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Pittsburgh’s Messiah Of Madness returns with new EP!

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Out of the shadowy recesses of “Steeltown” (aka Pittsburgh, PA) a dark musical force known as The Messiah Of Madness has been crafting some of the most grimey boom-bap around today.  His four-track offering, You Already Know (to drop digitally on June 28th via Dominion Hill Records) is titled such, as the artist relates “if you ever listened to my music, you already know that everything I put out is hard, raw and menacing, this EP is held to the same standard.”

On the mic, The Messiah is gruff, disrespectful and homicidal with his words, his producer alter-ego Tone Fultz (who produces three of the four tracks on this release) is equally adept at creating the type of raucous instrumentals that made Wu-Tang and Mobb Deep touchstones of the 1990’s.  The one non Tone Fultz produced track on the release “Crown Royal Bag” is provided by hometown legend Big Jerm, who has also laced tracks for Mac Miller, Wiz Khalifa and Snoop Dogg among others.

Preview the EP here: https://music.apple.com/us/album/you-already-know-ep/1750087586

This is the first new Messiah Of Madness since last year’s Monstrosity LP (Global Sounds/MNRK) but prior to that was a twelve year break between 2011’s The Ordeal LP and Monstrosity.  This was mostly due to Tone Fultz keeping busy on the production side.  Some of his recent work includes “Get On Your Knees” the new single from Wu-Tang / Theodore Unit affiliate Solomon Childs as well as a forthcoming EP with Kinetic 9 of Killarmy.

More info: https://www.instagram.com/messiah_of_madness/

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Reece Rosé Bottles the Feeling on “Misbehaving”

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Reece Rosé

Reece Rosé is not trying to reinvent the wheel. He is here to remind you why it worked in the first place. With “Misbehaving”, the rising electronic artist taps into something instantly familiar, then flips it into a feel-good house cut that lands right where nostalgia meets the dancefloor.

Teaming up with Capri Everitt, Reece Rosé leans into warm textures and groove-driven production that echo the roots of early ’90s house and UK garage. The result is effortless but intentional. Smooth chords, playful rhythms, and just enough bounce to keep things moving without overcomplicating the mood.

“Misbehaving” plays like a memory you did not realize you still had. Late nights, no responsibilities, music loud enough to blur everything else. It pulls from that space where time felt slower but nights somehow lasted longer. “It’s a reminder of those carefree high school days, when life felt simple, the nights felt endless, and the only thing that mattered was the music and the memories we were making,” Rosé explains. And that feeling runs through every second of the track.

What makes it click is that it never gets stuck in the past. The influences are clear, but the execution stays sharp and current. This is not revival for the sake of it. It is a continuation. Rosé understands the DNA of dance music and builds on it, keeping the energy light, summery, and forward-facing.

That balance is quickly becoming his signature. With international airplay on Kiss FM UK and Insomniac Radio, plus support from names like AC Slater, Zeds Dead, Boombox Cartel, DJ Q, REH4B, and DJ Craze, his momentum is building in all the right places. On Beatport, his releases are already making noise, proving that his sound connects both in clubs and beyond.

“Misbehaving” does not try too hard. It does not need to. It is light, nostalgic, and built to move. The kind of track that makes you look back for a second, then pulls you straight into the moment.

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