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Nolan Lewis Returns With New EP Do your eyeballs ever feel warm?

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If music were a vibrant tapestry, Nolan Lewis’ latest EP, Do your eyeballs ever feel warm?, would be a kaleidoscopic masterpiece. Bursting with color, energy, and a hefty dose of charisma, this six-track offering is a sonic adventure like no other.

From the moment you hit play, Lewis invites you into his world with open arms and a mischievous grin. “PACKUPNGO!” serves as the perfect introduction, a high-octane thrill ride that grabs you by the collar and refuses to let go. With its infectious beats and Lewis’ razor-sharp delivery, it’s a track that demands attention and delivers in spades.

But don’t be fooled by the adrenaline rush – Do your eyeballs ever feel warm? is far from a one-trick pony. Lewis flexes his musical muscles with effortless grace, seamlessly weaving between genres like a seasoned pro.

But perhaps the most remarkable thing about Do your eyeballs ever feel warm? is its sheer sense of joy and camaraderie. Lewis’ love for music shines through in every beat, every lyric, every moment. It’s a celebration of life, love, and the endless possibilities that come with embracing your true self.

In a world that often feels divided, Do your eyeballs ever feel warm? serves as a welcome reminder of the power of music to bring us together. It’s a testament to Nolan Lewis’ talent and vision, and a promise of even greater things to come.

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Feelgood Frequencies: Why CR Srikanth’s “Dancing in the Dark – VS Pop™” Is The Sonic Hug You Didn’t Know You Needed

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If you’ve been looking for a track that feels like a warm, nostalgic hug wrapped in shimmering synths, CR Srikanth’s new single “Dancing in the Dark – VS Pop™” might be exactly what you need. It offers a beautiful balance of emotional depth and danceable energy, pulling you out of your head and into a place where you can just breathe, feel, and move. In a world that often feels overwhelming, this track delivers a sense of calm and release.

Srikanth, a US-based Indian composer and sonic storyteller, has carved out a unique musical space with his self-created genre, VS Pop™ (Very Smooth Pop). Drawing from vintage 1980s synthpop, ambient soundscapes, and cinematic orchestral touches, he’s crafted a style that feels both familiar and forward-thinking. “Dancing in the Dark” continues that evolution. It is at once intimate and expansive, polished yet deeply human.

The track features vocals from Junior Paez, whose delivery adds emotional texture to the lyrics. There’s a quiet honesty in lines like “Don’t you think you’re losing your mind again?” and “Hold on, I’ll take you a little higher tonight.” These words speak to the chaos we often feel inside, but instead of staying stuck there, the song encourages movement, connection, and hope. It is music that acknowledges the darkness but chooses to dance through it anyway.

The production is rich with shimmering arpeggiators, retro synth bass, and crisp electronic drums. It brings together nostalgia and futurism in a way that feels effortless. Imagine flickering neon lights, soft motion blur, and the kind of energy that makes you want to close your eyes and sway. It is cinematic but never overwhelming. Every layer serves the emotion at the heart of the track.

What makes “Dancing in the Dark” so appealing is how well it adapts to your mood. Whether you’re heading out for a solo night drive, setting the vibe for a weekend gathering, or simply lying on your bed in need of a reset, this song fits the moment. It never pushes too hard, but it always lands exactly where it needs to. There is something comforting about how sure of itself it feels.

CR Srikanth is not just making music for the sake of it. He is building emotional landscapes for listeners to get lost in and to find themselves again. With “Dancing in the Dark – VS Pop™,” he offers more than just a catchy tune. He gives us space to reflect, to feel seen, and to find joy in the act of simply moving forward. So press play, turn it up, and let yourself be lifted. This one’s for the heart, the soul, and the feet.

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