We Speak Entertainment
Lawsuit or a Lover’s Quarrel: Floyd Mayweather Sues Ex for Alleged Theft
When he officially retired in 2015, Floyd “Money” Mayweather hung up his boxing gloves with a perfect record. But lately, the undefeated boxer seems to be taking a few L’s outside of the ring; at the manicured hands of ex-fiancée Shantel Jackson no less.
According to TMZ reports, the former athlete is filing a lawsuit against Jackson for alleged theft: the use of his credit cards and loose cash she found at his residence without his knowledge. Not only did she go on secret shopping sprees on his dime, Mayweather is also accusing Jackson of hiding the loot at an undisclosed location.
Coming off the heels of a home burglary not even a month ago, Money Mayweather seems to be struggling to keep up with his namesake– but back to the topic at hand.
The infamous athlete claims that Jackson supported him in the face of media backlash, to blind him to her triflin’ ways. Coupled with insinuations that the reality star used him for clout, it seems Mayweather got played to the tune of Kanye West’s “Gold Digger”.
But in sis’ defense, it remains questionable whether it was truly theft; they were in a committed relationship, sharing an address and about to share a last name. It’s hard to say with all of the zeroes attached to his bank account, so let’s do some simple math to make this scenario more relatable.
If we subtract the million-dollar net worth, substitute the black card for $20 lying on the kitchen table, and add in the financial struggles of a regular couple, does the situation still equal a lawsuit?
If they were splitting the rent and he was still using her cousin’s Netflix account, I would hope he wouldn’t trip over Jackson borrowing $10 gas money. Then again, I’m sure Jackson’s alleged shopping sprees equate to premium gas in a Lambourghini, and Floyd could buy the entire Netflix corporation.
These aren’t regular schmegular people we’re talking about, so perhaps Mayweather is entitled to his lawsuit. But so is Shantel, who filed against him in 2014 for multiple counts of invasion of privacy, defamation, and domestic abuse.
Mayweather reportedly filed for this lawsuit only a few days prior to receiving a trial date for Jackson’s lawsuit against him.
Sounds more like he’s moving to the beat of 50 Cent’s “P.I.M.P.”
Personally? I hope she wears a few pearls to the hearings.
We Speak Entertainment
“To Love Is To Perform”: Jada Di’Larosa’s Poetic Meditation on Love, Identity, and Solitude
On April 17, 2026, independent artist Jada Di’Larosa introduces a deeply evocative new chapter in her creative journey with the release of To Love Is To Perform. Emerging from the rich cultural undercurrent of New Orleans, Di’Larosa delivers a project that feels intimate, cinematic, and emotionally unguarded—an album that quietly lingers long after the final note fades.
Blending elements of alternative, indie, and nu-jazz, the record is less about traditional structure and more about atmosphere and emotional storytelling. It unfolds like a series of late-night reflections—soft, immersive, and deeply personal. Each track carries a sense of stillness, where restraint becomes a powerful artistic choice, allowing listeners to fully absorb the subtle complexities within her sound.
Between the Spotlight and the Shadows
Jada Di’Larosa’s artistry is shaped by a compelling dual existence. As a professional dancer and showgirl, her nights are filled with performance, light, and spectacle. Yet beyond the stage, she retreats into solitude—writing music that mirrors her introspective nature. This contrast is the emotional backbone of To Love Is To Perform, where themes of identity, vulnerability, and perception are explored with striking honesty.
Rather than presenting a polished, conventional album, Di’Larosa embraces imperfection. The project carries the raw essence of demos—unfiltered, organic, and alive. In her own words, it is “a diary” of her experiences, offering a glimpse into a world that is both quietly glamorous and deeply introspective. That authenticity gives the album its emotional weight, transforming it into something profoundly human.
Sound as Atmosphere, Silence as Language
Musically, the album is guided by minimalism and mood. Piano and violin arrangements intertwine with her haunting vocal delivery, creating a soundscape that feels almost suspended in time. Di’Larosa’s voice is uniquely her own—delicate yet assured, drifting through each composition with a poetic cadence that enhances the storytelling.
Tracks such as “showgirl” and “movie star” reflect the tension between persona and reality, while “bayou st. john” grounds the album in a sense of place and memory. The title track, “to love is to perform,” offers a philosophical lens on relationships, suggesting that love itself can be an act shaped by roles and expectations. Meanwhile, “costume” emerges as a defining moment—an exploration of identity, illusion, and the masks we wear.
Tracklist
- showgirl
- movie star
- bayou st. john
- to love is to perform
- candy
- blackbird
- spinster
- a love noir
- costume
- curtain call
A Quietly Powerful Artistic Statement
What makes To Love Is To Perform so compelling is its refusal to conform. It does not chase trends or demand attention—it invites it. The album thrives in its subtlety, rewarding listeners who are willing to slow down and engage with its emotional depth.
There is a cinematic quality throughout the record, as if each track is a scene from an unseen film—rich with symbolism, mood, and introspection. It’s an experience designed not just to be heard, but to be felt.
Defining Her Own Space
In an industry often driven by visibility and constant output, Jada Di’Larosa stands apart through intentional distance and artistic focus. She allows her work to speak on her behalf, cultivating a sense of mystery that only enhances her presence.
With To Love Is To Perform, she offers more than music—she offers perspective. It is a body of work that explores the delicate balance between who we are and who we present to the world, capturing the beauty and complexity of both.
As the release date approaches, the album positions Di’Larosa as a distinctive voice in contemporary alternative jazz—an artist unafraid to embrace vulnerability, ambiguity, and the quiet power of self-expression.
Connect with Jada Di’Larosa
Official Website: www.jadadilarosa.com
Instagram: @jada.dilarosa
Available on Spotify, Bandcamp, SoundCloud, and YouTube
For inquiries: jadadilarosa@yahoo.com
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