We Speak Music
Nathan Zanagar Drops Stunning New EP ‘La Grande Salle’
Some artists chase trends. Others chase truth. On his new EP La Grande Salle, Nathan Zanagar does neither — he builds worlds. The five-track release is a daring statement of artistic independence, emotional clarity, and sheer pop ambition. If vulnerability had a beat, it would sound like this.
Each track feels like a different door in a sprawling sonic mansion. Open one, and you’re met with shimmering synths that pulse like city lights at 3 a.m. Open another, and there’s a raw voice, almost trembling, whispering confessions into the void. The project embraces extremes — soft and loud, light and dark, logic and longing — and stitches them into a cohesive whole.
Zanagar’s bilingual performance adds even more dimension. In English, he’s direct and sharp-edged; in French, his tone softens into something tender and poetic. It’s not just a flex — it’s a reflection of how identity itself can’t be pinned to one language or one sound. He’s telling multiple stories at once, layered like harmonies.
The EP’s emotional centerpiece is its willingness to sit in discomfort. One song aches for a friend. Another pulses with self-doubt hidden behind glittering production. Rather than mask the truth, Zanagar amplifies it — letting imperfections and contradictions shine like disco lights off mirrored walls. It’s healing disguised as high art.
Beyond the music, Zanagar’s visual storytelling is just as compelling. Every video is self-directed, making the project feel like a unified installation — a gallery of sound and movement. The fact that he plants trees when not creating only deepens the sense that this is an artist rooted in care, both for the world and for the self.
La Grande Salle isn’t easy background listening — and that’s the point. It’s immersive, charged, and often uncomfortably honest. But if you’re willing to enter its prism, you might just see yourself in a new light.
Commenting on the project, Nathan Zanagar shares, “These are the most unapologetic songs I’ve ever made. I wanted to push everything further: the emotions, the stories, the sound. This is me, entirely”.
We Speak Music
SCARECROW’s John Blaze Delivers a Career Milestone With “Twisted” and Earns Josie Music Awards Song of the Year Nomination
John Blaze has spent nearly four decades fronting SCARECROW, the New York hard-rock outfit he founded in 1989, and in 2026 he delivered one of the most ambitious releases of his career with “Twisted.” Now, the song has reached another major milestone: “Twisted” has been nominated for Song of the Year in the Metal/Alternative category at the Josie Music Awards.
The nomination places Blaze and SCARECROW among this year’s recognized independent artists and songwriters at the Josie Music Awards, with the awards ceremony set to take place at Nashville’s legendary Grand Ole Opry. For an artist whose career has been built on persistence, independence and decades of hard-rock storytelling, the recognition gives “Twisted” an entirely new chapter.

Written by John Blaze and Chaffin, “Twisted” pulls together a lineup of guest players that reads like a rock family reunion, built around Blaze’s long-standing friendship with Dee Snider and the legacy of Twisted Sister, a band woven into SCARECROW’s story from its earliest days.
That connection goes all the way back to the beginning. SCARECROW’s original lineup featured guitarist Eddie Ojeda, best known for his work in Twisted Sister, and the two camps have remained connected ever since. “Twisted” makes that history explicit: Dee Snider appears on the record with guest vocals during the track’s climactic second verse and chorus, lending the song an instantly recognizable jolt of arena-rock power.
Snider isn’t the only marquee name in the credits. Mark Wood, founding violinist of Trans-Siberian Orchestra, contributes electrifying violin work that gives “Twisted” a cinematic sweep uncommon in modern hard rock. Rounding out the track are TJ Jordan on lead guitar and Bobby Marks on drums, creating a powerful, road-tested foundation behind Blaze’s signature gritty vocal delivery.
The Josie Music Awards nomination feels particularly fitting because “Twisted” isn’t simply another SCARECROW release. It brings together different eras of Blaze’s musical life while pushing the band’s sound forward. There’s history in the recording, but there’s also urgency. It doesn’t sound like a band looking backward. It sounds like one with unfinished business.

For Blaze, the nomination also represents recognition of a career that has largely been built outside the traditional machinery of the mainstream music business. Independent rock artists rarely survive for decades without a fierce commitment to what they do, and SCARECROW’s longevity speaks for itself. From the band’s early years and its 1991 debut, through the Blood, Sweat and 20 Years retrospective and the theatrical production I Am SCARECROW, Blaze has continued developing a world around the music rather than simply releasing songs.
That makes the Song of the Year nomination especially meaningful. After nearly four decades of building SCARECROW, Blaze now heads to the Josie Music Awards at the Grand Ole Opry with one of his most ambitious songs recognized in the Metal/Alternative category.
And there’s something wonderfully appropriate about the song that got him there.
“Twisted” connects SCARECROW’s beginnings to its present, reunites Blaze musically with figures tied to the band’s history, and demonstrates just how much fire remains in the project. With Snider and Wood contributing to the record and Blaze still driving the band he created from the ground up, the track feels less like a nostalgic reunion than a statement of survival.
Now it’s also an award-nominated song.
For John Blaze and SCARECROW, nearly four decades into the journey, “Twisted” has become more than another entry in the catalog. It’s a career milestone — and this September, that milestone is taking SCARECROW all the way to the Grand Ole Opry.
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