We Speak Music
RETROFITTED Return With Phenomenal New Release “Never Ending Party”
RETROFITTED are a group of six artists (OJ Stinz, BFlow, YBE, OKJ, Pax Armani, and Big Carlo) with diverse backgrounds and tastes based in Arizona, US. With that in mind, the music they produce covers a wide range of styles rooted in hip-hop. “This allows each song to be a unique listening experience and ensures that no matter your taste in music or your mood, we will have a song ‘retrofitted’ to your desires”, says OJ Stinz. Although they only started releasing music as a group earlier this year, they’ve already got off to a flying start and made a strong impression after several singles and EPs over the last few months.
Keen to keep the ball rolling, the group have just unveiled their brilliant new single, “Never Ending Party”. The track is a great example of their versatile sound, with its incorporation of hip-hop, electro and pop recalling the likes of The Weeknd, Tyler, The Creator and Childish Gambino. Standing out immediately with a dark and retro dance soundscape, a mesmerising hook and the group’s dynamic vocals, it’s a must-hear track and another sublime entry into their early discography. The song is enhanced further by an equally impressive accompanying music video directed by Connar Tandy.
Speaking more on the new release, OJ Stinz says, “This was one of the first beats I fell in love with starting off, but I could never figure out what I wanted to do with it. I would listen to it for hours on repeat, but the words just weren’t coming. One night I was reflecting on the feeling of being stuck in a cycle of partying religiously to the point that it wasn’t even fun anymore and then it all materialised.
“This song in many ways is like my baby. It started off as just an idea and then became fleshed out in the writing process. It flourished in the studio while recording and finally was fully visualised via the music video. As a whole it serves as a bright spot in one of the darker times in both BFlow’s and my life.” “Never Ending Party” is available to buy/stream now on all platforms.
Keep up to date with the latest from RETROFITTED:
London-based multi-instrumentalist and producer Waz-u returns with his second album, Preludes: Dusk Psalms, set for release on 16 May 2025 via independent label Biodiversity. The 15-track record further refines the artistic depth of his debut, blending electronic textures and classical compositional techniques in an intricate, immersive listening experience.
Ahead of the album release, Waz-u is dropping an exclusive vocal version of ‘Vermillion: G Major’ from the album, accompanied by its original instrumental version. ‘Vermillion’ with Lilyg will be released on 18 April 2025, evoking intimate indie-folk and pop and follows the release of a vocal version of ‘Lament’ with Tom Norrington. ‘The singles are a way to give a voice to the atmosphere of the record and to lyrically encapsulate some of the themes explored,’ explains Waz-u. ‘Lily and Tom are good friends of mine and have both been listening to early iterations of these preludes – it felt right to involve them directly on this record.’
‘Preludes: Dusk Psalms’ marks a new branch of Waz-u’s emerging sound, guided by the duality of tradition and innovation. Combining his musical roots in early ‘90s dub techno and classical music, the album weaves carefully layered synthesizers and electronics to evoke the ambience of sacred music — from the gentle timbres of a choir or an organ to the quiet, open, and reverberating spaces of a church. Also featured throughout the album is experimental musician G9 LUV, who creates textures and drones by bowing his bass guitar, resulting in cello-like sounds. The release follows Waz-u’s 2024 debut LP, Prayer For Dawn, which merged dub, techno, and electronica in an exploration of the ritualistic traditions associated with both organized religion and dance.
Bringing the album’s themes to life, Waz-u will celebrate the release of Preludes: Dusk Psalms with a special performance at Our Holy Redeemer in Clerkenwell, London on 14 May 2025. Set against the church’s resonant acoustics, the event will feature live performance arrangements, including a choir, with further details to be announced soon.
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