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Sis Delivers Masterful Album ‘Vibhuti’

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Vibhuti, an emotional offering by Jenny Gillespie Mason, is a musically wandering, yet soul-stirring focused account of spiritual awakening by Sis. Her artistic skill is demonstrated in this debut album, which combines her eager exploration of new musical horizons with her spiritual awakenings.

Mason’s creation of music is an expression of her own “vibhuti,” which is the Sanskrit name for the divine spirit present in every human body. Vibhuti, was inspired by a sequence of therapeutic dreams. The teachings of the Mother, the companion of 20th-century Indian mystic Sri Aurobindo, had a strong effect on the album. Songs like “Mother’s Grace,” “Bow to Your Wilderness,” and “Mystic Spider” have been greatly influenced by their spiritual revelations.

Mason’s distinct sound is showcased in Vibhuti, a varied album that features everything from electro-pop to tropicalia to spiritual/ambient. Mason asked the aforementioned artists to record their parts in different facilities around Los Angeles and New York, and she produced the entire album herself at home using Ableton. The album offers a distinctive listening experience with its fusions of ambient sounds, electro-pop, and dreamy psychedelia.

Songs like “Pregnant in Bhutan,” “Centre of the Heart,” and “Splendour” are composed by Mason, who draws inspiration from personal tales of her life as a mother and woman. Her growing spirituality is reflected in every song, which combines it with an ongoing search for fresh musical interpretations. Mason has produced an effervescent, happy soundscape with the Yamaha C-3 synth, harmonium, and Afghan rubab. Jazz, world music, synth-pop, new age, instrumental, and synth-pop are among the genres that, Vibhuti, crosses.

On the instrumental tracks “Jugaspa” and “Cave of Plenty,” Mason teamed up with longtime collaborator Brijean for production, percussion, and bass. Will Miller of Reservoir and Devendra Banhart provided electric guitar and trumpet, respectively. As a result, the audience is invited to explore their own inner experiences in an intimate dialogue that takes place between the artist, the divine, and themselves.

Vibhuti, is out now on all digital platforms. Be sure to check out this fantastic album!

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Jeoff Harris Elevates ‘Cathartic Fall’ with a Poetic and Emotional Re-Release

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Jeoff Harris has once again proven his mastery in blending music with deep emotional narratives in the re-release of Cathartic Falls debut album. Known for crafting RIAA-certified hits that dominate both pop and indie scenes, Harris ventures into even more vulnerable and intimate territory with this project. The re-release is not just a rehash of the original album, but a significant evolution, pushing the boundaries of his creative expression. Harris explores themes of grief, loss, anxiety, and personal growth with renewed intensity.

The most striking addition to the re-release is the integration of spoken word performances. Collaborating with some of today’s most compelling voices in poetry and mental health advocacy, Harris has crafted a project that feels both emotionally raw and thoughtfully constructed. Tracks like “Before The Fall,” “Breathe,” and “Sometimes Words Just Get In The Way” now feature poetic interludes from Whitney Hanson, Allie Michelle, and Trev Cimenski. These poets inject their words into Harris’ ambient soundscapes, creating moments of profound reflection. Matthias J Barker, a noted figure in the mental health space, also adds a powerful layer of psychological depth to the music, making the project not only an artistic endeavor but also an emotional exploration.

The fusion of music and spoken word proves to be more than just an artistic choice—it deepens the connection between listener and artist. Harris’ ambient compositions provide the perfect backdrop for these spoken word passages, enhancing their impact without overshadowing the words. There’s a synergy between sound and speech that invites the listener into an introspective journey, exploring their own emotional experiences alongside those expressed in the album. It’s as though Harris has created a space for the listener to grieve, heal, and grow in tandem with the music.

The spoken word performances, in particular, add a fresh dimension to, Cathartic Fall. The personal nature of the poems, combined with Harris’ atmospheric production, ensures that each track feels both intimate and universal. Listeners are invited to dwell on the words, to sit in the emotional spaces created by the interplay between the music and poetry. This layered approach makes the album feel deeply personal, yet approachable, offering solace to those who may be grappling with similar emotional challenges.

One of the standout moments of this re-release was its live launch event, where the featured poets experienced the completed project for the first time. This collective unveiling, shared with fans and collaborators alike, underscored the collaborative heart of, Cathartic Fall. It’s a testament to the power of art as a shared experience and how music, in particular, can bridge personal emotions with collective understanding.

With this re-release, Jeoff Harris has transformed, Cathartic Fall, from a musical album into an immersive, multi-dimensional experience. By weaving together music, poetry, and mental health advocacy, Harris has crafted a project that not only resonates on an emotional level but also encourages reflection and healing. Fans of Harris’ work will appreciate the emotional growth and sonic depth he brings to this re-imagined album, while new listeners will find themselves captivated by the intimate dialogue between music and words.

In a time where music often feels fleeting, Cathartic Fall, stands as a project that demands to be absorbed, felt, and reflected upon. It’s not just an album—it’s an experience.

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