We Speak Indie Artist

“SAINTS & SINNERS” WRAPS MOST-WATCHED SEASON EVER, SEEN BY 7.1 MILLION VIEWERS

Published

7 years ago

September 11, 2019

Five people in formal clothing stand around a casino craps table with dice and chips in an ornate room.

ATLANTA (Sept. 11, 2019) – It’s rare for a television series to increase viewership season over season. Bounce‘s original drama Saints & Sinners has done exactly that – for the fourth consecutive time.
The show’s just-concluded fourth season reached 7.1 million viewers and increased audience versus season three by +11% among Households and +13% in the delivery of Persons 2+. It was also up by +16% in P18-49 and +5% in P25-54.
Saints & Sinners was the #1 most-watched program in P18-49 and P2+ and second among HHs and P25-54 among all ad-supported cable in the delivery of African-Americans, Bounce’s target-audience, Sunday nights at 9:00 p.m.
In general market viewership, the show ranked 11th in P18-49, 12th in P25-54 and 16th in both HHs and P2+ among all commercial cable networks.
Saints & Sinners is the most-watched program in Bounce history. Viewers can catch up on Saints & Sinners anytime on Brown Sugar, Bounce’s subscription video-on-demand service. Brown Sugar is available on Apple TV, Roku, Chromecast, Comcast Xfinity X1, Amazon Prime Channels, Amazon Fire TV, Amazon Kindle, Android and Apple smartphones and tablets and web browsers via BrownSugar.com.
This season of Saints & Sinners saw Mayor Ella Johnson (Vanessa Bell Calloway) setting her sights beyond Cypress, Georgia and using her power and influence to position herself for a state senate seat. When her mother’s (Donna Biscoe) deep buried secrets surface, they threatened the very foundation of Ella’s world as she struggled to keep her enemies at bay and her children safe. Saints & Sinners also stars Clifton Powell, Tray Chaney, Keith Robinson, Demetria McKinney, J.D. Williams, Jasmine Burke, Dawn Halfkenny and Karon Joseph Riley.
Saints & Sinners is produced in partnership with Swirl Film’s Eric Tomosunas & Ron Robinson (Behind the Movement: The Rosa Parks Story, Love Under New Management: The Miki Howard Story, Tales,Pride & Prejudice.)
Bounce (@bouncetv) is the first and only multi-platform entertainment network targeting African Americans, with programming seen over-the-air, on cable, on DISH channel 359, over-the-air, over-the-top on Roku®, on mobile devices via the Bounce and Brown Sugar apps and on the web via BounceTV.com. Bounce features a programming mix of original series and movies, off-network series, theatrical motion pictures, specials, live sports and events and more. Bounce is part of The E.W. Scripps Company (NASDAQ: SSP).

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We Speak Hip-Hop

‘Visions of Optimism’: Supreme Da Almighty Brings a Fresh Perspective to Hip-Hop

Published

4 days ago

October 29, 2026

MJ Savino

Fantasy album cover showing two hooded figures with glowing blue eyes sitting in front of a split scene: a fiery hellish landscape on the left and a bright heavenly scene with angels and golden gates on the right, with a large glowing blue eye above them.

Hip-hop has always evolved through experimentation, and Supreme Da Almighty brings that mindset to his 2026 album Visions of Optimism.

Across 16 tracks, Supreme blends his own ideas, lyrics, and production with AI, resulting in a project that explores different sounds without abandoning its hip-hop foundation. The album stretches from soothing and melodic moments to energetic beats, creating a diverse musical experience filled with emotion.

Supreme’s connection to the culture runs deep. Along with being a producer, he is a promoter for legendary Snowgoons and the founder of The Supreme Da Almighty Show, giving him a perspective on hip-hop that goes beyond simply making records.

That experience comes through on Visions of Optimism. Conscious influences meet uplifting themes, rich musical arrangements, and modern production ideas throughout the project.

Instead of choosing between hip-hop tradition and new technology, Supreme Da Almighty brings the two worlds together. Visions of Optimism feels like exactly what its title suggests: a positive look toward where music can go next.