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Mdundo.com Champions Ghanaian Music, Boosts Artist Earnings in 2024 Payouts

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Mdundo, Africa’s premier music platform, is elevating Ghana’s music industry by ensuring artists receive timely royalties and global exposure. With 38.7 million Monthly Active Users and partnerships with MTN Ghana, Mdundo is a catalyst for Highlife, Hiplife, and Afrobeat talents in Accra, Kumasi, and beyond.

The 2025 royalty season is underway, benefiting Ghanaian artists. Over 200,000 African creators have earned through Mdundo since its launch, with Ghana’s vibrant scene seeing exponential growth.

This milestone reinforces Mdundo’s pledge to empower Africa’s creative minds. Martin Nielsen, Mdundo CEO, stated: “Our mission has always been to offer African artists a sustainable platform to thrive. By delivering consistent and substantial earnings, we are contributing to the growth of individual artists while supporting the long-term development of the African music industry as a whole.

Mdundo’s catalog is enriched by ties with global labels like Warner Music and regional leaders like MicBurnerz Music. The platform spotlights Ghanaian genres like Highlife and hiplife, bridging local sounds with international audiences.

Phiona Nafuna, Head of Licensing, emphasized: “Our focus is fairness. By streamlining payouts, we’re helping Ghanaian artists build careers and grow the industry.

By 2026, Mdundo plans to distribute $1.5–2 million in royalties, prioritizing Ghana’s rising stars. Through telco integrations, hyperlocal marketing, and seamless access, Mdundo is fueling Ghana’s music industry.

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Megan Burke Turns Personal Experience into Pop Catharsis on ‘Not All Men, Apparently’

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Megan Burke’s debut EP Not All Men, Apparently arrives with a title designed to provoke conversation, but beneath its pointed framing lies a deeply personal collection of songs rooted in lived experience. The project sees the Irish artist tackling themes of heartbreak, deception and emotional recovery with an unfiltered honesty that has become increasingly rare within contemporary pop.

Produced by Hungarian hitmaker Áron Somody, the EP documents Burke’s journey through a series of difficult relationships, transforming private frustrations into universally relatable songwriting. Rather than presenting neat resolutions, the songs lean into complexity, examining the lingering impact of toxic dynamics while charting a gradual path towards self-awareness. It is this willingness to confront uncomfortable truths that gives the record its emotional weight.

Among the collection’s standout moments is Make Me, the focus track that introduces a welcome sense of levity. Written as a break from the darker material surrounding it, the song captures a more playful side of Burke’s personality, embracing independence and spontaneity without abandoning the candid perspective that defines the wider project. Its inclusion adds balance to a release that might otherwise feel relentlessly introspective.

Burke’s rise has been built largely on her ability to connect directly with audiences, amassing a substantial online following while earning notable milestones including a No.1 iTunes chart position and performances at some of Ireland’s biggest venues. With Not All Men, Apparently, she delivers her most cohesive artistic statement yet, confirming her status as a compelling new voice in Irish pop and a songwriter unafraid to tell difficult stories.

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