We Speak Music
THE ILLUSTRATED MAN Builds Cinematic Tension on “Dance of Shadows”
THE ILLUSTRATED MAN continues to carve out his place within the global electronic scene with “Dance of Shadows”, a dark and immersive collaboration with Sasha Carassi featuring Berlin-based vocalist Aquarius Heaven. The single also serves as a preview of his upcoming debut album, The Skin Of Time, arriving June 12.
Born in Armenia and now based in Dubai, THE ILLUSTRATED MAN approaches electronic music with a cinematic mindset. Inspired by science fiction, visual storytelling, and emotional atmosphere, his productions are less about immediate impact and more about creating a sense of movement and tension that slowly unfolds over time.
“Dance of Shadows” captures that approach perfectly. Built around hypnotic rhythms, shadowy synth textures, and Aquarius Heaven’s soulful vocal performance, the track feels fluid and deeply atmospheric. There is a constant push and pull within the arrangement, balancing melodic warmth with a darker undercurrent that keeps the song evolving from start to finish.
The involvement of Sasha Carassi adds another layer of depth. A respected figure in electronic music for decades, Carassi brings precision and intensity to the production, helping shape the track into something equally suited for introspective listening and late-night dancefloors.
THE ILLUSTRATED MAN has already attracted support from influential names such as Richie Hawtin and Joris Voorn, and “Dance of Shadows” further reinforces why his sound is resonating internationally. Rather than chasing trends, he focuses on atmosphere, storytelling, and emotional weight.
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We Speak Music
Host Bodies’ track ‘On A Roll’ Gets a Psychedelic Reinvention from Soul Glitch
Ten years after Host Bodies first released the album Daily Apparatus, “On A Roll” has found a completely new groove.
For the Daily Apparatus: 10 Year Remixes project, multi-instrumentalist and producer Nicholas Hasty, under his Soul Glitch moniker, takes the original electronic-rock track and pulls it into deeper, more psychedelic territory.
The remix keeps the energy of Host Bodies intact while opening up the track with new beats, electronic textures and expressive saxophone solos. Electric guitar, bass and layered production give it a rich, genre-blurring sound that sits somewhere between indie electronic, jazztronica, soultronica and alternative dance.
There’s something particularly satisfying about hearing a decade-old track treated not as a relic, but as raw material. Soul Glitch reshapes “On A Roll” , finding new spaces within the original and bringing his own musical language into the mix.
The result is energetic, sensual, psychedelic and unapologetically expansive.
Ten years on, “On A Roll” proves that sometimes the best way to celebrate where a song came from is to find somewhere completely new for it to go.
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