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Sis Delivers Masterful Album ‘Vibhuti’

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Vibhuti, an emotional offering by Jenny Gillespie Mason, is a musically wandering, yet soul-stirring focused account of spiritual awakening by Sis. Her artistic skill is demonstrated in this debut album, which combines her eager exploration of new musical horizons with her spiritual awakenings.

Mason’s creation of music is an expression of her own “vibhuti,” which is the Sanskrit name for the divine spirit present in every human body. Vibhuti, was inspired by a sequence of therapeutic dreams. The teachings of the Mother, the companion of 20th-century Indian mystic Sri Aurobindo, had a strong effect on the album. Songs like “Mother’s Grace,” “Bow to Your Wilderness,” and “Mystic Spider” have been greatly influenced by their spiritual revelations.

Mason’s distinct sound is showcased in Vibhuti, a varied album that features everything from electro-pop to tropicalia to spiritual/ambient. Mason asked the aforementioned artists to record their parts in different facilities around Los Angeles and New York, and she produced the entire album herself at home using Ableton. The album offers a distinctive listening experience with its fusions of ambient sounds, electro-pop, and dreamy psychedelia.

Songs like “Pregnant in Bhutan,” “Centre of the Heart,” and “Splendour” are composed by Mason, who draws inspiration from personal tales of her life as a mother and woman. Her growing spirituality is reflected in every song, which combines it with an ongoing search for fresh musical interpretations. Mason has produced an effervescent, happy soundscape with the Yamaha C-3 synth, harmonium, and Afghan rubab. Jazz, world music, synth-pop, new age, instrumental, and synth-pop are among the genres that, Vibhuti, crosses.

On the instrumental tracks “Jugaspa” and “Cave of Plenty,” Mason teamed up with longtime collaborator Brijean for production, percussion, and bass. Will Miller of Reservoir and Devendra Banhart provided electric guitar and trumpet, respectively. As a result, the audience is invited to explore their own inner experiences in an intimate dialogue that takes place between the artist, the divine, and themselves.

Vibhuti, is out now on all digital platforms. Be sure to check out this fantastic album!

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SCARECROW’s John Blaze Delivers a Career Milestone With “Twisted” and Earns Josie Music Awards Song of the Year Nomination

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John Blaze has spent nearly four decades fronting SCARECROW, the New York hard-rock outfit he founded in 1989, and in 2026 he delivered one of the most ambitious releases of his career with “Twisted.” Now, the song has reached another major milestone: “Twisted” has been nominated for Song of the Year in the Metal/Alternative category at the Josie Music Awards.

The nomination places Blaze and SCARECROW among this year’s recognized independent artists and songwriters at the Josie Music Awards, with the awards ceremony set to take place at Nashville’s legendary Grand Ole Opry. For an artist whose career has been built on persistence, independence and decades of hard-rock storytelling, the recognition gives “Twisted” an entirely new chapter.

Written by John Blaze and Chaffin, “Twisted” pulls together a lineup of guest players that reads like a rock family reunion, built around Blaze’s long-standing friendship with Dee Snider and the legacy of Twisted Sister, a band woven into SCARECROW’s story from its earliest days.

That connection goes all the way back to the beginning. SCARECROW’s original lineup featured guitarist Eddie Ojeda, best known for his work in Twisted Sister, and the two camps have remained connected ever since. “Twisted” makes that history explicit: Dee Snider appears on the record with guest vocals during the track’s climactic second verse and chorus, lending the song an instantly recognizable jolt of arena-rock power.

Snider isn’t the only marquee name in the credits. Mark Wood, founding violinist of Trans-Siberian Orchestra, contributes electrifying violin work that gives “Twisted” a cinematic sweep uncommon in modern hard rock. Rounding out the track are TJ Jordan on lead guitar and Bobby Marks on drums, creating a powerful, road-tested foundation behind Blaze’s signature gritty vocal delivery.

The Josie Music Awards nomination feels particularly fitting because “Twisted” isn’t simply another SCARECROW release. It brings together different eras of Blaze’s musical life while pushing the band’s sound forward. There’s history in the recording, but there’s also urgency. It doesn’t sound like a band looking backward. It sounds like one with unfinished business.

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For Blaze, the nomination also represents recognition of a career that has largely been built outside the traditional machinery of the mainstream music business. Independent rock artists rarely survive for decades without a fierce commitment to what they do, and SCARECROW’s longevity speaks for itself. From the band’s early years and its 1991 debut, through the Blood, Sweat and 20 Years retrospective and the theatrical production I Am SCARECROW, Blaze has continued developing a world around the music rather than simply releasing songs.

That makes the Song of the Year nomination especially meaningful. After nearly four decades of building SCARECROW, Blaze now heads to the Josie Music Awards at the Grand Ole Opry with one of his most ambitious songs recognized in the Metal/Alternative category.

And there’s something wonderfully appropriate about the song that got him there.

“Twisted” connects SCARECROW’s beginnings to its present, reunites Blaze musically with figures tied to the band’s history, and demonstrates just how much fire remains in the project. With Snider and Wood contributing to the record and Blaze still driving the band he created from the ground up, the track feels less like a nostalgic reunion than a statement of survival.

Now it’s also an award-nominated song.

For John Blaze and SCARECROW, nearly four decades into the journey, “Twisted” has become more than another entry in the catalog. It’s a career milestone — and this September, that milestone is taking SCARECROW all the way to the Grand Ole Opry.

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