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Taylor Swift and her neighbors are have some bad blood
Looks like Taylor Swift and her neighbors have some bad blood
Tribeca residents better be nice, or Taylor Swift might write a vindictive song about them.
As The Post recently revealed, the singer has been building up her downtown real estate collection, adding a $9.75 million apartment at 155 Franklin St. — the address where she already owns an 8,000-square-foot penthouse duplex created from two units. And this past fall, it was reported that she purchased a three-story townhouse next door, at 153 Franklin, for $18 million. Total worth of her block domination: a cool $47.7 million.
Looks like Taylor Swift and her neighbors have some bad blood
Tribeca residents better be nice, or Taylor Swift might write a vindictive song about them.
As The Post recently revealed, the singer has been building up her downtown real estate collection, adding a $9.75 million apartment at 155 Franklin St. — the address where she already owns an 8,000-square-foot penthouse duplex created from two units. And this past fall, it was reported that she purchased a three-story townhouse next door, at 153 Franklin, for $18 million. Total worth of her block domination: a cool $47.7 million.
But not all of Swift’s neighbors in Tribeca — home to the city’s most expensive zip codes — are happy for her.
“We don’t need celebrities here that will draw the focus [of] the paparazzi or extra fan attention. [There’s already a] small swarm of teenage girls lurking and swooning outside [Swift’s home regularly],” said an entrepreneur who lives in the neighborhood. “Yes, we have celebrities living here — [but] we like not having conspicuous celebrities here. That’s why we live in Tribeca. Because the flashier famous people are clustered [in neighborhoods] like the West Village.”
Days after it was reported this past October that Swift had purchased the townhouse, someone posted a flier reading “Taylor Swift Can Go F–k Herself” to a Tribeca lamppost.
It didn’t help that the townhouse was already notorious: It’s where disgraced International Monetary Fund director Dominique Strauss-Kahn hid out after allegedly assaulting a hotel maid in 2011 (charges were later dropped). Although no work has been reported since Swift purchased the property, neighbors are worried she might begin a large-scale construction project to combine units from the two buildings — just as she combined two apartments to create her 155 duplex.
“People are concerned. Everyone’s wondering what she’ll do — if she will connect the buildings for the garage access [as the townhouse has its own garage with a private entrance] or make a massive compound,” said one resident who lives nearby and who, like the entrepreneur, asked that The Post withhold her name for fear of angering Swift. “There was speculation on what she needs the new townhouse and second unit for. Some think [the townhouse] is for parking!”
(A spokesperson for the singer did not return calls for comment.)
“Franklin Street has a history of being an apocalypse of construction,” said the entrepreneur. “When even one lane is blocked off it can cause chaos.”
A commenter on the Tribeca Citizen Web site wrote of how Swift’s presence already inconveniences residents of 155 Franklin: “There’s one elevator and if she’s coming or going, [her] bodyguards won’t let anyone get in. They’ll hold the elevator on the top floor for 30 [minutes] waiting for her.”
Meanwhile, the singer has created waves in the real-estate world. Brokerage Douglas Elliman is suing her for unpaid commissions of $1.6 million related to the townhouse sale.
A Swift insider insisted, “It’s not that she’s a bad neighbor — but the [paparazzi loitering outside] really is a problem.”
Looks like Taylor Swift and her neighbors have some bad blood
Tribeca residents better be nice, or Taylor Swift might write a vindictive song about them.
As The Post recently revealed, the singer has been building up her downtown real estate collection, adding a $9.75 million apartment at 155 Franklin St. — the address where she already owns an 8,000-square-foot penthouse duplex created from two units. And this past fall, it was reported that she purchased a three-story townhouse next door, at 153 Franklin, for $18 million. Total worth of her block domination: a cool $47.7 million.
But not all of Swift’s neighbors in Tribeca — home to the city’s most expensive zip codes — are happy for her.
“We don’t need celebrities here that will draw the focus [of] the paparazzi or extra fan attention. [There’s already a] small swarm of teenage girls lurking and swooning outside [Swift’s home regularly],” said an entrepreneur who lives in the neighborhood. “Yes, we have celebrities living here — [but] we like not having conspicuous celebrities here. That’s why we live in Tribeca. Because the flashier famous people are clustered [in neighborhoods] like the West Village.”
