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Sis Delivers Masterful Album ‘Vibhuti’

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Vibhuti, an emotional offering by Jenny Gillespie Mason, is a musically wandering, yet soul-stirring focused account of spiritual awakening by Sis. Her artistic skill is demonstrated in this debut album, which combines her eager exploration of new musical horizons with her spiritual awakenings.

Mason’s creation of music is an expression of her own “vibhuti,” which is the Sanskrit name for the divine spirit present in every human body. Vibhuti, was inspired by a sequence of therapeutic dreams. The teachings of the Mother, the companion of 20th-century Indian mystic Sri Aurobindo, had a strong effect on the album. Songs like “Mother’s Grace,” “Bow to Your Wilderness,” and “Mystic Spider” have been greatly influenced by their spiritual revelations.

Mason’s distinct sound is showcased in Vibhuti, a varied album that features everything from electro-pop to tropicalia to spiritual/ambient. Mason asked the aforementioned artists to record their parts in different facilities around Los Angeles and New York, and she produced the entire album herself at home using Ableton. The album offers a distinctive listening experience with its fusions of ambient sounds, electro-pop, and dreamy psychedelia.

Songs like “Pregnant in Bhutan,” “Centre of the Heart,” and “Splendour” are composed by Mason, who draws inspiration from personal tales of her life as a mother and woman. Her growing spirituality is reflected in every song, which combines it with an ongoing search for fresh musical interpretations. Mason has produced an effervescent, happy soundscape with the Yamaha C-3 synth, harmonium, and Afghan rubab. Jazz, world music, synth-pop, new age, instrumental, and synth-pop are among the genres that, Vibhuti, crosses.

On the instrumental tracks “Jugaspa” and “Cave of Plenty,” Mason teamed up with longtime collaborator Brijean for production, percussion, and bass. Will Miller of Reservoir and Devendra Banhart provided electric guitar and trumpet, respectively. As a result, the audience is invited to explore their own inner experiences in an intimate dialogue that takes place between the artist, the divine, and themselves.

Vibhuti, is out now on all digital platforms. Be sure to check out this fantastic album!

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We Speak Electronic

Reece Rosé Bottles the Feeling on “Misbehaving”

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Reece Rosé

Reece Rosé is not trying to reinvent the wheel. He is here to remind you why it worked in the first place. With “Misbehaving”, the rising electronic artist taps into something instantly familiar, then flips it into a feel-good house cut that lands right where nostalgia meets the dancefloor.

Teaming up with Capri Everitt, Reece Rosé leans into warm textures and groove-driven production that echo the roots of early ’90s house and UK garage. The result is effortless but intentional. Smooth chords, playful rhythms, and just enough bounce to keep things moving without overcomplicating the mood.

“Misbehaving” plays like a memory you did not realize you still had. Late nights, no responsibilities, music loud enough to blur everything else. It pulls from that space where time felt slower but nights somehow lasted longer. “It’s a reminder of those carefree high school days, when life felt simple, the nights felt endless, and the only thing that mattered was the music and the memories we were making,” Rosé explains. And that feeling runs through every second of the track.

What makes it click is that it never gets stuck in the past. The influences are clear, but the execution stays sharp and current. This is not revival for the sake of it. It is a continuation. Rosé understands the DNA of dance music and builds on it, keeping the energy light, summery, and forward-facing.

That balance is quickly becoming his signature. With international airplay on Kiss FM UK and Insomniac Radio, plus support from names like AC Slater, Zeds Dead, Boombox Cartel, DJ Q, REH4B, and DJ Craze, his momentum is building in all the right places. On Beatport, his releases are already making noise, proving that his sound connects both in clubs and beyond.

“Misbehaving” does not try too hard. It does not need to. It is light, nostalgic, and built to move. The kind of track that makes you look back for a second, then pulls you straight into the moment.

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