We Speak Music
Sara Lew releases fragile and powerful new album “Loud” plus new live video for “Echoes”
“An album infused with ethereal guitar lines, soaring vocal passages, and raw, emotive expressions”– WONDERLAND MAGAZINE
A fragile and, at the same time, powerful energy is the overall signature of the new Sara Lew album, which is a result of the meeting between the experiences of her life in recent years and the musical primordial power that characterizes the very special universe of the Danish indie artist.
The album represents Sara Lew’s characteristic style, but at the same time has new delicate threads which move into the atmospheric, where bare acoustic guitar gives way to vocals and lyrics gaining strength in the recognizable scratches that crises and grief leave behind – and which you as the audience intuitively recognize. “LOUD” is Sara’s musical exclamation mark after a period when life simply overshadowed the music in all its raw reality and is about the big themes that characterize the life lived.
She says, “I have found strength and new creative power in my experiences as an adult woman, having struggled through the last few years. The very special vulnerability, combined with almost primal power, I hope people feel in their souls, when they meet LOUD”.
“LOUD” is about encounters with the past and with the unconscious taboos that Sara as an adult woman had to confront because, despite her powerlessness and grief, she insisted on being a role model for her children. And to take care of the love and care, which became her delicate light and strength, in the darkest moments; a light that gained warmth and flared up in a redemptive and playful approach to the creation of the album. “Therefore, the ambition with LOUD is also that I now reach out, despite vulnerability, in the meeting with the audience in the very special community and in the unforgettable magical moments that live concerts contain between the stage and the hall.”, explains Sara.
Born to an English mother and Danish father and raised in Roskilde, Sara Lew is aka Sara Lewis Sørensen is now living in Copenhagen. Sara is an electric guitarist, educated at the rhythmic Music conservatorium in Copenhagen. She has received lessons from a number of jazz musicians in New York, including Ben Monder (David Bowie – Blackstar). Throughout her career, Sara has continuously developed her great talent within jazz and improvisational music, alternative rock and as an indie-folk-rock musician in a large number of constellations and now stands as a strong lead, on both guitar and vocals on “LOUD”.
The album complements 2024’s previous single releases ‘Did you ever notice’, ‘Faces’, ‘Out of Nowhere’ and ‘Shady Light’, which were received with enthusiasm in both the UK and Denmark in media such as Gaffa.dk, Good Because Danish, Side33.dk, Fame Magazine, Amazing Radio, Louder Than War Radio and more. The music is played and arranged by Sara Lew (vocals and guitar), Anders Filipsen (keyboard/synth) and Jeppe Gram (drums). Recorded by and in collaboration with sound and studio technicians Troels Bech Jessen and Casper Nyvang Rask. Produced by Sara Lew, and mixed and co-produced by Nis Bysted (Iceage & Choir of Young Believers), with mastering by Emil Thomsen.
We Speak Electronic
Reece Rosé Bottles the Feeling on “Misbehaving”
Reece Rosé is not trying to reinvent the wheel. He is here to remind you why it worked in the first place. With “Misbehaving”, the rising electronic artist taps into something instantly familiar, then flips it into a feel-good house cut that lands right where nostalgia meets the dancefloor.
Teaming up with Capri Everitt, Reece Rosé leans into warm textures and groove-driven production that echo the roots of early ’90s house and UK garage. The result is effortless but intentional. Smooth chords, playful rhythms, and just enough bounce to keep things moving without overcomplicating the mood.
“Misbehaving” plays like a memory you did not realize you still had. Late nights, no responsibilities, music loud enough to blur everything else. It pulls from that space where time felt slower but nights somehow lasted longer. “It’s a reminder of those carefree high school days, when life felt simple, the nights felt endless, and the only thing that mattered was the music and the memories we were making,” Rosé explains. And that feeling runs through every second of the track.
What makes it click is that it never gets stuck in the past. The influences are clear, but the execution stays sharp and current. This is not revival for the sake of it. It is a continuation. Rosé understands the DNA of dance music and builds on it, keeping the energy light, summery, and forward-facing.
That balance is quickly becoming his signature. With international airplay on Kiss FM UK and Insomniac Radio, plus support from names like AC Slater, Zeds Dead, Boombox Cartel, DJ Q, REH4B, and DJ Craze, his momentum is building in all the right places. On Beatport, his releases are already making noise, proving that his sound connects both in clubs and beyond.
“Misbehaving” does not try too hard. It does not need to. It is light, nostalgic, and built to move. The kind of track that makes you look back for a second, then pulls you straight into the moment.
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