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Draymond’s New Track “iceberb” Is Built for the After-Hours

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There’s something beautifully unpolished about Draymond’s “iceberb”. Out now, the hazy new cut lives somewhere between Atlanta rap, SoundCloud-era chaos and the sweaty, late-night energy of an underground club.

Moving between Los Angeles and Tokyo, Draymond has been carving out a sound that feels distinctly internet-age: fragmented, instinctive and deliberately hard to pin down. “iceberb” is a perfect snapshot of that world. Think stripped-back production, layered vocals and an Atlanta-leaning atmosphere that gives the whole thing the feeling of stumbling across something you weren’t supposed to hear yet.

The track came together during an absurdly productive month with collaborator Scarsbleedpurple, who was living on Draymond’s couch while the pair made music around the clock. More than 100 songs emerged from the sessions, but “iceberb” had something special. Scarsbleedpurple’s verse was freestyled, adding to the record’s loose, spontaneous feel.

Built around YouTube beats and vocals, “iceberb” doesn’t overthink things. It leaves space for the performance to do the heavy liftingand that’s exactly where its charm lies. It’s intimate, raw and club-ready without ever sounding overly polished.

For fans of the hazy, genre-blurring world around Tezzus, Don Toliver, Thouxanbanfauni, Yung Fazo, midwxst and SoFaygo, Draymond is one to keep an eye on.

“iceberb” is out now. Press play, turn it up, and let the night get a little blurry.

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Phoebe June Traces Love, Distance and Heartbreak on New EP ‘Kiss Me Over The Garden Gate’

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For Phoebe June, some stories are easier to tell through music.

Her new EP, ‘Kiss Me Over The Garden Gate’, is an intimate collection that traces the emotional journey of a relationship from the exhilaration of falling in love to distance, uncertainty, heartbreak and, ultimately, learning to let go.

Inspired by artists including Gracie Abrams, Taylor Swift and Phoebe Bridgers, Phoebe June combines diary-like lyricism with melancholic ballads, subtle uptempo moments and an understated, emotionally honest production style.

At the centre of the project is ‘Thursday’, a bittersweet track about loving someone from a distance and holding onto the hope that the connection might survive.

Written after Phoebe left a country that held deep personal meaning, and left someone she cared about behind, the song looks back at the relationship from its beginning. Even its title is personal: the two first met on a Thursday.

The song captures the complicated feeling of walking away from something meaningful without believing that it necessarily has to be over. It’s about distance, memory and the possibility of finding your way back to someone, while recognising that hope only works when it goes both ways.

Across six tracks, the EP develops that story in sequence.

‘Everything You Are’ opens the project with the warmth of new love, while ‘Dead Sea’ explores the security of finding someone who helps you stay afloat through difficult times. As the story progresses, ‘Thursday’ introduces separation before ‘Getaway Car’ moves into the aftermath; unanswered questions, lingering attachment and the realisation that someone can profoundly affect your life while still being unhealthy for you.

‘One Day’ leaves the door open to the possibility of a future reunion, balancing hope with the understanding that some relationships may only exist in memory.

The EP closes with ‘Ophelia’, its emotional breaking point. Inspired in part by Friedrich Heyser’s painting of the same name, the track confronts the pain of feeling manipulated and unappreciated after giving everything to someone else.

The result is a project that deliberately moves from light to dark. Phoebe June considered not only the narrative but the emotional progression when sequencing the EP, allowing the brightness of its opening to gradually give way to the heartbreak of its closing moments.

Even the title reflects that feeling.

‘Kiss Me Over The Garden Gate’ takes its name from a flower, with the image of a gate separating two people becoming a metaphor for a love that remains beautiful but just out of reach. To reach over it requires effort, just as maintaining a connection across distance, uncertainty and changing circumstances does.

Ultimately, Phoebe June isn’t interested in simply documenting her own heartbreak.

She wants listeners to recognise themselves in it.

‘Kiss Me Over The Garden Gate’ is a collection about love, nostalgia, hope and regret and about what remains when something beautiful ends up on the other side of the gate.

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