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Last Train to play UK dates!

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After ‘Weathering’ and ‘The Big Picture’, acclaimed Lyon-based 4-piece Last Train‘s new album is a direct reflection of raw anger. Recorded in a crumbling, unheated chateau, ‘III’ channels frustration into meticulously composed rock. Formed in the 2010s, Jean-Noël Scherrer, Julien Peultier, Timothée Gérard and Antoine Baschung gained a strong following with their first two albums and toured with Muse and Placebo. In 2024 they released ‘Original Motion Picture Soundtrack’, an orchestral reworking of their songs, but the new album marks their true return to form as a rock band. Tracks like the first two singles ‘Home’ and ‘The Plan’ combine rock energy with melody, balancing emotional depth and anger.

With ‘III’, Last Train have produced a radical and authentic third album, far from the aseptic super-productions. With ‘One by One’ – the focus track, you’ll feel right in the band’s rehearsal room: screeching feedback, punchy drums, overflowing bass and incisive choruses. Provocative as it is, the track embodies a frantic race: the train will go on, with or without us. Mature, confident and increasingly daring, these ambassadors of French rock continue their dizzying ascent, no matter how high the wall!

The band are touring Europe extensively this year in support of the album, including a headline London show and appearances at Focus Wales and The Great Escape Festival. Don’t miss the chance to catch them live in all of their glory.

Upcoming UK shows:

8.05: Focus Wales, Wrexham (20:15- Ty Pawb)

10.05: Focus Wales, Wrexham (19:25- Penny Black)

12.05: The Grace, London (Headline show)

16.05: The Great Escape, Brighton (7pm at The Wing at The Brighton Centre).

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Reece Rosé Bottles the Feeling on “Misbehaving”

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Reece Rosé

Reece Rosé is not trying to reinvent the wheel. He is here to remind you why it worked in the first place. With “Misbehaving”, the rising electronic artist taps into something instantly familiar, then flips it into a feel-good house cut that lands right where nostalgia meets the dancefloor.

Teaming up with Capri Everitt, Reece Rosé leans into warm textures and groove-driven production that echo the roots of early ’90s house and UK garage. The result is effortless but intentional. Smooth chords, playful rhythms, and just enough bounce to keep things moving without overcomplicating the mood.

“Misbehaving” plays like a memory you did not realize you still had. Late nights, no responsibilities, music loud enough to blur everything else. It pulls from that space where time felt slower but nights somehow lasted longer. “It’s a reminder of those carefree high school days, when life felt simple, the nights felt endless, and the only thing that mattered was the music and the memories we were making,” Rosé explains. And that feeling runs through every second of the track.

What makes it click is that it never gets stuck in the past. The influences are clear, but the execution stays sharp and current. This is not revival for the sake of it. It is a continuation. Rosé understands the DNA of dance music and builds on it, keeping the energy light, summery, and forward-facing.

That balance is quickly becoming his signature. With international airplay on Kiss FM UK and Insomniac Radio, plus support from names like AC Slater, Zeds Dead, Boombox Cartel, DJ Q, REH4B, and DJ Craze, his momentum is building in all the right places. On Beatport, his releases are already making noise, proving that his sound connects both in clubs and beyond.

“Misbehaving” does not try too hard. It does not need to. It is light, nostalgic, and built to move. The kind of track that makes you look back for a second, then pulls you straight into the moment.

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