We Speak Music

Marsha Bartenetti Releases Joyful New Single “Hallelujah I Just Love Him So”

Published

3 weeks ago

May 28, 2025

A Fresh Take on the Ray Charles Classic

Acclaimed vocalist Marsha Bartenetti is set to release her latest single, “Hallelujah I Just Love Him So,” on May 18, 2025, offering an infectious, swing-infused take on the Ray Charles rhythm & blues classic. This gender-flipped version—originally titled “Hallelujah I Love Her So”—brims with authenticity, heartfelt vocals, and an electrifying arrangement that brings new light to a timeless tune.

Recorded at the renowned Ocean Way Studios in Nashville and finished at Blue Moon Studios in Agoura Hills, CA, the track features a stellar lineup of musicians including:

Kevin Madill – Piano

Aaron Currie – Electric Guitar

Stephan Oberhoff – Hammond B3 Organ

Marcus Finnie – Drums

Danny O’Lannerghty – Bass

Brian Scanlon – Saxophone

Overdubs and vocals were captured under the careful engineering of Joe Vannelli, with production by Stephan Oberhoff, Donny Marrow, and Marsha Bartenetti. The track was mixed by Oberhoff at The Creation Station East in Fairview, TN, and mastered by Grammy-winner Eric Boulanger at The Bakery in Los Angeles.

Described as “joyous, infectious, and a driving swing shuffle,” Bartenetti’s interpretation gives room for three of her featured soloists to stretch out and shine, telling a musical story that’s as vibrant as it is heartfelt.

Since returning to the stage in 2015, Bartenetti has released four studio albums and two singles through Disk Eyes Productions, with producers Donny Marrow and Stephan Oberhoff at the helm. Her recent singles will be compiled into a forthcoming 2025 EP.

Marsha’s music is available internationally via Amazon, iTunes, Apple Music, YouTube, and Spotify.

A smooth, expressive singer with a signature tone and emotional depth, Bartenetti is known for crossing genres in pursuit of great lyrics, always delivering with sincerity and soul. Her performances at celebrated Los Angeles venues such as Herb Alpert’s Vibrato, Catalina Jazz Club, and Upstairs at Vitello’s have earned her standing ovations and devoted fans.

Originally from the San Francisco Bay Area, Bartenetti first broke into the music scene in the late 1960s, performing with her then-husband’s band and sharing bills with acts like The Youngbloods. In 1980, she was named Best Vocalist by the American Songwriter’s Association International Contest, which opened the door to collaborations at Motown Records with legendary writers Ken Hirsch and Ron Miller—whose hits include “For Once In My Life,” “If I Could,” and “Touch Me In The Morning.”

Bartenetti honed her voice under the guidance of iconic vocal coach Judy Davis, whose roster included the likes of Frank Sinatra, Barbra Streisand, and Judy Garland.

With “Hallelujah I Just Love Him So,” Marsha Bartenetti proves once again that great songs live forever—and when delivered by a voice this rich, they soar even higher.

We Speak Music

Imbermind Unveils Dazzling Debut Album Never Ending

Published

1 day ago

June 17, 2025

Philomena Marie

Imbermind, the cutting-edge musical collective pushing the boundaries between electronic purity and alternative pop, has officially released their hotly anticipated debut album, Never Ending. A bold and immersive sonic experience, the 11-track album is now available on all major streaming platforms—cementing the group’s arrival as one of the most exciting new acts in contemporary music.

Crafted by the visionary minds of Edu Imbernon, Luis Clemente, Nico Casal, and Álvaro Monreal, Never Ending is an electrifying journey through sound. Fusing the shimmering textures of synth-pop, the pulse of indie dance, and the emotional gravity of alternative pop, the album stands as a fearless artistic statement. With sweeping cinematic moments and introspective lyrical depth, Never Ending evokes comparisons to icons like Depeche Mode, Pet Shop Boys, RÜFÜS DU SOL, Moderat, Bicep, and Metronomy, yet retains a distinct identity all its own.

Imbermind first turned heads with their stunning official remix of Depeche Mode’s “Wagging Tongue”, taken from the legendary band’s 2023 album Memento Mori. The rework offered a masterclass in sonic reinvention—paying homage to the original while introducing a layered, contemporary soundscape that marked the group as one to watch.

That promise only deepened with the release of “Thousand Miles” in December 2024. The emotionally charged debut single explored resilience and perseverance, earning critical acclaim for its meticulous production and haunting vocal performance. The track became a signpost for the sonic ethos of Never Ending—a world where emotional storytelling meets expansive electronic innovation.

At the heart of Imbermind’s appeal is the fusion of four distinct artistic voices. Edu Imbernon, a global DJ and producer with a decade-spanning career, brings festival-tested energy and production finesse. Nico Casal, a classically trained pianist and celebrated film composer, injects cinematic depth and narrative flow. Luis Clemente adds versatility as a multi-instrumentalist and indie-electronic producer, while Álvaro Monreal, the unmistakable voice of the project, channels emotional resonance and acoustic mastery.

Together, the quartet creates music that defies easy categorization. Never Ending is not just an album—it’s an experience. From the euphoria of club-ready anthems to tender, stripped-down moments of reflection, the record invites listeners into an ever-shifting emotional landscape that feels both fresh and timeless.

As Imbermind takes their place on the global stage, Never Ending stands as a testament to their shared vision: fearless, genre-defying, and deeply human. Whether you’re a fan of forward-thinking electronic music or just discovering the genre, Imbermind is a name you won’t forget.