We Speak Music
Max Macready Unveil New Music Video For ‘The Hunt’
With ‘The Hunt’, Max Macready prove that futuristic music does not need to abandon the character and imperfections of analogue sound. The UK duo combine pulsing synthesizers, bass, guitars and electronic textures into a track that feels simultaneously nostalgic and forward-looking. It is easy to imagine the song playing through a battered cassette deck somewhere in a distant science fiction city.
The production has a strong sense of motion. Synthesizers keep the track moving while the guitars provide a darker, more physical presence. Max Macready’s role across bass, synthesisers and composition gives the music a strong central identity, while Kurt Precinct’s guitars and textures help expand the sonic picture. Their collaboration creates a sound that is spacious without becoming empty.
The song’s concept is equally strong. ‘The Hunt’ examines the complicated territory between pursuit and fantasy, asking whether a perceived connection is actually present or whether one person has simply interpreted a signal in the way they wanted to. It is a clever subject for a band so interested in communication through technology, and the futuristic imagery makes the metaphor even more effective.
There is a fascinating tension between the track’s musical confidence and its lyrical uncertainty. The music feels determined, constantly moving forward, while the subject matter questions whether there is anything worth reaching at the end of the journey. That contrast gives ‘The Hunt’ its character and keeps it from becoming merely an exercise in retro aesthetics.
For listeners drawn to synthwave, darkwave, post-punk and cinematic electronic music, ‘The Hunt’ offers plenty to enjoy. Max Macready have taken inspiration from a wide range of progressive, electronic and filmic traditions while developing a world that feels recognisably theirs. The result is atmospheric, inventive and full of personality, a convincing piece of retro-futurist songwriting with a surprisingly modern heart.
We Speak Events
FENIX360 Ignites the Triad Theatre with an Electrifying Night of Music, Talent, and Artistic Freedom
The future of independent music takes center stage as FENIX360 presents an extraordinary evening of live entertainment at the legendary Triad Theatre in New York City on Thursday, October 15, 2026. Featuring an exciting lineup of artists including Ashley Keiko, Nico Lafrey, and Aja Moyé, the evening promises a celebration of musical diversity, creativity, and the undeniable power of live performance.
And the best part? Admission is absolutely free.
FENIX360 continues to redefine the relationship between artists and audiences through its revolutionary entertainment platform, designed to empower independent musicians, celebrate originality, and create opportunities for extraordinary talent to be discovered. Under the leadership of CEO Allan Klepfisz and Artistic CEO John Velasco, FENIX360 is building a global community where artists are encouraged to pursue their dreams while maintaining greater control over their creative destinies.
Taking the stage will be the captivating Ashley Keiko, a saxophonist whose musical presence and artistry promise to bring an exciting dimension to the evening. Her performance will showcase the beauty and versatility of an instrument capable of expressing everything from soulful intimacy to exhilarating musical energy.
Joining her is Nico Lafrey, an artist whose distinctive image and contemporary style bring another dimension to this eclectic musical celebration. His appearance promises to contribute to an evening where individuality and artistic expression take precedence.
Also appearing is the enchanting Aja Moyé, whose presence adds another exciting voice to the lineup. Together, these three performers represent the diversity and creative spirit that FENIX360 is committed to nurturing.
The Triad Theatre, one of Manhattan’s most intimate and beloved entertainment venues, provides the perfect setting for an evening where audiences can experience exceptional talent up close. Located in the heart of New York City, the theater has long been associated with artistic discovery, musical excellence, and unforgettable performances.
But this evening represents something larger than a concert.
FENIX360 is part of a growing movement dedicated to changing the way artists connect with the world. Through its innovative platform, musicians and creators are given opportunities to build audiences, share their work, and explore new avenues of artistic and financial independence.
At a time when the entertainment industry is undergoing dramatic transformation, FENIX360 is embracing the belief that talent deserves opportunity, creativity deserves recognition, and artists deserve a meaningful voice in their own futures.
The October 15 showcase continues the organization’s commitment to bringing remarkable performers into the spotlight while introducing audiences to music they might otherwise never have discovered.
With three distinctive artists, an iconic New York venue, and an atmosphere devoted entirely to the celebration of music, the evening promises to be another memorable chapter in the continuing evolution of FENIX360.
FENIX360 Presents Ashley Keiko, Nico Lafrey, and Aja Moyé
Thursday, October 15, 2026
Triad Theatre
158 West 72nd Street
New York, NY
Doors open at 6:30 PM
Show begins at 7:00 PM
Admission is FREE.
For music lovers, industry professionals, and anyone who believes in the magic of discovering extraordinary talent, this is an evening not to be missed.
FENIX360 isn’t simply presenting a concert. It is helping create a future where every artist has the opportunity to shine.
-
We Speak Music6 days agoNational Gospel Recording Artist Ellen Hayes Announces the Release of Her Farewell Album, Behind My Eyes
-
We Speak Music4 days ago
Mel D makes bittersweetness glow with magnetic new single ‘ORANGE’
-
We Speak Entertainment1 week agoAK7G Introduces His Distinctive Afro-Electronic Sound with New Single and Video “NEW CAT”
-
We Speak Indie Artist1 week agoAmericana Newcomer JP Oldfield Makes A Case For Listening To An EP Properly