We Speak Indie Artist
Marvel Studios’ ANT-MAN AND THE WASP – In theaters JULY 6TH [NEW TRAILER]
From the Marvel Cinematic Universe comes “Ant Man and The Wasp,” a new chapter featuring heroes with the astonishing ability to shrink. In the aftermath of “Captain America: Civil War,” Scott Lang grapples with the consequences of his choices as both a Super Hero and a father. As he struggles to rebalance his home life with his responsibilities as Ant-Man, he’s confronted by Hope van Dyne and Dr. Hank Pym with an urgent new mission. Scott must once again put on the suit and learn to fight alongside The Wasp as the team works together to uncover secrets from the past.
“Ant-Man and The Wasp” is directed by Peyton Reed and stars Paul Rudd, Evangeline Lilly, Michael Pena, Walton Goggins, Bobby Cannavale, Judy Greer, Tip “T.I.” Harris, David Dastmalchian, Hannah John-Kamen, Abby Ryder-Fortson, Randall Park, with Michelle Pfeiffer, with Laurence Fishburne, and Michael Douglas.
Kevin Feige is producing with Louis D’Esposito, Victoria Alonso, Stephen Broussard, Charles Newirth, and Stan Lee serving as executive producers. Chris McKenna & Erik Sommers, Paul Rudd & Andrew Barrer & Gabriel Ferrari wrote the screenplay. “Ant-Man and The Wasp” hits U.S. theaters on July 6, 2018.
ANT-MAN AND THE WASP
MARVEL STUDIOS
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We Speak Indie Artist
Ilajide Delivers A Groove-Heavy Reality Check With “BACKHAND”

Ilajide has always been a master of rhythm, not just in the way he raps but in how he produces music that feels alive, pulsing with energy and intent. His latest single, “BACKHAND”, is another prime example of his ability to craft a sound that’s both innovative and deeply rooted in hip-hop’s essence. As the second offering from his upcoming album, Pocket Jams 2, set for release on April 20th, the track fuses elements of funk, house, and R&B, creating a groove-heavy anthem that feels as fresh as it does commanding.
From the jump, “BACKHAND” establishes itself with a beat that’s impossible to ignore. Ilajide’s production swings between silky smooth and razor-sharp, layering hypnotic basslines with crisp percussion that keeps the track moving at a steady but infectious pace. There’s a bounce to it, a natural momentum that feels effortlessly cool. This is the kind of track that demands movement, whether it’s a head nod, a two-step, or a full-out dancefloor takeover. The house and funk influences seep through in the track’s warmth, giving it a groove reminiscent of classic hip-hop party records while still carrying a modern, electronic edge.
Lyrically, Ilajide leans into his signature blend of sharp wit, casual storytelling, and effortless bravado. The hook – “Put the money in my left hand / ‘Fore you get hit with the backhand” – feels like a statement of both confidence and necessity. There’s humor in it, sure, but there’s also an undeniable truth: Ilajide is done waiting for his dues. He raps with a calm but commanding energy, making it clear that whether it’s respect, payment, or appreciation, he expects it upfront. The verses flow with a conversational ease, packed with lines that balance everyday realism with clever wordplay. When he raps, “Listen my insurance expired / Bald wheel really need a few new tires / Whip like Kit after six, Knight Rider,” it’s a perfect snapshot of his ability to turn the mundane into something memorable.
At its core, “BACKHAND” is about knowing your worth and setting boundaries. It’s a hustler’s anthem, not in the flashy, exaggerated way some rap records approach the theme, but in a way that feels grounded and genuine. Ilajide isn’t just flexing for the sake of it – he’s laying down the reality of what it means to be an artist, an entrepreneur, and a person navigating the world while making sure they don’t get taken advantage of. It’s a song about making sure people come correct, about demanding what you deserve, and doing it all while maintaining a level of effortless cool.
With Pocket Jams 2 on the horizon, “BACKHAND” serves as a perfect preview of what’s to come. Ilajide continues to push his sound forward, blurring genre lines while staying true to his Detroit roots. He’s not just making music – he’s building a sonic universe that reflects his creativity, his hustle, and his refusal to be boxed in. If this single is any indication, his upcoming project is going to be one worth keeping on repeat.
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