We Speak Entertainment
Moses OK’s Wife Left Speechless as Gospel Musician Surprises Her on Her Birthday
Ghanaian gospel musician Moses Osei Kwarteng, popularly known as Moses OK, gave his wife, Mrs. Doris OK, a heartwarming surprise on her birthday, February 1, 2025.
In a video shared on his social media platforms, Moses OK initially told his wife they were heading out to celebrate a friend. However, upon arrival, she was speechless to realize that she was actually the celebrant. Overwhelmed with emotions, she quickly adjusted to the unexpected turn of events.
Moses OK, who is also the Senior Pastor of Truth City Chapel, used the moment to shower praises on his wife, acknowledging her unwavering support for him and his ministry.
Despite many admiring their strong bond, he took to Instagram to express his gratitude, writing, “We are the evidence that God is the lifter of men. He blessed me with my precious gift, and by His immense grace, our journey has been filled with giant steps of faith, leading from glory to glory.”
He further added, “Truly, this is the testament that God is good and His enduring mercies from generation to generation. Grace encountered us.”
With these heartfelt words, Moses OK beautifully celebrated his beloved wife, making her special day even more memorable.
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We Speak Arts
Art Basel Paris 2026: A $100 Million Modigliani, Two $10 Million Richters, and a Grand Palais at Full Stretch
Paris in October belongs to art — and this year, the art world showed up determined. The fifth edition of Art Basel Paris opened its public days Friday at the Grand Palais, running October 23–25 under the glass vaults of the great exhibition hall, in the fair’s first edition under new director Karim Crippa.
The scale is serious: 211 galleries from 41 countries and regions — 183 in the main Galeries sector, 16 in Emergence and 12 in Premise — including 64 galleries operating in France and 32 first-time participants. Around the fair, Paris art week hums with satellites including Paris Internationale and Design Miami.Paris, while inside the Grand Palais the fair keeps inventing: the Premise sector moved into a larger Salon Seine space, the Conversations program took over the Grand Palais Auditorium, and Oh La La! — mid-fair booth rehangs art-directed by Philippine Leroy-Beaulieu — rewrote stands on October 23–24. An expanded Public Program carried a first presentation to the Parvis des Droits de l’Homme by Tracey Emin.
And then there is the money. The fair’s biggest ticket hangs at Pace Di Donna Schrader: Modigliani’s 1917 Nu étendu (Lolotte), priced at over $100 million. The sales that have landed are led by Hauser & Wirth, which placed Gerhard Richter’s Rokokotisch (1965) at around $10 million and Georg Baselitz’s Der Hirte (1965) at around $10 million. White Cube sold two Julie Mehretu paintings at $7.85 million each, David Zwirner placed a Richter at $8.5 million, and Pace sold Dubuffet’s La chaise for just over $5 million. The crowd-stopper, meanwhile, is Jeff Koons’ ten-foot bronze Corks (Couple) — the selfie backdrop of the fair.

The context made the turnout its own headline: the fair opened days after a weekend of unrest across France, with barriers and dog patrols around the Grand Palais. Some collectors stayed home — but a great many came anyway, and the Grand Palais at full stretch suggests Paris’s grip on the art calendar is only tightening. Public days run through Sunday, October 25, 11 a.m. to 7 p.m.
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