We Speak Music
Pharmacists Delivers Masterful Tune ‘Heart of the Nation’
Originally, Pharmacists was used to prevent the chief songwriter William Porteous from going insane during his mindless 9-5 workday. He writes on loss, mourning, and the conversation in society. He has performed with bands in both sweaty London venues and dive bars in New York.
In his latest offering, ‘Heart of the Nation’, Pharmacists’ endearing voices underscore the hardships of the modern world while promoting solidarity. The words of the song ask the listener to widen their eyes. This lesson is especially relevant in the fast-paced world of today when it occasionally appears that power triumphs over people.
The song, which was recorded in Norwich’s Plug Studios, began with only guitar and vocals and gradually grew up to include bass, drums and a playful piece of drum machine. This demonstrated how the chemists’ varied skill set is what gives the song its energy. Pharmacists’ deep love of music is captured by the appeal of alternative indie-rock, which is seamlessly blended with other genres to showcase his style with richness and surprise to the composition.
‘Heart of the Nation’, with its captivating combination of alternative and indie-rock, is more than simply a song; it’s an invitation to accompany him on his musical journey. This song has the potential to become a favourite among both fans and new listeners.
When asked about the inspiration behind this new single, Pharmacists has the following to say;
“I wanted to take a huge chorus and put something I believe in behind it. I wanted to leave something of myself out there.”
We Speak Music
EMEREE’s Cinematic Pivot in ‘Eyesore’ from Pop Star to Pop Assassin

EMEREE doesn’t just make music—she curates moments. Her latest single “Eyesore” is a cinematic, sarcastic scorcher that sets a new tone for the rising Australian powerhouse. From the candy-coated production to the horror-tinged DIY music video, EMEREE is creating her own genre: camp pop noir.
The single is a masterclass in balancing artistry with attitude. Co-created with Christian Tjandrawinata, “Eyesore” proves EMEREE isn’t here to play safe. She plays sharp, with razor-lined harmonies and lyricism that stabs with a smile. It’s not just catchy—it’s calculated. The beat bounces, the vocals glide, but it’s the burn in the lines that lingers.
Visually, EMEREE doubles down. The music video is a bloody wink to 80s slasher films, with a narrative as satirical as it is symbolic. She doesn’t just kill her ex on screen—she kills the whole trope. Pop stars often tell stories of heartbreak. EMEREE turns it into performance art.
EMEREE says, “Eyesore” is the anthem for anyone who’s ever dated someone who treated them horribly and just wasn’t hot enough to get away with it.”
EMEREE is making noise for all the right reasons—and with creative backing from CAA and sessions alongside Nile Rodgers and Invisible Men, she’s not just rising. She’s plotting her pop empire. “Eyesore” is both a warning shot and a love letter to anyone who’s ever made revenge their aesthetic.
It’s the start of something bold—and we’re already obsessed.
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