We Speak Music
Christine Tarquinio Inspires with Hopeful Anthem ‘New Year’s Day’
Independent pop artist, singing teacher, and dedicated mother Christine Tarquinio returned with a new single titled “New Year’s Day”. Known for her honest and meaningful lyrics paired with catchy melodies, Christine continues to be a beloved figure in the Melbourne music scene. Teaming up with production alchemist Daniel Nieberg, who produced, mixed, and mastered the track, “New Year’s Day” beautifully captures the enthusiasm and reflection that accompany the arrival of a new year.
Christine masterfully conveys the sense of hope and expectation that infuses everyone’s New Year’s resolutions, only to be tempered by the inevitable return to our regular routines. This duality is reflected in the song’s growth and evolution, mirroring Christine’s own journey through a series of profound life events over the past few months.
“I wrote ‘New Year’s Day’ at the beginning of this year, feeling like nothing had changed despite the new calendar. But as the months have gone on, I’ve had moments that have truly altered how I appreciate life’s little things. This song reflects both the hope and the reality that new year’s bring,” Christine shares.
Drawing inspiration from artists like Natalie Imbruglia, Gwen Stefani, and Jewel, Christine channels her everyday experiences as a mum and wife into her music. Her style, described as honest and open, resonates with the raw emotions of Taylor Swift, Ed Sheeran, Billie Eilish, and Lana Del Rey. Her music exudes a sense of love and genuineness, making it both relatable and fresh.
Beyond her music, Christine is passionate about teaching singing and coaching her young daughter’s soccer team. She also encourages her son’s musicality, supporting his involvement in school productions. Looking ahead, Christine aims to release more singles and explore diverse soundscapes while maintaining her independence as a musician. As she approaches nearly ten years since her first release, Christine eagerly anticipates the next decade of her musical journey.
Follow Christine Tarquinio:
We Speak Music
Phoebe June Traces Love, Distance and Heartbreak on New EP ‘Kiss Me Over The Garden Gate’
For Phoebe June, some stories are easier to tell through music.
Her new EP, ‘Kiss Me Over The Garden Gate’, is an intimate collection that traces the emotional journey of a relationship from the exhilaration of falling in love to distance, uncertainty, heartbreak and, ultimately, learning to let go.
Inspired by artists including Gracie Abrams, Taylor Swift and Phoebe Bridgers, Phoebe June combines diary-like lyricism with melancholic ballads, subtle uptempo moments and an understated, emotionally honest production style.
At the centre of the project is ‘Thursday’, a bittersweet track about loving someone from a distance and holding onto the hope that the connection might survive.
Written after Phoebe left a country that held deep personal meaning, and left someone she cared about behind, the song looks back at the relationship from its beginning. Even its title is personal: the two first met on a Thursday.
The song captures the complicated feeling of walking away from something meaningful without believing that it necessarily has to be over. It’s about distance, memory and the possibility of finding your way back to someone, while recognising that hope only works when it goes both ways.
Across six tracks, the EP develops that story in sequence.
‘Everything You Are’ opens the project with the warmth of new love, while ‘Dead Sea’ explores the security of finding someone who helps you stay afloat through difficult times. As the story progresses, ‘Thursday’ introduces separation before ‘Getaway Car’ moves into the aftermath; unanswered questions, lingering attachment and the realisation that someone can profoundly affect your life while still being unhealthy for you.
‘One Day’ leaves the door open to the possibility of a future reunion, balancing hope with the understanding that some relationships may only exist in memory.
The EP closes with ‘Ophelia’, its emotional breaking point. Inspired in part by Friedrich Heyser’s painting of the same name, the track confronts the pain of feeling manipulated and unappreciated after giving everything to someone else.
The result is a project that deliberately moves from light to dark. Phoebe June considered not only the narrative but the emotional progression when sequencing the EP, allowing the brightness of its opening to gradually give way to the heartbreak of its closing moments.
Even the title reflects that feeling.
‘Kiss Me Over The Garden Gate’ takes its name from a flower, with the image of a gate separating two people becoming a metaphor for a love that remains beautiful but just out of reach. To reach over it requires effort, just as maintaining a connection across distance, uncertainty and changing circumstances does.
Ultimately, Phoebe June isn’t interested in simply documenting her own heartbreak.
She wants listeners to recognise themselves in it.
‘Kiss Me Over The Garden Gate’ is a collection about love, nostalgia, hope and regret and about what remains when something beautiful ends up on the other side of the gate.
-
We Speak Music1 week agoPAULINO & THE GREAT ESCAPE BRING THE MUSIC OF JOURNEY TO MASSACHUSETTS FOR A DOUBLE-HEADER LABOR DAY WEEKEND
-
We Speak Country1 week agoTristan Roberson Bridges Country Tradition and Modern Ambition on Down For The Ride
-
We Speak Electronic1 week agoKIM KAY: THE BELGIAN POP STAR WHO REFUSES TO DISAPPEAR
-
We Speak Music1 week agoWormogenic Gives Her Younger Self the Microphone on ‘Apocalypse Queen’