We Speak Music
Nana Yaw Ofori-Atta Releases ‘Onyame Ben’ – First Track from His Debut EP Solitude
An authentic blend of highlife and gospel, “Onyame Ben” celebrates God’s greatness with the richness of Ghanaian sounds.
Ghanaian gospel artist Nana Yaw Ofori-Atta is excited to release “Onyame Ben,” the first single from his debut EP Solitude, distributed by HFP Music. With a vibrant highlife groove and a simple yet powerful chorus, Onyame Ben is an uplifting anthem that projects the greatness of God in the best Ghanaian way possible.
Recorded live at 2020 Live Studios, Solitude is brought to life by a talented lineup of musicians, including Christian Edem Taylor Jr. on cajon and as co-producer, Kwame Banson Aninakwa on lead guitar, Nana Kwaku Ohene-Bekoe on lead guitar, and Papa Kojo Anamoah-Arthur on bass and as co-producer. Expertly mixed and mastered by David Dvnks, the EP reflects Nana Yaw’s vision of creating music that goes beyond worship into a realm of deep, authentic expression birthed in the secret place.
Unlike traditional worship the EP, Solitude showcases the creative inspiration drawn from personal reflection and communion with God, allowing Nana Yaw to delve into new artistic territories. Onyame Ben sets the tone, offering audiences a blend of Ghanaian rhythms and heartfelt praise that’s both timeless and refreshingly contemporary.
Onyame Ben is now available on all major streaming platforms, marking the beginning of a journey through Solitude that will bring listeners closer to the unique fusion of faith and highlife sound Nana Yaw Ofori-Atta embodies.
Listen to Onyame Ben now and experience a fresh expression of gospel music rooted in Ghanaian tradition and creativity.
About Nana Yaw Ofori-Atta
Nana Yaw Ofori-Atta is a Ghanaian gospel musician dedicated to combining authentic Ghanaian sounds with messages of faith. Distributed by HFP Music, Nana Yaw’s music invites listeners to discover a new side of gospel music through creativity birthed in the secret place, blending cultural heritage with the profound truths of faith.
Charlie McDonald isn’t chasing trends — he’s chasing truth. With his second single “Time,” the emerging singer-songwriter delivers a devastatingly beautiful meditation on grief, memory, and the slow erosion of the past. After gaining attention with his debut “You Broke Me” — a quietly viral track that amassed over 120,000 views — McDonald returns with a deeper, darker cut, one that proves he’s more than a one-song storyteller.
The origins of “Time” are heartbreakingly human. While clearing out an old closet, McDonald stumbled upon forgotten photos of a best friend who passed away nine years ago in a car accident. What overwhelmed him wasn’t just the rediscovered snapshots — it was how many memories had already faded. That moment of guilt and emotional paralysis became the seed for “Time,” a track that captures the fragile, cruel nature of remembering.
Sonically, “Time” sits at the intersection of cinematic pop and soulful R&B. Its arrangement is richly atmospheric — echoing the emotional resonance of artists like Labrinth or James Blake. But McDonald’s voice, hushed and heartfelt, keeps everything grounded. It’s the kind of performance that doesn’t ask for attention — it commands it by sheer vulnerability.
There’s a curious serendipity to how the song was born. While walking through a London HMV, McDonald heard Harry Styles’ “Sign of the Times.” Though the two songs share little in sound, the emotional gravity of that moment stayed with him. Hours later, just before attending a Sigur Rós concert, “Time” came to him in one overwhelming wave — and the bones of the song were written in minutes.
For McDonald, “Time” is more than a tribute — it’s a reckoning. It asks what we owe to the people we’ve lost, and what it means when even those memories start to fade. In a world overflowing with disposable pop, McDonald’s work stands as something rare: a song with a pulse, a heart, and a story worth hearing.
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