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Reece Rosé Bottles the Feeling on “Misbehaving”

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Reece Rosé

Reece Rosé is not trying to reinvent the wheel. He is here to remind you why it worked in the first place. With “Misbehaving”, the rising electronic artist taps into something instantly familiar, then flips it into a feel-good house cut that lands right where nostalgia meets the dancefloor.

Teaming up with Capri Everitt, Reece Rosé leans into warm textures and groove-driven production that echo the roots of early ’90s house and UK garage. The result is effortless but intentional. Smooth chords, playful rhythms, and just enough bounce to keep things moving without overcomplicating the mood.

“Misbehaving” plays like a memory you did not realize you still had. Late nights, no responsibilities, music loud enough to blur everything else. It pulls from that space where time felt slower but nights somehow lasted longer. “It’s a reminder of those carefree high school days, when life felt simple, the nights felt endless, and the only thing that mattered was the music and the memories we were making,” Rosé explains. And that feeling runs through every second of the track.

What makes it click is that it never gets stuck in the past. The influences are clear, but the execution stays sharp and current. This is not revival for the sake of it. It is a continuation. Rosé understands the DNA of dance music and builds on it, keeping the energy light, summery, and forward-facing.

That balance is quickly becoming his signature. With international airplay on Kiss FM UK and Insomniac Radio, plus support from names like AC Slater, Zeds Dead, Boombox Cartel, DJ Q, REH4B, and DJ Craze, his momentum is building in all the right places. On Beatport, his releases are already making noise, proving that his sound connects both in clubs and beyond.

“Misbehaving” does not try too hard. It does not need to. It is light, nostalgic, and built to move. The kind of track that makes you look back for a second, then pulls you straight into the moment.

We Speak Electronic

Dancing In Tongues Explore Fragility and Hope on New Single “Petri Dish”

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Brooklyn duo Dancing In Tongues return with their new single “Petri Dish” and it lands like a quiet exhale in a loud world.

Built from soft-focus electronics, delicate rhythms, and vocals that feel almost whispered into the room, “Petri Dish” is less a traditional single and more a suspended moment. It drifts, pulses, and holds its breath in all the right places.

The track is the first glimpse of their upcoming 4-track EP of the same name, due 3rd July, and was written and produced in Berlin with Lucas Herweg (LLUCID) and Jacob Bergson (TAUT), working together as Designer.

At its core, “Petri Dish” comes from something deeply personal: the duo’s experience with IVF. Rather than framing it in heavy-handed terms, the song captures the emotional weather of it all; the waiting, the hope that arrives faster than you expect and the strange stillness that sits alongside it.

That duality runs through everything here. The production feels weightless but never empty with shimmering synths that blur at the edges, textures gently fold into one another, and the rhythm never quite settles into certainty. It moves the way thoughts do when you’re waiting for news you can’t control.

Vocally, Sarah Martin-Nuss stays close to the mic, almost conversational at times, which makes the emotional impact feel even more direct. There’s no performance of grandeur here, just presence, honesty, and space to feel things as they are.

Dancing In Tongues have always worked in that in-between zone where electronic music becomes something more tactile and personal, and “Petri Dish” is no exception.

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