We Speak Music
K Soul Drops Catchy New Track “Endless”
If you’re tuning in to ‘K Soul’ for the first time, we extend a warm welcome as a Soul Companion. Hailing from London, UK, K Soul’s musical journey has been rich, transitioning from Neo-Soul/R&B to AfroBeats and Amapiano. Now, she’s honed her adaptability, carving a niche as a “Global Dance Music Artist” – a title that may sound elaborate, but we believe it encapsulates her focus: All Things Dance Music!
Now, let’s explore ‘Endless,’ K Soul’s debut exploration into Drum and Bass. Initially an R&B gem from her inaugural EP, ‘Petals Of Me,’ released in December 2018, ‘Endless’ has undergone a metamorphosis. Upon stumbling upon the track online, Go$ha reconstructed it into a Drum and Bass rendition that embodies the concept of eternal love—traversing realms of light and shadow, propelled by the waves of air and algorithms.
Talking about the story behind the music video, the artist shares:
“The concept behind the video was really using the London transport scene (specifically a train station) to symbolise “endlessness” London is a busy city and there are constantly people rushing to get somewhere and trains always going by. I wanted to be dancing in 1 position as people rushed around me as I sing about endless love that isn’t rushing to get anywhere because it is always where it needs to be.
Alternately, we wanted the audience to gage freedom and endless loving energy in the mist of rushy chaos, even down to the clothes I am wearing, my green top says “don’t come back” and my second fit is on the dark urban goth side. The visual aesthetic is an oxymoron in correlation to the song, I want people to see what my lyrics say “light in the night”; there is still beauty in all that is whether it is dark or light”
In “You Never Do Shit,” Brooklyn’s Dead Tooth deliver a snarling, urgent post-punk single that distills their barbed energy into under four minutes of sharp-tongued wit and scuffed-up sonics. It’s a track that bristles with disdain—Zach Ellis’ vocal delivery is acidic, at times theatrical, and often more spoken than sung. There’s a punk rock immediacy here, but with the knowing wink of someone who’s watched the scene curdle and still wants to dance through the ashes.
The song began its life in a different medium—written for a fictional band on City on Fire—but the real-life iteration carries more weight. There’s a palpable satisfaction in Ellis’ decision to reclaim it, and that freedom seeps into every detail: the unkempt rhythm section, the jarring saxophone lines from John Stanesco, and the deliberate looseness that characterizes its structure.
Dead Tooth are at once participants and commentators in the culture they inhabit. Their songs are alive with noise, but also with intent—tracking the psychic hangover of nightlife, subcultural collapse, and underground scenes that burn bright and disappear too soon. Ellis’ lyrical observations land like tossed-off critiques, but underneath the smirk is something deeper, almost desperate: a desire for connection, even through chaos.
With their debut album looming, “You Never Do Shit” feels like a thesis statement. Not just of sound, but of ethos: reject slickness, embrace noise, tell the truth—even if it’s ugly. In a year when punk has mostly whispered or wandered, Dead Tooth has chosen to scream.
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