moderat, Bicep, and Metronomy, yet retains a distinct identity all its own.
Imbermind first turned heads with their stunning official remix of Depeche Mode’s “Wagging Tongue”, taken from the legendary band’s 2023 album Memento Mori. The rework offered a masterclass in sonic reinvention—paying homage to the original while introducing a layered, contemporary soundscape that marked the group as one to watch.
That promise only deepened with the release of “Thousand Miles” in December 2024. The emotionally charged debut single explored resilience and perseverance, earning critical acclaim for its meticulous production and haunting vocal performance. The track became a signpost for the sonic ethos of Never Ending—a world where emotional storytelling meets expansive electronic innovation.
At the heart of Imbermind’s appeal is the fusion of four distinct artistic voices. Edu Imbernon, a global DJ and producer with a decade-spanning career, brings festival-tested energy and production finesse. Nico Casal, a classically trained pianist and celebrated film composer, injects cinematic depth and narrative flow. Luis Clemente adds versatility as a multi-instrumentalist and indie-electronic producer, while Álvaro Monreal, the unmistakable voice of the project, channels emotional resonance and acoustic mastery.
Together, the quartet creates music that defies easy categorization. Never Ending is not just an album—it’s an experience. From the euphoria of club-ready anthems to tender, stripped-down moments of reflection, the record invites listeners into an ever-shifting emotional landscape that feels both fresh and timeless.
As Imbermind takes their place on the global stage, Never Ending stands as a testament to their shared vision: fearless, genre-defying, and deeply human. Whether you’re a fan of forward-thinking electronic music or just discovering the genre, Imbermind is a name you won’t forget.
INSTAGRAM | TIKTOK | BANDCAMP | RESIDENT ADVISOR | YOUTUBE | SPOTIFY
-
We Speak Volleyball5 days agoBuilt for the Pressure, Wired to Compete: Loretta Duby’s Passionate Pursuit of Purpose Through Volleyball
-
We Speak Track And Field1 week agoShe Doesn’t Chase Medals, She Earns Them: Inside Aniyah Walker’s Drive And Dedication
-
We Speak Track And Field1 week agoPurpose in Every Throw, Anchored by Faith: Keira Frye’s Path to Greatness
-
We Speak Boxing1 week agoGloria Bautista “The Pink Panther”: Calm Power In The Super Flyweight Division