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Sour Blood Delivers Masterful Debut Album ‘Suas’
Sour Blood, the brainchild of Tipperary-born artist Kevin Gleeson, offers a captivating exploration of musical landscapes with the release of their debut album, Suas. Known for his unique blend of theatre and music, Gleeson has crafted an album that seamlessly merges rich orchestration with deeply introspective themes, setting a high bar for his burgeoning project.
Suas is a symphonic journey, composed of eight tracks that ebb and flow with nocturnal balladry and sweeping orchestration. Gleeson’s talent for sound design shines through as he weaves together a tapestry of lush arrangements and haunting melodies. The album feels like a carefully curated voyage through waking dreams and reflective reveries, offering listeners a profound auditory experience.
The project, which began with a sold-out debut at the Dublin Dance Festival in 2019, has evolved significantly since then. Gleeson’s previous EP, Good Nevers, introduced his innovative sonic language, characterized by a fusion of varied influences and a penchant for stirring song structures. However, Suas marks a monumental leap in both artistic breadth and execution.
Written and recorded between Gothenburg and Dublin from 2022 to 2023, Suas benefits from the collaborative efforts of Brendan Jenkinson, known for his work with Villagers and Aoife Nessa Francis. The album’s production imbues it with a wintery warmth, creating a soundscape that is both pastoral and otherworldly. Gleeson’s vocal versatility is a standout feature, adding depth and emotion to each track.
Highlights of the album include the R&B-inflected “Mysterious Creature,” which combines forlorn lyrics with a boom-bap rhythm, and “Bruise,” a piano-driven ballad where Gleeson’s voice takes center stage. In tracks like “The Devil” and “Clot,” his vocals are cleverly manipulated, blending seamlessly with the instrumental layers to create a euphoric harmony. The closing track, “Overgrowing,” features delicate acoustic guitar and faint organ strains, offering a haunting and open-ended conclusion to the album.
Suas is a complex and beautiful exploration of sound, positioning Sour Blood as a noteworthy and gifted artist. The album not only showcases Gleeson’s meticulous artistry but also his ability to craft music that resonates on an emotional and intellectual level. It stands as a testament to his vision, blending introspective lyrics with grandiose compositions to create a work that is as thought-provoking as it is sonically pleasing.
In conclusion, Suas is a stunning debut that solidifies Sour Blood’s place in the contemporary music scene. Available on all major streaming platforms, this album is a must-listen for anyone looking to explore new musical territories.
We Speak Music
NP York releases dreamy sophomore album ‘What’s Next?’

‘What’s Next?’, the sophomore album from Danish artist NP York, is a dreamy indie-rock record that reflects on lost youth and the places, people, and versions of ourselves that we leave behind as we grow older.
Written in the aftermath of a severe period of depression and as somewhat an outsider of Copenhagen’s music scenes, ‘What’s Next?’ is an album about the strange distance that develops between who we were and who we’re becoming. Across the record’s 10 tracks, NP York turns that distance into melancholic, guitar-driven songs about aging, memory, friendship, ambition, and the quiet realization that youth is something you can never quite return to.
Rather than treating growing older as a simple loss, ‘What’s Next?’ lives in the tension between grief and acceptance as it moves between existential reflections and epic moments of blissful uplift. There’s the paradox of leaping headfirst into new love when you know the cost of failed romance in ‘As Bold As A Heart’, there’s revisiting late teenage night drives and old friendships in ‘One More Day’ and there’s the effervescent gem ‘Trier’, which deals with holding on, waiting for answers and persevering.
Musically, ‘What’s Next?’ draws from the emotional immediacy of indie rock, balancing chiming guitars and restless rhythms with expansive poignancy. NP York’s rich baritone vocals anchor down lyrics that combine a poet’s ear for emotion with a humourist’s wit as he ironically muses on childhood dreams and expectations from the reality of becoming a man in his mid-30s and the absurdities and chaos of the world around him.
The result is a record that feels nostalgic without becoming sentimental, a collection of songs less interested in preserving the past than in understanding why we miss it. As the wild and exuberant yearning for youth in tracks like ‘LIE!’ and ‘As Bold As A Heart’ turn to maturity in more mellow tracks like ‘Let’s Talk’ and ‘Better Place’, ‘What’s Next?’ becomes about a past that has shaped us and the moment we realize we have outgrown it. It asks what happens when places that once felt like home become a memory, when old friends begin living different lives, and when the future starts to feel less like an open road and more like something that requires choosing.
‘What’s Next?’ follows NP York’s 2024 debut album ‘Music for Fools’, which was a sumptuous intimate singer-songwriter affair of personal catharsis featuring graceful string arrangements by Who Killed Bambi, alongside subdued pianos and raw guitars. Backed again by his band of musician friends ‘The Fools’ and recorded live with producers Kaspar Kaae and Asger Techau (David Bowie, Lou Reed and Tony Visconti) at the helm, there seems to be more letting go, nerve and release in ‘What’s Next?’, as the apathy of feeling lost in the world, makes way for the optimism of new love, a revived sense of creativity and the constant urge to explore and the question: WHAT’S NEXT?.
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