We Speak Music
Katie Dauson’s ‘Change’ Is A Search for Identity That Never Quite Finds Its Voice
Katie Dauson’s Change is clearly an album made with sincere intentions, but sincerity alone cannot compensate for its fundamental artistic shortcomings. While the record aims to blend vintage influences with contemporary songwriting, the result is a collection of songs that often feels unfocused, overly sentimental, and surprisingly difficult to take seriously.
The album’s biggest obstacle is Dauson’s vocal delivery. Throughout much of Change, her voice carries an exaggeratedly bright, youthful quality that frequently undermines the emotional weight of the material. Rather than conveying maturity or depth, the performances often resemble the kind of cheerful, animated style more commonly associated with children’s television programming than contemporary pop or rock music. This tonal mismatch becomes particularly distracting on songs that are clearly intended to explore themes of personal growth, heartbreak, and resilience.
Musically, Change jumps between synth-pop, folk, rockabilly, and retro rock influences, but the variety rarely feels purposeful. Instead of creating a rich musical tapestry, the album often comes across as stylistically scattered. The constant shifts in genre prevent a strong identity from emerging, leaving many tracks feeling like exercises in imitation rather than expressions of a distinct artistic vision.
The production, while warm and unobtrusive, does little to elevate the material. Many arrangements feel lightweight and lacking in tension, resulting in songs that drift by pleasantly enough but leave little lasting impression. Tracks that strive for emotional intimacy, such as “Lay Me Down,” are weakened by performances that never fully connect with the gravity of the lyrics.
Lyrically, Dauson favors directness over complexity, but too often this translates into predictability. Themes of change, self-discovery, and perseverance are presented in broad strokes without offering particularly fresh insights. The songwriting rarely digs beneath the surface, relying on familiar sentiments that struggle to distinguish themselves from countless similar works.
Ultimately, Change feels less like a compelling artistic statement and more like a collection of well-meaning ideas that never fully coalesce. While listeners drawn to nostalgic, lighthearted music may find moments of charm, those seeking emotional depth, memorable songwriting, or a convincing contemporary voice are likely to come away disappointed. The album’s earnestness is undeniable, but earnestness without stronger execution makes Change difficult to recommend.
We Speak Music
Fanny Alexandra Introduces A New Side Of Her Sound With “Black Pearl Summer”
Swiss artist Fanny Alexandra returns with “Black Pearl Summer”, a new single that finds her exploring a more open side of her alternative sound. Released via Now Listen, the track combines coastal imagery with a story about growing through grief, pressure and the experiences that can shape a person over time.
Alexandra notes that the song is relatively summery by her own standards. She has said that her music is usually darker and that she has never been particularly drawn to the typical idea of summer, preferring cold air, jackets and rugged coastlines. That gives the release a clear sense of personality from the outset.
The song centres on Alexandra’s reflections on being 19 and spending years focused on survival rather than fully living. Those experiences are presented through the image of a black pearl, which becomes a way of considering how something worthwhile can emerge from a challenging period.
What makes the track particularly effective is the balance between its subject matter and its musical approach. The production gives the song room to breathe, while Alexandra keeps the focus firmly on the story she is telling. It means the track can be enjoyed as a seasonal release while still offering more to discover in the lyrics.
There is also a clear sense of change in the way Alexandra approaches her younger self. The song is not about returning to that period or trying to erase it. Instead, it considers what can be learned from experiences that once felt overwhelming.
“Black Pearl Summer” therefore offers newcomers a useful introduction to Alexandra’s work. It shows an artist comfortable writing about serious subjects, while also demonstrating a lighter musical side that may not be as familiar to listeners who know her darker material.
It is an interesting glimpse of what Alexandra can do when she lets a little more light into the picture.
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