We Speak Music
Luc Letourneau Steps Forward with ‘Next Life / One More Day Like This’
Luc Letourneau’s debut album doesn’t so much announce itself as it unfolds—slowly, deliberately, like a conversation you didn’t realise you needed. Next Life / One More Day Like This is rooted in folk storytelling, but it sidesteps nostalgia, instead landing somewhere rawer, more immediate.
The production feels intentionally loose, built around Letourneau’s “premature spark” idea—capturing songs before they calcify into something overly refined. That looseness gives the album its pulse. You can hear the room, the breath, the small imperfections that make the songs feel alive rather than assembled.
There’s a push and pull between confrontation and reflection throughout. “Awesomest Man” carries a restless energy, interrogating belief and identity with a kind of offhand intensity, while “Next Life” pulls back, letting uncertainty linger in the air. It’s this dynamic that keeps the record from settling into any one emotional register.
Letourneau’s strength lies in his refusal to overstate. He leaves space—for doubt, for contradiction, for the listener to step in. In doing so, he positions himself not as a narrator with answers, but as someone working through the same questions in real time.
“Luc Letourneau’s debut album is a rare combination of raw honesty and intellectual friction,” says Danielle Holian, Decent Music PR. “He captures the tension of growing up in a world that often moves on autopilot. Next Life / One More Day Like This isn’t just an album; it’s a defiant stance against digital distraction and a pursuit of wisdom in a cynical world. Luc’s voice is one we expect to hear shaping the scene for years to come.
Some records give the impression they’ve been lived with for a long time. Not because they’re nostalgic, but because they carry a quiet confidence that’s difficult to manufacture. That’s the feeling Time in the Light leaves behind.
Strawhouses never sound as though they’re trying to impress with sheer scale. The arrangements expand when they need to, then step aside just as easily, leaving plenty of space for the album’s ideas to settle. That gives the music a natural pace, allowing each track to find its own character without pushing too hard for attention.
The record also avoids taking the same route twice. “Fireworks” opens with a striking historical setting, while “No Other Way Round” explores how timing can change the course of a relationship. Elsewhere, the title track finds meaning in everyday life, before the closing songs gradually shift the focus towards life’s final chapter.
One of the album’s biggest strengths is its sense of perspective. Big themes are approached through recognisable situations rather than grand statements, making the songs easy to connect with without ever feeling overplayed.
Out now via Now Listen, Time in the Light leaves a lasting impression because it never tries to force one. Strawhouses trust the listener to spend time with these songs, and that quiet confidence gives the album a character that’s increasingly uncommon.
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