Days after it was reported this past October that Swift had purchased the townhouse, someone posted a flier reading “Taylor Swift Can Go F–k Herself” to a Tribeca lamppost.
It didn’t help that the townhouse was already notorious: It’s where disgraced International Monetary Fund director Dominique Strauss-Kahn hid out after allegedly assaulting a hotel maid in 2011 (charges were later dropped). Although no work has been reported since Swift purchased the property, neighbors are worried she might begin a large-scale construction project to combine units from the two buildings — just as she combined two apartments to create her 155 duplex.
“People are concerned. Everyone’s wondering what she’ll do — if she will connect the buildings for the garage access [as the townhouse has its own garage with a private entrance] or make a massive compound,” said one resident who lives nearby and who, like the entrepreneur, asked that The Post withhold her name for fear of angering Swift. “There was speculation on what she needs the new townhouse and second unit for. Some think [the townhouse] is for parking!”
(A spokesperson for the singer did not return calls for comment.)
“Franklin Street has a history of being an apocalypse of construction,” said the entrepreneur. “When even one lane is blocked off it can cause chaos.”
A commenter on the Tribeca Citizen Web site wrote of how Swift’s presence already inconveniences residents of 155 Franklin: “There’s one elevator and if she’s coming or going, [her] bodyguards won’t let anyone get in. They’ll hold the elevator on the top floor for 30 [minutes] waiting for her.”
Meanwhile, the singer has created waves in the real-estate world. Brokerage Douglas Elliman is suing her for unpaid commissions of $1.6 million related to the townhouse sale.
A Swift insider insisted, “It’s not that she’s a bad neighbor — but the [paparazzi loitering outside] really is a problem.”
The insider added that Swift had a tough time finding co-op boards and buildings that would sell to her, given the baggage that comes with her level of fame. “People aren’t thrilled that she’s down there, but it comes with the territory. Tribeca is filled with two types of people: older people with a lot of money who want to be left alone and young, cool people who don’t care that she’s there.”
Count Alice + Olivia fashion designer Stacey Bendet Eisner among those in the latter camp. “I don’t see why it’s bad,” she said of Swift’s block dominance. “Taylor is an incredibly successful woman who does great things for children. We should be proud to have her as a neighbor.”
Avohee Avoher doesn’t just release a track with “La Noche Resonaba”—he unleashes a nocturnal experience that feels engineered for the pulse of the world’s most electric dancefloors. From the first beat, there’s a hypnotic tension that builds like a slow-burning seduction, drawing listeners into a sonic landscape that is equal parts cinematic score and underground club ritual. This is not passive listening—it’s immersion.
What elevates the track is its architectural precision. The analogue synth lines don’t merely drive the rhythm—they breathe, expand, and coil around the listener with almost theatrical intention. Each drop lands with authority, not chaos, proving Avoher understands restraint just as much as release. The bilingual vocals add an exotic mystique, floating between languages like whispers in a dimly lit room, giving the track a global, almost spiritual identity.
There’s also something undeniably grand about the composition. You can hear the classical discipline in its structure—the rise and fall, the emotional pacing, the deliberate layering. It’s EDM with intellect, sensuality, and scale. “La Noche Resonaba” feels as comfortable in a dark Ibiza club at 3 AM as it does on a massive festival stage, arms raised, lights exploding, bodies moving in unison.
This is a statement record. Avohee Avoher isn’t chasing trends—he’s crafting moments. And in a genre often driven by repetition, this track stands out as something far more refined, far more cinematic, and far more unforgettable.
Párrafo en Español:
“La Noche Resonaba” es una obra envolvente que captura la esencia de la noche con una intensidad casi hipnótica. La fusión de sonidos electrónicos con una estructura cuidadosamente elaborada crea una experiencia sensorial profunda, donde cada ritmo y cada voz transportan al oyente a un mundo misterioso y seductor. Avohee Avoher demuestra una maestría excepcional al combinar lo clásico con lo moderno, logrando un tema que no solo se escucha, sino que se siente en cada latido.
Watch the official music video here:
https://youtu.be/0A0NL7ebTu8?si=ZiSrYUbxR95bsTqG
Official site:
https://www.avohee.com
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